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10 songs that feel like SDP Interlude

Matched to SDP Interlude by Travis Scott on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

SDP Interlude
The song you love
SDP Interlude
Travis Scott
moderate 42/100 intensity 130 BPM
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Gravity Rides Everything — Modest Mouse moderate 120 BPM

A 95% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (45/100).

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Silent Hill — Kendrick Lamar (featuring Kodak Black) moderate 140 BPM

95% match across our 8 measured dimensions; it lands at almost exactly the same energy (47/100). Same layered texture.

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No Glamour for Willi — Television moderate 120 BPM

Keeps the same introspective pull — lands at almost exactly the same energy (45/100). Measured 95% alike.

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YAH. — Kendrick Lamar moderate 134 BPM

Measures 94% the same. It lands at almost exactly the same energy (46/100). Same layered texture.

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Somebody That I Used to Know — Gotye moderate 129 BPM

A 96% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (46/100). Nearly the same tempo, too (129 BPM).

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In Hell — Japanese Breakfast moderate 110 BPM

94% match across our 8 measured dimensions; it lands at almost exactly the same energy (44/100). Same layered texture.

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Thanks a Lot — Third Eye Blind moderate 120 BPM

Keeps the same contemplative pull — runs a little hotter at 49/100. Measured 90% alike.

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Red Right Hand — Nick Cave and the Bad Seeds moderate 114 BPM

Measures 90% the same. It runs a little hotter at 49/100. Same layered texture.

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Truth Doesn't Make a Noise — The White Stripes moderate 112 BPM

A 90% feel-match — carries the same contemplative pull and runs a little hotter at 48/100.

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Play for Today — The Cure moderate 140 BPM

94% match across our 8 measured dimensions; it lands at almost exactly the same energy (47/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when SDP Interlude is more than you want right now.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 24/100, down from 42. Nearly the same tempo, too.

Two Thousand and Seventeen by Four Tet
Two Thousand and Seventeen — Four Tet safe 120 BPM

It stays in our safe band start to finish, so it lands at 35/100 — the pull without the edge. Nearly the same tempo, too.

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America — Simon and Garfunkel safe 100 BPM

If it's the same feel you're after, this delivers it while it stays in our safe band start to finish. Reads 31/100.

The Times They Are a-Changin' by Bob Dylan
The Times They Are a-Changin' — Bob Dylan safe 120 BPM

Holds the same feel while nothing in it lurches or startles. 27/100, versus the original's 42. Nearly the same tempo, too.

Nocturne in E-flat major, Op. 9 No. 2 by Frédéric Chopin
Nocturne in E-flat major, Op. 9 No. 2 — Frédéric Chopin safe 60 BPM

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 25/100, down from 42.

Blowin' in the Wind by Bob Dylan
Blowin' in the Wind — Bob Dylan safe 80 BPM

Nothing in it lurches or startles, so it lands at 12/100 — the pull without the edge.

If I Were a Boy by Beyoncé
If I Were a Boy — Beyoncé safe 92 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 28/100.

I Contain Multitudes by Bob Dylan
I Contain Multitudes — Bob Dylan safe 85 BPM

Holds the same feel while nothing in it lurches or startles. 16/100, versus the original's 42.

Frequently asked

What songs sound like “SDP Interlude” by Travis Scott?

The closest feel-matches we measure are “Gravity Rides Everything” by Modest Mouse, “Silent Hill” by Kendrick Lamar (featuring Kodak Black), “No Glamour for Willi” by Television — the top match scores 95% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “SDP Interlude” but calmer?

“It's Too Late” by Carole King, “Two Thousand and Seventeen” by Four Tet, “America” by Simon and Garfunkel keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “SDP Interlude”?

It measures 42/100 on our intensity scale, computed from a dynamic range of 4/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 130 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 38% of songs, calmer than the other 62%. Its intensity reading of 42/100 comes from a dynamic range of 4/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 97% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep5/10
Focus8/10
Workout6/10
Dinner8/10
Party / hype5/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2016 in context

The 368 songs we’ve measured from 2016 average a dynamic range of 6.3/10. At 4/10, this track is gentler and steadier than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity42
Dynamics33
Tempo50
Surprise25
Density33
Predictability50
Vocal force75
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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