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10 songs that feel like One Too Many Mornings
Matched to One Too Many Mornings by Bob Dylan on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.
A 90% feel-match — carries the same emotional pull and sits a little calmer at 29/100. Nearly the same tempo, too (72 BPM).
96% match across our 8 measured dimensions; it lands at almost exactly the same energy (37/100). Same smooth texture.
Keeps the same emotional pull — sits a little calmer at 28/100. Measured 89% alike.
Measures 89% the same. It lands at almost exactly the same energy (33/100). Same smooth texture.
A 89% feel-match — carries the same emotional pull and sits a little calmer at 25/100. Nearly the same tempo, too (72 BPM).
89% match across our 8 measured dimensions; it sits a little calmer at 26/100. Same smooth texture.
Keeps the same emotional pull — sits a little calmer at 26/100. Measured 89% alike.
Measures 90% the same. It sits a little calmer at 29/100. Same smooth texture.
A 90% feel-match — carries the same emotional pull and sits a little calmer at 29/100. Nearly the same tempo, too (70 BPM).
87% match across our 8 measured dimensions; it sits a little calmer at 29/100. Same smooth texture.
…and if you want it calmer
Same feeling, measured gentler — for when One Too Many Mornings is more than you want right now.
Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 6. Intensity 16/100, down from 36.
Its dynamic range stays a gentler 2 where the original climbs to 6, so it lands at 8/100 — the pull without the edge. Nearly the same tempo, too.
If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 2 where the original climbs to 6. Reads 7/100.
Holds the same feel while its dynamic range stays a gentler 3 where the original climbs to 6. 12/100, versus the original's 36. Nearly the same tempo, too.
Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 28/100, down from 36.
Nothing in it lurches or startles, so it lands at 21/100 — the pull without the edge.
If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 6. Reads 21/100. Nearly the same tempo, too.
Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 6. 15/100, versus the original's 36. Nearly the same tempo, too.
Frequently asked
What songs sound like “One Too Many Mornings” by Bob Dylan?
The closest feel-matches we measure are “All I Want” by Olivia Rodrigo, “Joshua Giraffe” by Raffi, “The Lake” by Antony and the Johnsons — the top match scores 90% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.
What songs are like “One Too Many Mornings” but calmer?
“Speed of the Sound of Loneliness” by John Prine, “I Remember Everything” by John Prine, “A Lack of Color” by Death Cab for Cutie keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.
How intense is “One Too Many Mornings”?
It measures 36/100 on our intensity scale, computed from a dynamic range of 6/10, smooth texture, moderate sudden shifts, and soft vocals. Tempo is 72 BPM.
How do you decide which songs are similar?
Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.
By the numbers: how this song compares
Computed from this song’s place among the 19,209 songs we’ve measured.
Where it sits in 19,000 songs
On our 19k-song scale this lands in the middle band — more energetic than 24% of songs, calmer than the other 76%. Its intensity reading of 36/100 comes from a dynamic range of 6/10, smooth texture, moderate shifts, and soft vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.
What makes it unusual
What stands out most about this song is a slow, unhurried pace: more extreme on that axis than 90% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.
Feels almost identical to
Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.
What it’s good for
Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.
1964 in context
The 132 songs we’ve measured from 1964 average a dynamic range of 6.1/10. At 6/10, this track is right in line with its year.
Mixes smoothly with
Within a few BPM and close in feel — they flow without a jarring transition.
The fingerprint
The 8-dimension measurement behind every rating on this page.
Want the single closest match, with every dimension compared?
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