Cheek to Cheek album art

Cheek to Cheek

Ella Fitzgerald
Ella Fitzgerald Sings the Irving Berlin Songbook (1958)
Safe 95 BPM
Easy, low-key calm, gentler than 87% of our 19,209 measured songs — measures out best for focus.
95
BPM

Cheek to Cheek by Ella Fitzgerald is 95 BPM — Andante (walking pace).

Half-time 48 BPM · Double-time 190 BPM · released 1958

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Fan image for "Cheek to Cheek"

An abstract illustration of what this song feels like. Each image is built from a prompt — the text description fed to the image generator. Listeners submit their own prompts, upvote the ones that fit best, and the top-voted prompt drives the next regeneration. After 100 image votes, we make a new picture.

Fan-driven abstract illustration evoking the emotional arc of Cheek to Cheek by Ella Fitzgerald
The prompt that made this image Editorial abstract illustration evoking the emotional arc of a song titled "Cheek to Cheek" by Ella Fitzgerald. Modest rise and fall. balanced composition. Mood: intimate, warm. Visual style: 1958 vintage painting aesthetic, warm aged tones. Painterly, grainy film texture, muted palette with strategic accent colors. The composition should read left-to-right like a timeline — calm on one side, intensifying toward the other. Strictly no faces, no text, no logos, no literal objects, no band imagery. Pure color-field abstraction with emotional weight. 16:9 editorial format.

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"Editorial abstract illustration evoking the emotional arc of a song titled "Cheek to Cheek" by Ella Fitzgerald. Modest rise and fall. balanced composition. Mood: intimate, warm. Visual style: 1958 vintage painting aesthetic, warm aged tones. Painterly, grainy film texture, muted palette with strategic accent colors. The composition should read left-to-right like a timeline — calm on one side, intensifying toward the other. Strictly no faces, no text, no logos, no literal objects, no band imagery. Pure color-field abstraction with emotional weight. 16:9 editorial format."

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Song DNA

Dynamic Range5/10
Sudden Changesnone
Texturesmooth
Predictabilityhigh
Vocal Stylesoft vocals
Notes: Romantic and smooth, perfect for dancing.

An easygoing, settled feel. It has a moderate quiet-to-loud range with no sudden shifts to brace for — a even track with a light, easy vocal at a steady, walkable tempo. Predictable and even, it’s easy to settle into and let run. Against the 19,209 songs we’ve measured, it reads gentler than 87% of everything we’ve measured.

Cultural Context

A beloved classic in the jazz repertoire.

Listening Prompt

Feel the romance in her delivery.

What to Expect

Gentle and uplifting, inviting movement.

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Hear it the way it was made

The right gear changes everything.

Moods: intimate, warm

At a glance

"Cheek to Cheek" by Ella Fitzgerald

95 BPM, dynamic range 5/10, smooth texture, soft vocals. Sits in the middle band — neither built for stillness nor pitched at workout intensity. Whether it works for a given moment depends more on mood and lyrical content than on the acoustic profile. The full sensory breakdown follows.

How this song sits on each sensory axis

A dynamic range of 5/10 is within the normal pop-mix band. There is variation between verse and chorus, but it's the kind of variation most listeners encounter routinely.

Sudden changes: none. Transitions are musically signaled — nothing will surprise you if you're only half-listening.

Texture: smooth.

Predictability is high — the song telegraphs what it will do next. A sensory-sensitive listener can usually guess where it's going without close attention.

Vocal style: soft vocals.

Where this sits in Ella Fitzgerald's catalog

We have 38 songs from Ella Fitzgerald in the library. Of those, 30 are rated Safe, 7 Moderate, and 1 Intense. This song's dynamic range of 5/10 sits below the artist average of 5.3, making it the #21 most dynamic track of theirs in our library.

Other tracks from Ella Fitzgerald Sings the Irving Berlin Songbook

We have 2 songs from this album. Overall, the album leans safe in sensory profile.

1958 context

Released in 1958. We have 83 songs from that year in our library, averaging a dynamic range of 6.2/10. This track is quieter / less dynamic than the year average. Explore more from the 1950s.

Explore by mood and tradition

Moods
intimate · 2271warm · 1489

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How fast is "Cheek to Cheek"?

95 BPM — Medium (midtempo / pop ballad)

For running

Too slow for most running; good for warm-up walks or cool-down.

For workouts

Warm-up, cool-down, yoga, stretching.

For daily life

Morning coffee, deep work, commute wind-down.

Browse more songs at 95 BPM.

When "Cheek to Cheek" works, and when it doesn't

Use-case verdicts computed from the song's tempo, dynamics, and sensory profile.

~
Focus / studying

Maybe — fine for routine work, but the mid-song changes may pull attention during deep focus.

✗
Running / workout

No — 95 BPM is too slow for sustained cardio.

~
Sleep / winding down

Maybe — calm overall, but tempo is a bit high for deep sleep. Better for winding down than falling asleep.

✓
Driving / road trip

Yes — predictable enough for safe driving attention, interesting enough to stay engaged.

✓
Cooking / dinner background

Yes — sits in the background without demanding attention.

~
Emotional release / catharsis

Not really — it's pleasant but doesn't hit hard enough for cathartic listening.

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Why this rating

We rate this song Safe because its dynamic range stays within our low-variance band, there are no unsignaled changes, and the texture and vocal style are both in the low-fatigue range. Our methodology uses an AND rule for Safe — a song has to clear every dimension to earn the rating.

This song in the Music Studio
21/100 intensity

See how “Cheek to Cheek” sits against your own sensitivities, or use it as a waypoint in a calmer set.

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Spotify and YouTube links go direct to the track when we have the ID; otherwise they search for it. Embed this sensory profile on your site →

Rating last reviewed: 2026-04-05. Reviewed by the Music I Want editorial team against the documented methodology.

Think this rating is wrong? Contact the editor — every message is read and ratings get revised.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

This sits near the calm end of everything we've measured — gentler than 87% of the 19,209 songs in the library. Its intensity reading of 21/100 comes from a dynamic range of 5/10, smooth texture, no sudden shifts, and soft vocals. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 88% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep9/10
Focus10/10
Workout1/10
Dinner7/10
Party / hype1/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1958 in context

The 83 songs we’ve measured from 1958 average a dynamic range of 6.2/10. At 5/10, this track is gentler and steadier than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity21
Dynamics44
Tempo31
Surprise0
Density0
Predictability0
Vocal force25
Trigger load0

The 8-dimension measurement behind every rating on this page.

Frequently asked about "Cheek to Cheek"

Quick answers pulled from the song's sensory analysis.

What is the BPM of "Cheek to Cheek" by Ella Fitzgerald?

"Cheek to Cheek" by Ella Fitzgerald has a tempo of 95 BPM (Andante (walking pace)). At half-time that is 48 BPM, and at double-time 190 BPM.

What is the sensory intensity of "Cheek to Cheek" by Ella Fitzgerald?

"Cheek to Cheek" by Ella Fitzgerald rates as Low-Intensity. Dynamic range 5/10, no sudden changes, smooth texture. Our Low-Intensity rating means no single dimension triggers the higher-intensity thresholds.

How loud is "Cheek to Cheek" — what is its dynamic range?

"Cheek to Cheek" has a dynamic range of 5/10. Within normal pop-mix variation. Movement between verse and chorus but nothing dramatic.

Does "Cheek to Cheek" have sudden or surprising changes?

No. "Cheek to Cheek" has no sudden unsignaled changes. Every transition is musically telegraphed.

What is "Cheek to Cheek" best for?

In our library "Cheek to Cheek" is recommended for: deep listening, meditation. These tags are assigned only where the song's sensory profile genuinely supports the use case.

When was "Cheek to Cheek" released?

"Cheek to Cheek" is from 1958, on the album "Ella Fitzgerald Sings the Irving Berlin Songbook". It appears in our 1950s catalog.

What is the emotional mood of "Cheek to Cheek"?

We tag "Cheek to Cheek" as intimate, warm. Moods are tonal descriptors based on how the song reads emotionally — separate from the sensory intensity axes.

What is the vocal style of "Cheek to Cheek"?

The vocal style is soft vocals.

Is "Cheek to Cheek" good for running?

Not really — at 95 BPM it's below most running cadences. Better for warm-up, cool-down, or walking. Recreational runners typically step at 140-175 BPM.

Is "Cheek to Cheek" good for studying?

Only partially. The song's dynamic range (5/10) means there will be loud moments that break focus during deep work.

Can I use "Cheek to Cheek" for sleep?

Not recommended for sleep. Dynamic range is too high — quiet moments will be ambushed by louder ones.

Should I listen to "Cheek to Cheek"?

If you want gentle, low-arousal music, "Cheek to Cheek" is a solid pick — Low-Intensity across every sensory dimension.

Songs with the same DNA

smooth texture, similar intensity — across any genre or era.

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safe
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moderate
DR 6
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safe
DR 4
Tu Amor
Banda MS
safe
DR 6
Everything That Rises
Sufjan Stevens
safe
DR 4
Blue Moon
Billie Holiday
safe
DR 6

What this song means to people

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Where to next?

You know how this one feels — now go find the next one.

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