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10 songs that feel like We Disappear

Matched to We Disappear by Jon Hopkins on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
We Disappear
Jon Hopkins
moderate 45/100 intensity 120 BPM
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And I Say — Nicolas Jaar moderate 120 BPM

A 99% feel-match — carries the same serene pull and lands at almost exactly the same energy (45/100). Nearly the same tempo, too (120 BPM).

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Big Muff — John Martyn moderate 100 BPM

94% match across our 8 measured dimensions; it lands at almost exactly the same energy (43/100). Same layered texture.

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Fever to the Form — Nick Mulvey moderate 120 BPM

Keeps the same serene pull — lands at almost exactly the same energy (41/100). Measured 94% alike. Nearly the same tempo, too (120 BPM).

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CMYK — James Blake moderate 120 BPM

Measures 99% the same. It lands at almost exactly the same energy (45/100). Same layered texture.

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Space Is Only Noise If You Can See — Nicolas Jaar moderate 120 BPM

A 96% feel-match — carries the same serene pull and lands at almost exactly the same energy (45/100). Nearly the same tempo, too (120 BPM).

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Swim — Nicolas Jaar moderate 120 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (45/100). Same layered texture.

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Être — Nicolas Jaar moderate 120 BPM

Keeps the same serene pull — lands at almost exactly the same energy (45/100). Measured 96% alike. Nearly the same tempo, too (120 BPM).

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Si Vous Saviez — Nicolas Jaar moderate 120 BPM

Measures 96% the same. It lands at almost exactly the same energy (45/100). Same layered texture.

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Lorca — Nicolas Jaar moderate 120 BPM

A 96% feel-match — carries the same serene pull and lands at almost exactly the same energy (45/100). Nearly the same tempo, too (120 BPM).

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Sunday 8pm — Faithless moderate 120 BPM

94% match across our 8 measured dimensions; it lands at almost exactly the same energy (41/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when We Disappear is more than you want right now.

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Clarinet Concerto in A major, K. 622 — Wolfgang Amadeus Mozart safe 120 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 7. Intensity 17/100, down from 45. Nearly the same tempo, too.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

Its dynamic range stays a gentler 5 where the original climbs to 7, so it lands at 24/100 — the pull without the edge. Nearly the same tempo, too.

The Times They Are a-Changin' by Bob Dylan
The Times They Are a-Changin' — Bob Dylan safe 120 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 27/100. Nearly the same tempo, too.

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Midnight — Tycho safe 120 BPM

Holds the same feel while its dynamic range stays a gentler 5 where the original climbs to 7. 26/100, versus the original's 45. Nearly the same tempo, too.

Clean by Taylor Swift
Clean — Taylor Swift safe 120 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 5 where the original climbs to 7. Intensity 26/100, down from 45. Nearly the same tempo, too.

Blowin' in the Wind by Bob Dylan
Blowin' in the Wind — Bob Dylan safe 80 BPM

Its dynamic range stays a gentler 3 where the original climbs to 7, so it lands at 12/100 — the pull without the edge.

RABi by Bon Iver
RABi — Bon Iver safe 85 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 7. Reads 24/100.

Rêverie by Claude Debussy
Rêverie — Claude Debussy safe 65 BPM

Holds the same feel while its dynamic range stays a gentler 3 where the original climbs to 7. 9/100, versus the original's 45.

Frequently asked

What songs sound like “We Disappear” by Jon Hopkins?

The closest feel-matches we measure are “And I Say” by Nicolas Jaar, “Big Muff” by John Martyn, “Fever to the Form” by Nick Mulvey — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “We Disappear” but calmer?

“Clarinet Concerto in A major, K. 622” by Wolfgang Amadeus Mozart, “It's Too Late” by Carole King, “The Times They Are a-Changin'” by Bob Dylan keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “We Disappear”?

It measures 45/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and soft vocals. Tempo is 120 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 42% of songs, calmer than the other 58%. Its intensity reading of 45/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and soft vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a fast, driving tempo: more extreme on that axis than 59% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep5/10
Focus9/10
Workout6/10
Dinner8/10
Party / hype5/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2013 in context

The 408 songs we’ve measured from 2013 average a dynamic range of 6.5/10. At 7/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity45
Dynamics67
Tempo44
Surprise25
Density33
Predictability50
Vocal force25
Trigger load38

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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