Dead and Gone
Dead and Gone by T.I. featuring Justin Timberlake is 80 BPM — Andante (walking pace).
Half-time 40 BPM · Double-time 160 BPM · released 2008
Song DNA
Right in the middle of our energy scale. The track has a big quiet-to-loud range with the occasional gentle turn, over a smooth texture. Powerful vocals leading, at an unhurried mid-tempo. It’s easy enough to follow without going flat. Against the 19,209 songs we’ve measured, it sits more energetic than 41% of songs, calmer than the rest.
Cultural Context
Showcased Timberlake's versatility.
Listening Prompt
Think about personal growth.
What to Expect
Builds emotional resonance.
Hear it the way it was made
The right gear changes everything.
Moods: contemplative, melancholy
"Dead and Gone" climbs hard.
Dynamic range 7/10 places this in our upper band. The opening volume that feels comfortable will not be comfortable at the climax. If you are setting this up for a focused listen, anchor your volume to the quietest section, not the loudest. The arc is the point of the song; if you blunt it by riding the volume knob, you lose what makes it work. T.I. featuring Justin Timberlake built the dynamic shape on purpose. Plan around it.
How this song sits on each sensory axis
A dynamic range of 7/10 means this song moves. Expect a real volume climb between quiet sections and the loudest part of the arrangement — enough that you may want to set the initial volume below where you'd normally land.
Sudden changes: mild. There are one or two transitions worth knowing about, though they're musically resolved rather than surprise-driven.
Texture: smooth.
Predictability is medium — conventional structure overall, with one or two moments that deviate from what you'd expect.
Vocal style: dynamic vocals.
2008 context
Released in 2008. We have 259 songs from that year in our library, averaging a dynamic range of 6.4/10. This track is about average than the year average. Explore more from the 2000s.
Explore by mood and tradition
Guides that may help
How fast is "Dead and Gone"?
80 BPM — Slow (downtempo / ballad)
Too slow for most running; good for warm-up walks or cool-down.
Warm-up, cool-down, yoga, stretching.
Morning coffee, deep work, commute wind-down.
Browse more songs at 80 BPM.
When "Dead and Gone" works, and when it doesn't
Use-case verdicts computed from the song's tempo, dynamics, and sensory profile.
No — too dynamic or too many surprises. Save for active listening.
No — 80 BPM is too slow for sustained cardio.
No — contains elements that will keep an awake nervous system engaged.
Yes — predictable enough for safe driving attention, interesting enough to stay engaged.
Yes — sits in the background without demanding attention.
Yes — this is a song for actively feeling what you came to feel, not for background.
Related reading
Editorial guides that cover this song's use cases, moods, or artist.
Jazz for Anxiety Relief: Which Subgenres Help and Which Overwhelm
Jazz for Anxiety Relief: Which Subgenres Help and Which Overwhelm — A guide for sensory-sensitive listeners on musiciwant.com
The 10 Calmest Albums Ever Recorded — A low-intensity Listening Guide
The 10 Calmest Albums Ever Recorded — A low-intensity Listening Guide — A guide for sensory-sensitive listeners on musiciwant.com
Teaching Music Listening to Kids Who Feel Music Strongly: A Gentle Approach
A gentle approach to introducing music to a child who feels it strongly — one who startles at sudden sound, or notices more than everyone el…
Why this rating
We rate this song Moderate because it falls between our Safe and Intense thresholds on at least one dimension. Moderate is the default for most well-produced music that has real arc but no surprise elements. Full rubric: methodology.
See how “Dead and Gone” sits against your own sensitivities, or use it as a waypoint in a calmer set.
Listen on
Spotify and YouTube links go direct to the track when we have the ID; otherwise they search for it. Embed this sensory profile on your site →
Rating last reviewed: 2026-04-05. Reviewed by the Music I Want editorial team against the documented methodology.
Think this rating is wrong? Contact the editor — every message is read and ratings get revised.
By the numbers: how this song compares
Computed from this song’s place among the 19,209 songs we’ve measured.
Where it sits in 19,000 songs
On our 19k-song scale this lands in the middle band — more energetic than 41% of songs, calmer than the other 59%. Its intensity reading of 44/100 comes from a dynamic range of 7/10, smooth texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.
What makes it unusual
What stands out most about this song is a slow, unhurried pace: more extreme on that axis than 85% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.
Feels almost identical to
Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.
What it’s good for
Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.
2008 in context
The 259 songs we’ve measured from 2008 average a dynamic range of 6.4/10. At 7/10, this track is right in line with its year.
Mixes smoothly with
Within a few BPM and close in feel — they flow without a jarring transition.
The fingerprint
The 8-dimension measurement behind every rating on this page.
Frequently asked about "Dead and Gone"
Quick answers pulled from the song's sensory analysis.
What is the BPM of "Dead and Gone" by T.I. featuring Justin Timberlake?
"Dead and Gone" by T.I. featuring Justin Timberlake has a tempo of 80 BPM (Andante (walking pace)). At half-time that is 40 BPM, and at double-time 160 BPM.
What is the sensory intensity of "Dead and Gone" by T.I. featuring Justin Timberlake?
"Dead and Gone" by T.I. featuring Justin Timberlake rates as Moderate intensity. Dynamic range 7/10, mild sudden changes, smooth texture. Moderate is the default for well-produced music with real arc but no surprise elements.
How loud is "Dead and Gone" — what is its dynamic range?
"Dead and Gone" has a dynamic range of 7/10. Noticeable climb from quiet sections to loudest point. Set opening volume slightly lower than your preferred peak.
Does "Dead and Gone" have sudden or surprising changes?
"Dead and Gone" has mild sudden changes — one or two transitions worth knowing about, but they are musically resolved rather than surprise-driven.
What is "Dead and Gone" best for?
In our library "Dead and Gone" is recommended for: anxiety relief, deep listening. These tags are assigned only where the song's sensory profile genuinely supports the use case.
When was "Dead and Gone" released?
"Dead and Gone" is from 2008, on the album "Paper Trail". It appears in our 2000s catalog.
What is the emotional mood of "Dead and Gone"?
We tag "Dead and Gone" as contemplative, melancholy. Moods are tonal descriptors based on how the song reads emotionally — separate from the sensory intensity axes.
What is the vocal style of "Dead and Gone"?
The vocal style is dynamic vocals.
Is "Dead and Gone" good for running?
Not really — at 80 BPM it's below most running cadences. Better for warm-up, cool-down, or walking. Recreational runners typically step at 140-175 BPM.
Is "Dead and Gone" good for studying?
Only partially. The song's dynamic range (7/10) means there will be loud moments that break focus during deep work.
Can I use "Dead and Gone" for sleep?
Not recommended for sleep. Contains transitions that will wake you up.
Should I listen to "Dead and Gone"?
"Dead and Gone" is Moderate intensity — fine for most listeners, but with enough dynamic activity that it works best as active listening rather than background.
Songs with the same DNA
smooth texture, similar intensity — across any genre or era.
Safer alternatives with a similar feel
These songs share similar moods but with a gentler sensory profile.
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