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10 songs that feel like Where Are You

Matched to Where Are You by Dexter Gordon on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Where Are You
Dexter Gordon
moderate 43/100 intensity 120 BPM
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Adios Nonino — Astor Piazzolla moderate 120 BPM

A 99% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (43/100). Nearly the same tempo, too (120 BPM).

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Re: Person I Knew — Bill Evans safe 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (43/100). Same layered texture.

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Monk's Dream — Thelonious Monk moderate 120 BPM

Keeps the same introspective pull — lands at almost exactly the same energy (43/100). Measured 99% alike. Nearly the same tempo, too (120 BPM).

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Verano Porteno — Astor Piazzolla moderate 120 BPM

Measures 99% the same. It lands at almost exactly the same energy (43/100). Same layered texture.

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Fuga y Misterio — Astor Piazzolla moderate 120 BPM

A 99% feel-match — carries the same introspective pull and lands at almost exactly the same energy (43/100). Nearly the same tempo, too (120 BPM).

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Decarisimo — Astor Piazzolla moderate 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (43/100). Same layered texture.

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Hammersmith — Holst moderate 120 BPM

Keeps the same introspective pull — lands at almost exactly the same energy (43/100). Measured 99% alike. Nearly the same tempo, too (120 BPM).

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In Memory of Elizabeth Reed — Allman Brothers Band moderate 120 BPM

Measures 99% the same. It lands at almost exactly the same energy (43/100). Same layered texture.

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Duke Ellington's Sound of Love — Charles Mingus moderate 120 BPM

A 99% feel-match — carries the same introspective pull and lands at almost exactly the same energy (43/100). Nearly the same tempo, too (120 BPM).

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Nefertiti — Miles Davis moderate 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (43/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Where Are You is more than you want right now.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 5 where the original climbs to 7. Intensity 24/100, down from 43. Nearly the same tempo, too.

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Dumb — Nirvana safe 110 BPM

Its dynamic range stays a gentler 4 where the original climbs to 7, so it lands at 19/100 — the pull without the edge. Nearly the same tempo, too.

If I Were a Boy by Beyoncé
If I Were a Boy — Beyoncé safe 92 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 28/100.

William, It Was Really Nothing by The Smiths
William, It Was Really Nothing — The Smiths safe 92 BPM

Holds the same feel while nothing in it lurches or startles. 25/100, versus the original's 43.

August by Taylor Swift
August — Taylor Swift safe 90 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 5 where the original climbs to 7. Intensity 35/100, down from 43.

Male Fantasy by Billie Eilish
Male Fantasy — Billie Eilish safe 90 BPM

Its dynamic range stays a gentler 4 where the original climbs to 7, so it lands at 26/100 — the pull without the edge.

The Prophecy by Taylor Swift
The Prophecy — Taylor Swift safe 96 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 7. Reads 17/100.

Waltz for Debby by Bill Evans
Waltz for Debby — Bill Evans safe 112 BPM

Holds the same feel while nothing in it lurches or startles. 31/100, versus the original's 43. Nearly the same tempo, too.

Frequently asked

What songs sound like “Where Are You” by Dexter Gordon?

The closest feel-matches we measure are “Adios Nonino” by Astor Piazzolla, “Re: Person I Knew” by Bill Evans, “Monk's Dream” by Thelonious Monk — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Where Are You” but calmer?

“It's Too Late” by Carole King, “Dumb” by Nirvana, “If I Were a Boy” by Beyoncé keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Where Are You”?

It measures 43/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and instrumental. Tempo is 120 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 39% of songs, calmer than the other 61%. Its intensity reading of 43/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and instrumental. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is deep calm: more extreme on that axis than 61% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep5/10
Focus10/10
Workout6/10
Dinner8/10
Party / hype5/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1962 in context

The 107 songs we’ve measured from 1962 average a dynamic range of 5.9/10. At 7/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity43
Dynamics67
Tempo44
Surprise25
Density33
Predictability50
Vocal force0
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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