"Editorial abstract illustration evoking the emotional arc of a song titled "One Too Many Mornings" by Bob Dylan. Noticeable climb from quiet to loud. balanced composition. Mood: contemplative, emotional, introspective, melancholy, reflective. Visual style: 1964 vintage painting aesthetic, warm aged tones. Painterly, grainy film texture, muted palette with strategic accent colors. The composition should read left-to-right like a timeline — calm on one side, intensifying toward the other. Strictly no faces, no text, no logos, no literal objects, no band imagery. Pure color-field abstraction with emotional weight. 16:9 editorial format."
One Too Many Mornings
Bob Dylan
The Times They Are a-Changin' (1964)
AI-analyzed — check another song
Easy, low-key calm, right in the middle of 19,209 measured songs — measures out best for dinner.
72
BPM
One Too Many Mornings by Bob Dylan is 72 BPM — Adagio (slow).
Half-time 36 BPM · Double-time 144 BPM · released 1964
Fan image for "One Too Many Mornings"
An abstract illustration of what this song feels like. Each image is built from a prompt — the text description fed to the image generator. Listeners submit their own prompts, upvote the ones that fit best, and the top-voted prompt drives the next regeneration. After 100 image votes, we make a new picture.
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Song DNA
Notes: Fingerpicked acoustic guitar with Dylan's contemplative vocals creates an intimate, melancholic atmosphere. The original arrangement is simple and resigned, though electric versions introduce greater intensity and anger.
Misophonia Triggers
Recommended for: deep listening emotional release meditation relaxation
An easygoing, settled feel. Even and easy to follow, it makes good background. This one has a moderate quiet-to-loud range with a handful of real turns, clean in texture, with gentle vocals riding over it at an unhurried mid-tempo. Across the library, it sits more energetic than 24% of songs, calmer than the rest.
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Moods: contemplative, emotional, introspective, melancholy, reflective
Traditions: acoustic ballad, folk
At a glance
"One Too Many Mornings" by Bob Dylan
72 BPM, dynamic range 6/10, smooth texture, soft vocals. Sits in the middle band — neither built for stillness nor pitched at workout intensity. Whether it works for a given moment depends more on mood and lyrical content than on the acoustic profile. The full sensory breakdown follows.
How this song sits on each sensory axis
A dynamic range of 6/10 means this song moves. Expect a real volume climb between quiet sections and the loudest part of the arrangement — enough that you may want to set the initial volume below where you'd normally land.
Sudden changes: present. This song uses surprise as a feature. For focus or background listening, it's likely to pull your attention away; for active listening, that's often the point.
Texture: smooth.
Predictability is high — the song telegraphs what it will do next. A sensory-sensitive listener can usually guess where it's going without close attention.
Vocal style: soft vocals.
Where this sits in Bob Dylan's catalog
We have 95 songs from Bob Dylan in the library. Of those, 29 are rated Safe, 60 Moderate, and 6 Intense. This song's dynamic range of 6/10 sits above the artist average of 5.4, making it the #25 most dynamic track of theirs in our library.
Other tracks from The Times They Are a-Changin'
We have 2 songs from this album. Overall, the album leans moderate in sensory profile.
- The Times They Are a-Changin' — safe DR 6
1964 context
Released in 1964. We have 132 songs from that year in our library, averaging a dynamic range of 6.1/10. This track is about average than the year average. Explore more from the 1960s.
Explore by mood and tradition
Guides that may help
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How fast is "One Too Many Mornings"?
72 BPM — Slow (downtempo / ballad)
For running
Too slow for most running; good for warm-up walks or cool-down.
For workouts
Warm-up, cool-down, yoga, stretching.
For daily life
Sleep, meditation, reading, focus work.
Browse more songs at 72 BPM.
When "One Too Many Mornings" works, and when it doesn't
Use-case verdicts computed from the song's tempo, dynamics, and sensory profile.
~
Focus / studying
Maybe — fine for routine work, but the mid-song changes may pull attention during deep focus.
✗
Running / workout
No — 72 BPM is too slow for sustained cardio.
✗
Sleep / winding down
No — contains elements that will keep an awake nervous system engaged.
✓
Driving / road trip
Yes — predictable enough for safe driving attention, interesting enough to stay engaged.
✓
Cooking / dinner background
Yes — sits in the background without demanding attention.
✓
Emotional release / catharsis
Yes — this is a song for actively feeling what you came to feel, not for background.
Related reading
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Why this rating
We rate this song Moderate because it falls between our Safe and Intense thresholds on at least one dimension. Moderate is the default for most well-produced music that has real arc but no surprise elements. Full rubric: methodology.
This song in the Music Studio
36/100 intensity
See how “One Too Many Mornings” sits against your own sensitivities, or use it as a waypoint in a calmer set.
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Spotify and YouTube links go direct to the track when we have the ID; otherwise they search for it. Embed this sensory profile on your site →
Rating last reviewed: 2026-04-13. Reviewed by the Music I Want editorial team against the documented methodology.
Think this rating is wrong? Contact the editor — every message is read and ratings get revised.
By the numbers: how this song compares
Computed from this song’s place among the 19,209 songs we’ve measured.
Where it sits in 19,000 songs
On our 19k-song scale this lands in the middle band — more energetic than 24% of songs, calmer than the other 76%. Its intensity reading of 36/100 comes from a dynamic range of 6/10, smooth texture, moderate shifts, and soft vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.
What makes it unusual
What stands out most about this song is a slow, unhurried pace: more extreme on that axis than 90% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.
Feels almost identical to
Joshua Giraffe — Raffi · 96%Isabella — Jimi Hendrix · 89%So Long, Marianne — Leonard Cohen · 88%All I Want — Olivia Rodrigo · 88%
Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.
What it’s good for
Sleep3/10
Focus7/10
Workout2/10
Dinner9/10
Party / hype2/10
Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.
1964 in context
The 132 songs we’ve measured from 1964 average a dynamic range of 6.1/10. At 6/10, this track is right in line with its year.
Mixes smoothly with
Within a few BPM and close in feel — they flow without a jarring transition.
The fingerprint
Intensity36
Dynamics56
Tempo18
Surprise50
Density0
Predictability0
Vocal force25
Trigger load25
The 8-dimension measurement behind every rating on this page.
Frequently asked about "One Too Many Mornings"
Quick answers pulled from the song's sensory analysis.
What is the BPM of "One Too Many Mornings" by Bob Dylan?
"One Too Many Mornings" by Bob Dylan has a tempo of 72 BPM (Adagio (slow)). At half-time that is 36 BPM, and at double-time 144 BPM.
What is the sensory intensity of "One Too Many Mornings" by Bob Dylan?
"One Too Many Mornings" by Bob Dylan rates as Moderate intensity. Dynamic range 6/10, moderate sudden changes, smooth texture. Moderate is the default for well-produced music with real arc but no surprise elements.
How loud is "One Too Many Mornings" — what is its dynamic range?
"One Too Many Mornings" has a dynamic range of 6/10. Noticeable climb from quiet sections to loudest point. Set opening volume slightly lower than your preferred peak.
Does "One Too Many Mornings" have sudden or surprising changes?
Yes. "One Too Many Mornings" uses surprise as a compositional feature. Expect unsignaled transitions.
What is "One Too Many Mornings" best for?
In our library "One Too Many Mornings" is recommended for: deep listening, emotional release, meditation, relaxation. These tags are assigned only where the song's sensory profile genuinely supports the use case.
When was "One Too Many Mornings" released?
"One Too Many Mornings" is from 1964, on the album "The Times They Are a-Changin'". It appears in our 1960s catalog.
What is the emotional mood of "One Too Many Mornings"?
We tag "One Too Many Mornings" as contemplative, emotional, introspective, melancholy, reflective. Moods are tonal descriptors based on how the song reads emotionally — separate from the sensory intensity axes.
What is the vocal style of "One Too Many Mornings"?
The vocal style is soft vocals.
Is "One Too Many Mornings" good for running?
Not really — at 72 BPM it's below most running cadences. Better for warm-up, cool-down, or walking. Recreational runners typically step at 140-175 BPM.
Is "One Too Many Mornings" good for studying?
Only partially. The song's dynamic range (6/10) means there will be loud moments that break focus during deep work.
Can I use "One Too Many Mornings" for sleep?
Not recommended for sleep. Contains transitions that will wake you up.
Should I listen to "One Too Many Mornings"?
"One Too Many Mornings" is Moderate intensity — fine for most listeners, but with enough dynamic activity that it works best as active listening rather than background.
Songs with the same DNA
smooth texture, similar intensity — across any genre or era.
Safer alternatives with a similar feel
These songs share similar moods but with a gentler sensory profile.
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Where to next?
You know how this one feels — now go find the next one.