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10 songs that feel like Vampire Blues

Matched to Vampire Blues by Neil Young on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Vampire Blues
The song you love
Vampire Blues
Neil Young
moderate 39/100 intensity 85 BPM
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Beneath the Southern Cross — Patti Smith moderate 90 BPM

A 99% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (40/100). Nearly the same tempo, too (90 BPM).

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Changed the Locks — Lucinda Williams moderate 85 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (39/100). Same layered texture.

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Pound Cake / Paris Morton Music 2 — Drake moderate 85 BPM

Keeps the same reflective pull — lands at almost exactly the same energy (39/100). Measured 99% alike. Nearly the same tempo, too (85 BPM).

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Joey — Bob Dylan moderate 70 BPM

Measures 97% the same. It lands at almost exactly the same energy (38/100). Same layered texture.

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Goin' Down Slow — Howlin' Wolf moderate 70 BPM

A 97% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (38/100).

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Sacrifice — Björk moderate 100 BPM

97% match across our 8 measured dimensions; it lands at almost exactly the same energy (41/100). Same layered texture.

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He's Misstra Know-It-All — Stevie Wonder moderate 92 BPM

Keeps the same reflective pull — lands at almost exactly the same energy (40/100). Measured 99% alike. Nearly the same tempo, too (92 BPM).

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Standing Around Crying — Muddy Waters moderate 105 BPM

Measures 96% the same. It lands at almost exactly the same energy (41/100). Same layered texture.

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Boogie Street — Leonard Cohen moderate 85 BPM

A 96% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (43/100). Nearly the same tempo, too (85 BPM).

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Henry Lee — Nick Cave & The Bad Seeds moderate 85 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (43/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Vampire Blues is more than you want right now.

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Man of the World — Fleetwood Mac safe 85 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 16/100, down from 39. Nearly the same tempo, too.

Both Sides, Now by Joni Mitchell
Both Sides, Now — Joni Mitchell safe 82 BPM

Nothing in it lurches or startles, so it lands at 27/100 — the pull without the edge. Nearly the same tempo, too.

Sittin' On The Dock of the Bay by Otis Redding
Sittin' On The Dock of the Bay — Otis Redding safe 88 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 20/100. Nearly the same tempo, too.

Blowin' in the Wind by Bob Dylan
Blowin' in the Wind — Bob Dylan safe 80 BPM

Holds the same feel while its dynamic range stays a gentler 3 where the original climbs to 5. 12/100, versus the original's 39. Nearly the same tempo, too.

If I Were a Boy by Beyoncé
If I Were a Boy — Beyoncé safe 92 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 28/100, down from 39. Nearly the same tempo, too.

Merry Go 'Round by Kacey Musgraves
Merry Go 'Round — Kacey Musgraves safe 85 BPM

Nothing in it lurches or startles, so it lands at 27/100 — the pull without the edge. Nearly the same tempo, too.

Brenda's Got a Baby by 2Pac
Brenda's Got a Baby — 2Pac safe 92 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 28/100. Nearly the same tempo, too.

Sky's the Limit by The Notorious B.I.G.
Sky's the Limit — The Notorious B.I.G. safe 88 BPM

Holds the same feel while nothing in it lurches or startles. 36/100, versus the original's 39. Nearly the same tempo, too.

Frequently asked

What songs sound like “Vampire Blues” by Neil Young?

The closest feel-matches we measure are “Beneath the Southern Cross” by Patti Smith, “Changed the Locks” by Lucinda Williams, “Pound Cake / Paris Morton Music 2” by Drake — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Vampire Blues” but calmer?

“Man of the World” by Fleetwood Mac, “Both Sides, Now” by Joni Mitchell, “Sittin' On The Dock of the Bay” by Otis Redding keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Vampire Blues”?

It measures 39/100 on our intensity scale, computed from a dynamic range of 5/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 85 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 32% of songs, calmer than the other 68%. Its intensity reading of 39/100 comes from a dynamic range of 5/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 88% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep5/10
Focus9/10
Workout2/10
Dinner8/10
Party / hype3/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1974 in context

The 176 songs we’ve measured from 1974 average a dynamic range of 6.4/10. At 5/10, this track is gentler and steadier than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity39
Dynamics44
Tempo25
Surprise25
Density33
Predictability0
Vocal force75
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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