Suite: Judy Blue Eyes
Suite: Judy Blue Eyes by Crosby, Stills & Nash is 135 BPM — Allegro (fast).
Half-time 68 BPM · Double-time 270 BPM · released 1969
Song DNA
Misophonia Triggers
A multi-section suite written by Stephen Stills about Judy Collins, featuring evolving verses, harmonies, and acoustic guitar, defining CSN's folk-rock harmony style.
Hear it the way it was made
The right gear changes everything.
Moods: intimate, melancholy, uplifting
Traditions: folk rock
"Suite: Judy Blue Eyes" runs at 135 BPM — cruise pace territory.
For runners: match cadence to BPM and the song does half the work. Texture stays layered; vocals sit dynamic. Nothing in the arrangement asks for your attention mid-stride. Good as a steady-state track; less useful for interval work where you want explicit tempo shifts.
How this song sits on each sensory axis
A dynamic range of 6/10 means this song moves. Expect a real volume climb between quiet sections and the loudest part of the arrangement — enough that you may want to set the initial volume below where you'd normally land.
Sudden changes: mild. There are one or two transitions worth knowing about, though they're musically resolved rather than surprise-driven.
Texture is layered — a full arrangement with clear separation between parts.
Predictability is medium — conventional structure overall, with one or two moments that deviate from what you'd expect.
Vocal style: dynamic vocals.
Where this sits in Crosby, Stills & Nash's catalog
We have 8 songs from Crosby, Stills & Nash in the library. Of those, 5 are rated Safe, 3 Moderate, and 0 Intense. This song's dynamic range of 6/10 sits above the artist average of 5.3, making it the #2 most dynamic track of theirs in our library.
Other tracks from Crosby, Stills & Nash
We have 6 songs from this album. Overall, the album leans moderate in sensory profile.
- Marrakesh Express — safe DR 5
- Guinnevere — safe DR 4
- Helplessly Hoping — safe DR 4
- Long Time Gone — moderate DR 7
- 49 Bye-Byes — moderate DR 6
1969 context
Released in 1969. We have 222 songs from that year in our library, averaging a dynamic range of 6.3/10. This track is about average than the year average. Explore more from the 1960s.
Explore by mood and tradition
How fast is "Suite: Judy Blue Eyes"?
135 BPM — Fast (workout / running pace)
Slow jog or recovery run pace. Matches a 120-140 stride-per-minute cadence.
Running, cycling, aerobic workouts, dance cardio.
Driving, getting ready in the morning, light party.
Browse more songs at 135 BPM.
When "Suite: Judy Blue Eyes" works, and when it doesn't
Use-case verdicts computed from the song's tempo, dynamics, and sensory profile.
Maybe — fine for routine work, but the mid-song changes may pull attention during deep focus.
Yes — 135 BPM sits squarely in the running / cardio band. Matches natural stride cadence.
No — contains elements that will keep an awake nervous system engaged.
Yes — predictable enough for safe driving attention, interesting enough to stay engaged.
Yes — sits in the background without demanding attention.
Yes — this is a song for actively feeling what you came to feel, not for background.
Related reading
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Why this rating
We rate this song Moderate because it falls between our Safe and Intense thresholds on at least one dimension. Moderate is the default for most well-produced music that has real arc but no surprise elements. Full rubric: methodology.
See how “Suite: Judy Blue Eyes” sits against your own sensitivities, or use it as a waypoint in a calmer set.
Listen on
Spotify and YouTube links go direct to the track when we have the ID; otherwise they search for it. Embed this sensory profile on your site →
Rating last reviewed: 2026-04-14. Reviewed by the Music I Want editorial team against the documented methodology.
Think this rating is wrong? Contact the editor — every message is read and ratings get revised.
By the numbers: how this song compares
Computed from this song’s place among the 19,209 songs we’ve measured.
Where it sits in 19,000 songs
On our 19k-song scale this lands in the middle band — more energetic than 62% of songs, calmer than the other 38%. Its intensity reading of 50/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.
What makes it unusual
What stands out most about this song is a fast, driving tempo: more extreme on that axis than 89% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.
Feels almost identical to
Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.
What it’s good for
Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.
1969 in context
The 222 songs we’ve measured from 1969 average a dynamic range of 6.3/10. At 6/10, this track is right in line with its year.
Mixes smoothly with
Within a few BPM and close in feel — they flow without a jarring transition.
The fingerprint
The 8-dimension measurement behind every rating on this page.
Frequently asked about "Suite: Judy Blue Eyes"
Quick answers pulled from the song's sensory analysis.
What is the BPM of "Suite: Judy Blue Eyes" by Crosby, Stills & Nash?
"Suite: Judy Blue Eyes" by Crosby, Stills & Nash has a tempo of 135 BPM (Allegro (fast)). At half-time that is 68 BPM, and at double-time 270 BPM.
What is the sensory intensity of "Suite: Judy Blue Eyes" by Crosby, Stills & Nash?
"Suite: Judy Blue Eyes" by Crosby, Stills & Nash rates as Moderate intensity. Dynamic range 6/10, mild sudden changes, layered texture. Moderate is the default for well-produced music with real arc but no surprise elements.
How loud is "Suite: Judy Blue Eyes" — what is its dynamic range?
"Suite: Judy Blue Eyes" has a dynamic range of 6/10. Noticeable climb from quiet sections to loudest point. Set opening volume slightly lower than your preferred peak.
Does "Suite: Judy Blue Eyes" have sudden or surprising changes?
"Suite: Judy Blue Eyes" has mild sudden changes — one or two transitions worth knowing about, but they are musically resolved rather than surprise-driven.
What is "Suite: Judy Blue Eyes" best for?
In our library "Suite: Judy Blue Eyes" is recommended for: deep listening, emotional release, relaxation. These tags are assigned only where the song's sensory profile genuinely supports the use case.
When was "Suite: Judy Blue Eyes" released?
"Suite: Judy Blue Eyes" is from 1969, on the album "Crosby, Stills & Nash". It appears in our 1960s catalog.
What is the emotional mood of "Suite: Judy Blue Eyes"?
We tag "Suite: Judy Blue Eyes" as intimate, melancholy, uplifting. Moods are tonal descriptors based on how the song reads emotionally — separate from the sensory intensity axes.
What is the vocal style of "Suite: Judy Blue Eyes"?
The vocal style is dynamic vocals.
Is "Suite: Judy Blue Eyes" good for running?
Yes — at 135 BPM it sits in the running-cadence band (120-180 BPM). Match your stride to the beat and it keeps pace with most recreational runners.
Is "Suite: Judy Blue Eyes" good for studying?
Only partially. The song's dynamic range (6/10) means there will be loud moments that break focus during deep work.
Can I use "Suite: Judy Blue Eyes" for sleep?
Not recommended for sleep. Contains transitions that will wake you up.
Should I listen to "Suite: Judy Blue Eyes"?
"Suite: Judy Blue Eyes" is Moderate intensity — fine for most listeners, but with enough dynamic activity that it works best as active listening rather than background.
Songs with the same DNA
layered texture, similar intensity — across any genre or era.
Safer alternatives with a similar feel
These songs share similar moods but with a gentler sensory profile.
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