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10 songs that feel like Why'd You Only Call Me When You're High?

Matched to Why'd You Only Call Me When You're High? by Arctic Monkeys on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Why'd You Only Call Me When You're High?
The song you love
Why'd You Only Call Me When You're High?
Arctic Monkeys
moderate 50/100 intensity 128 BPM
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Who Killed Mr. Moonlight — Bauhaus moderate 128 BPM

A 99% feel-match — carries the same rebellious pull and lands at almost exactly the same energy (50/100). Nearly the same tempo, too (128 BPM).

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Swingin' Party — The Replacements moderate 128 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (50/100). Same layered texture.

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I Fought Piranhas — The White Stripes moderate 126 BPM

Keeps the same rebellious pull — lands at almost exactly the same energy (50/100). Measured 99% alike. Nearly the same tempo, too (126 BPM).

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Narc — Interpol moderate 135 BPM

Measures 99% the same. It lands at almost exactly the same energy (50/100). Same layered texture.

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Tiny Cities Made of Ashes — Modest Mouse moderate 138 BPM

A 98% feel-match — carries the same rebellious pull and lands at almost exactly the same energy (51/100).

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You Have Placed a Chill in My Heart — Eurythmics moderate 118 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (49/100). Same layered texture.

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Happy Idiot — TV on the Radio moderate 128 BPM

Keeps the same rebellious pull — lands at almost exactly the same energy (50/100). Measured 99% alike. Nearly the same tempo, too (128 BPM).

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Razzmatazz — Pulp moderate 128 BPM

Measures 99% the same. It lands at almost exactly the same energy (50/100). Same layered texture.

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Blank Frank — Brian Eno moderate 128 BPM

A 99% feel-match — carries the same rebellious pull and lands at almost exactly the same energy (50/100). Nearly the same tempo, too (128 BPM).

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Happy House — Siouxsie and the Banshees moderate 131 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (50/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Why'd You Only Call Me When You're High? is more than you want right now.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 24/100, down from 50. Nearly the same tempo, too.

William, It Was Really Nothing by The Smiths
William, It Was Really Nothing — The Smiths safe 92 BPM

Nothing in it lurches or startles, so it lands at 25/100 — the pull without the edge.

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The Best Ever Death Metal Band in Denton — The Mountain Goats safe 80 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 3 where the original climbs to 6. Reads 14/100.

Please, Please, Please Let Me Get What I Want by The Smiths

Holds the same feel while nothing in it lurches or startles. 23/100, versus the original's 50.

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Dumb — Nirvana safe 110 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 6. Intensity 19/100, down from 50.

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Cornerstone — Arctic Monkeys safe 128 BPM

Its dynamic range stays a gentler 4 where the original climbs to 6, so it lands at 20/100 — the pull without the edge. Nearly the same tempo, too.

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Pictures of Me — Elliott Smith safe 120 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 6. Reads 24/100. Nearly the same tempo, too.

Let Her Go by Mac DeMarco
Let Her Go — Mac DeMarco safe 120 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 6. 19/100, versus the original's 50. Nearly the same tempo, too.

Frequently asked

What songs sound like “Why'd You Only Call Me When You're High?” by Arctic Monkeys?

The closest feel-matches we measure are “Who Killed Mr. Moonlight” by Bauhaus, “Swingin' Party” by The Replacements, “I Fought Piranhas” by The White Stripes — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Why'd You Only Call Me When You're High?” but calmer?

“It's Too Late” by Carole King, “William, It Was Really Nothing” by The Smiths, “The Best Ever Death Metal Band in Denton” by The Mountain Goats keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Why'd You Only Call Me When You're High?”?

It measures 50/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 128 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 62% of songs, calmer than the other 38%. Its intensity reading of 50/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a fast, driving tempo: more extreme on that axis than 84% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep3/10
Focus7/10
Workout6/10
Dinner7/10
Party / hype6/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2013 in context

The 408 songs we’ve measured from 2013 average a dynamic range of 6.5/10. At 6/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity50
Dynamics56
Tempo49
Surprise25
Density33
Predictability50
Vocal force75
Trigger load13

The 8-dimension measurement behind every rating on this page.

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