"Editorial abstract illustration evoking the emotional arc of a song titled "Get Gone" by Fiona Apple. Noticeable climb from quiet to loud. layered composition, overlapping color planes. Mood: emotional, introspective, rebellious. Visual style: early-1990s alternative aesthetic, weathered film grain. Painterly, grainy film texture, muted palette with strategic accent colors. The composition should read left-to-right like a timeline — calm on one side, intensifying toward the other. Strictly no faces, no text, no logos, no literal objects, no band imagery. Pure color-field abstraction with emotional weight. 16:9 editorial format."
Balanced energy, right in the middle of 19,209 measured songs — measures out best for focus.
112
BPM
Get Gone by Fiona Apple is 112 BPM — Moderato (moderate).
Half-time 56 BPM · Double-time 224 BPM · released 1999
Fan image for "Get Gone"
An abstract illustration of what this song feels like. Each image is built from a prompt — the text description fed to the image generator. Listeners submit their own prompts, upvote the ones that fit best, and the top-voted prompt drives the next regeneration. After 100 image votes, we make a new picture.
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Song DNA
Notes: Raw, emotionally charged vocals build from resignation to anger with layered instrumentation and complex chord progressions creating a tense, journey-like progression. Higher chord complexity and vocal crescendos provide moderate intensity without overwhelming abrasion.
Misophonia Triggers
Recommended for: deep listening emotional release
An emotionally raw track about breaking free from a toxic relationship, featuring dynamic vocals that shift from sadness to defiant anger over complex, layered piano-driven arrangements.
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Hear it the way it was made
The right gear changes everything.
Moods: emotional, introspective, rebellious
Traditions: alternative rock, piano rock
Volume Warning
"Get Gone" climbs hard.
Dynamic range 7/10 places this in our upper band. The opening volume that feels comfortable will not be comfortable at the climax. If you are setting this up for a focused listen, anchor your volume to the quietest section, not the loudest. The arc is the point of the song; if you blunt it by riding the volume knob, you lose what makes it work. Fiona Apple built the dynamic shape on purpose. Plan around it.
How this song sits on each sensory axis
A dynamic range of 7/10 means this song moves. Expect a real volume climb between quiet sections and the loudest part of the arrangement — enough that you may want to set the initial volume below where you'd normally land.
Sudden changes: mild. There are one or two transitions worth knowing about, though they're musically resolved rather than surprise-driven.
Texture is layered — a full arrangement with clear separation between parts.
Predictability is medium — conventional structure overall, with one or two moments that deviate from what you'd expect.
Vocal style: dynamic vocals.
Where this sits in Fiona Apple's catalog
We have 46 songs from Fiona Apple in the library. Of those, 3 are rated Safe, 32 Moderate, and 11 Intense. This song's dynamic range of 7/10 sits above the artist average of 6.7, making it the #16 most dynamic track of theirs in our library.
Other tracks from When the Pawn...
We have 7 songs from this album. Overall, the album leans moderate in sensory profile.
- On the Bound — moderate DR 7
- Fast as You Can — intense DR 8
- Paper Bag — moderate DR 6
- A Mistake — moderate DR 7
- Limp — intense DR 8
- To Your Love — moderate DR 7
1999 context
Released in 1999. We have 304 songs from that year in our library, averaging a dynamic range of 6.3/10. This track is about average than the year average. Explore more from the 1990s.
Explore by mood and tradition
How fast is "Get Gone"?
112 BPM — Upbeat (dance-pop / running warm-up)
For running
Too slow for most running; good for warm-up walks or cool-down.
For workouts
Steady cardio, power walking, light weights.
For daily life
Cooking, casual listening, cleaning, dinner music.
Browse more songs at 112 BPM.
When "Get Gone" works, and when it doesn't
Use-case verdicts computed from the song's tempo, dynamics, and sensory profile.
✗
Focus / studying
No — too dynamic or too many surprises. Save for active listening.
~
Running / workout
Maybe — at 112 BPM this is more warm-up or cool-down pace than peak-effort running.
✗
Sleep / winding down
No — contains elements that will keep an awake nervous system engaged.
✓
Driving / road trip
Yes — predictable enough for safe driving attention, interesting enough to stay engaged.
✓
Cooking / dinner background
Yes — sits in the background without demanding attention.
~
Emotional release / catharsis
Not really — it's pleasant but doesn't hit hard enough for cathartic listening.
Related reading
Editorial guides that cover this song's use cases, moods, or artist.
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Why this rating
We rate this song Moderate because it falls between our Safe and Intense thresholds on at least one dimension. Moderate is the default for most well-produced music that has real arc but no surprise elements. Full rubric: methodology.
This song in the Music Studio
52/100 intensity
See how “Get Gone” sits against your own sensitivities, or use it as a waypoint in a calmer set.
Listen on
Spotify and YouTube links go direct to the track when we have the ID; otherwise they search for it. Embed this sensory profile on your site →
Rating last reviewed: 2026-04-13. Reviewed by the Music I Want editorial team against the documented methodology.
Think this rating is wrong? Contact the editor — every message is read and ratings get revised.
By the numbers: how this song compares
Computed from this song’s place among the 19,209 songs we’ve measured.
Where it sits in 19,000 songs
On our 19k-song scale this lands in the middle band — more energetic than 68% of songs, calmer than the other 32%. Its intensity reading of 52/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.
What makes it unusual
What stands out most about this song is blazing intensity: more extreme on that axis than 68% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.
Feels almost identical to
Flying Over Water — Jason Isbell · 99%Let Go — Sharon Van Etten · 99%Perth — Bon Iver · 99%Kite — U2 · 99%
Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.
What it’s good for
Sleep3/10
Focus7/10
Workout3/10
Dinner7/10
Party / hype6/10
Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.
1999 in context
The 304 songs we’ve measured from 1999 average a dynamic range of 6.3/10. At 7/10, this track is louder and more dynamic than its year.
Mixes smoothly with
Within a few BPM and close in feel — they flow without a jarring transition.
The fingerprint
Intensity52
Dynamics67
Tempo40
Surprise25
Density33
Predictability50
Vocal force75
Trigger load0
The 8-dimension measurement behind every rating on this page.
Frequently asked about "Get Gone"
Quick answers pulled from the song's sensory analysis.
What is the BPM of "Get Gone" by Fiona Apple?
"Get Gone" by Fiona Apple has a tempo of 112 BPM (Moderato (moderate)). At half-time that is 56 BPM, and at double-time 224 BPM.
What is the sensory intensity of "Get Gone" by Fiona Apple?
"Get Gone" by Fiona Apple rates as Moderate intensity. Dynamic range 7/10, mild sudden changes, layered texture. Moderate is the default for well-produced music with real arc but no surprise elements.
How loud is "Get Gone" — what is its dynamic range?
"Get Gone" has a dynamic range of 7/10. Noticeable climb from quiet sections to loudest point. Set opening volume slightly lower than your preferred peak.
Does "Get Gone" have sudden or surprising changes?
"Get Gone" has mild sudden changes — one or two transitions worth knowing about, but they are musically resolved rather than surprise-driven.
What is "Get Gone" best for?
In our library "Get Gone" is recommended for: deep listening, emotional release. These tags are assigned only where the song's sensory profile genuinely supports the use case.
When was "Get Gone" released?
"Get Gone" is from 1999, on the album "When the Pawn...". It appears in our 1990s catalog.
What is the emotional mood of "Get Gone"?
We tag "Get Gone" as emotional, introspective, rebellious. Moods are tonal descriptors based on how the song reads emotionally — separate from the sensory intensity axes.
What is the vocal style of "Get Gone"?
The vocal style is dynamic vocals.
Is "Get Gone" good for running?
Not really — at 112 BPM it's below most running cadences. Better for warm-up, cool-down, or walking. Recreational runners typically step at 140-175 BPM.
Is "Get Gone" good for studying?
Only partially. The song's dynamic range (7/10) means there will be loud moments that break focus during deep work.
Can I use "Get Gone" for sleep?
Not recommended for sleep. Contains transitions that will wake you up.
Should I listen to "Get Gone"?
"Get Gone" is Moderate intensity — fine for most listeners, but with enough dynamic activity that it works best as active listening rather than background.
Songs with the same DNA
layered texture, similar intensity — across any genre or era.
Safer alternatives with a similar feel
These songs share similar moods but with a gentler sensory profile.
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