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10 songs that feel like All for Myself

Matched to All for Myself by Sufjan Stevens on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

All for Myself
The song you love
All for Myself
Sufjan Stevens
moderate 60/100 intensity 120 BPM
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My Eyes Have Seen You — The Doors moderate 110 BPM

A 98% feel-match — carries the same moody pull and lands at almost exactly the same energy (59/100).

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Shame Shame — Foo Fighters moderate 135 BPM

87% match across our 8 measured dimensions; it sits a little calmer at 47/100. Same layered texture.

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Daddy's Home — St. Vincent moderate 105 BPM

Keeps the same moody pull — sits a little calmer at 48/100. Measured 86% alike.

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There Goes My Gun — Pixies moderate 120 BPM

Measures 99% the same. It lands at almost exactly the same energy (60/100). Same layered texture.

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Waited All Night — Jamie xx moderate 120 BPM

A 99% feel-match — carries the same introspective pull and lands at almost exactly the same energy (60/100). Nearly the same tempo, too (120 BPM).

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Take Me to the Pilot — Elton John moderate 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (60/100). Same layered texture.

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Down Boy — Yeah Yeah Yeahs moderate 120 BPM

Keeps the same introspective pull — lands at almost exactly the same energy (60/100). Measured 99% alike. Nearly the same tempo, too (120 BPM).

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Why Bother? — Weezer moderate 120 BPM

Measures 99% the same. It lands at almost exactly the same energy (60/100). Same layered texture.

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Balada Para un Loco — Astor Piazzolla moderate 120 BPM

A 99% feel-match — carries the same introspective pull and lands at almost exactly the same energy (60/100). Nearly the same tempo, too (120 BPM).

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Song About an Angel — Sunny Day Real Estate moderate 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (60/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when All for Myself is more than you want right now.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 5 where the original climbs to 7. Intensity 24/100, down from 60. Nearly the same tempo, too.

The Times They Are a-Changin' by Bob Dylan
The Times They Are a-Changin' — Bob Dylan safe 120 BPM

Nothing in it lurches or startles, so it lands at 27/100 — the pull without the edge. Nearly the same tempo, too.

William, It Was Really Nothing by The Smiths
William, It Was Really Nothing — The Smiths safe 92 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 25/100.

August by Taylor Swift
August — Taylor Swift safe 90 BPM

Holds the same feel while its dynamic range stays a gentler 5 where the original climbs to 7. 35/100, versus the original's 60.

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Midnight — Tycho safe 120 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 5 where the original climbs to 7. Intensity 26/100, down from 60. Nearly the same tempo, too.

Clean by Taylor Swift
Clean — Taylor Swift safe 120 BPM

Its dynamic range stays a gentler 5 where the original climbs to 7, so it lands at 26/100 — the pull without the edge. Nearly the same tempo, too.

Happy Pills by Norah Jones
Happy Pills — Norah Jones safe 120 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 5 where the original climbs to 7. Reads 29/100. Nearly the same tempo, too.

End of Beginning by Djo
End of Beginning — Djo safe 114 BPM

Holds the same feel while its dynamic range stays a gentler 5 where the original climbs to 7. 29/100, versus the original's 60. Nearly the same tempo, too.

Frequently asked

What songs sound like “All for Myself” by Sufjan Stevens?

The closest feel-matches we measure are “My Eyes Have Seen You” by The Doors, “Shame Shame” by Foo Fighters, “Daddy's Home” by St. Vincent — the top match scores 98% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “All for Myself” but calmer?

“It's Too Late” by Carole King, “The Times They Are a-Changin'” by Bob Dylan, “William, It Was Really Nothing” by The Smiths keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “All for Myself”?

It measures 60/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, moderate sudden shifts, and dynamic vocals. Tempo is 120 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 77% of songs, calmer than the other 23%. Its intensity reading of 60/100 comes from a dynamic range of 7/10, layered texture, moderate shifts, and dynamic vocals. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is blazing intensity: more extreme on that axis than 77% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep0/10
Focus3/10
Workout7/10
Dinner6/10
Party / hype6/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2010 in context

The 254 songs we’ve measured from 2010 average a dynamic range of 6.5/10. At 7/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity60
Dynamics67
Tempo44
Surprise50
Density33
Predictability50
Vocal force75
Trigger load25

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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