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10 songs that feel like Turn Out the Lights

Matched to Turn Out the Lights by Julien Baker on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Turn Out the Lights
Julien Baker
moderate 41/100 intensity 80 BPM
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Nada Sera Como Antes — Milton Nascimento moderate 80 BPM

A 99% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (41/100). Nearly the same tempo, too (80 BPM).

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Grapevine — Weyes Blood moderate 85 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (42/100). Same layered texture.

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Vincent — James Blake moderate 70 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (40/100). Measured 98% alike.

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Collapse the Light into Earth — Porcupine Tree moderate 70 BPM

Measures 98% the same. It lands at almost exactly the same energy (40/100). Same layered texture.

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Maria Va — Mercedes Sosa moderate 90 BPM

A 98% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (42/100).

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The Professor and La Fille Danse — Damien Rice moderate 90 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (42/100). Same layered texture.

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Travessia — Milton Nascimento moderate 90 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (42/100). Measured 98% alike.

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Maria Maria — Milton Nascimento moderate 90 BPM

Measures 98% the same. It lands at almost exactly the same energy (42/100). Same layered texture.

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Something to Believe — Weyes Blood moderate 80 BPM

A 99% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (41/100). Nearly the same tempo, too (80 BPM).

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Gone — Jorja Smith moderate 80 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (41/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Turn Out the Lights is more than you want right now.

Please, Please, Please Let Me Get What I Want by The Smiths

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 23/100, down from 41. Nearly the same tempo, too.

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Everything Means Nothing to Me — Elliott Smith safe 75 BPM

Its dynamic range stays a gentler 4 where the original climbs to 7, so it lands at 22/100 — the pull without the edge. Nearly the same tempo, too.

Blowin' in the Wind by Bob Dylan
Blowin' in the Wind — Bob Dylan safe 80 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 3 where the original climbs to 7. Reads 12/100. Nearly the same tempo, too.

If I Were a Boy by Beyoncé
If I Were a Boy — Beyoncé safe 92 BPM

Holds the same feel while nothing in it lurches or startles. 28/100, versus the original's 41.

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Everybody Hurts — R.E.M. safe 75 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 5 where the original climbs to 7. Intensity 22/100, down from 41. Nearly the same tempo, too.

White Horse by Taylor Swift
White Horse — Taylor Swift safe 80 BPM

Its dynamic range stays a gentler 5 where the original climbs to 7, so it lands at 23/100 — the pull without the edge. Nearly the same tempo, too.

Right Where You Left Me by Taylor Swift
Right Where You Left Me — Taylor Swift safe 68 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 7. Reads 18/100.

The Smallest Man Who Ever Lived by Taylor Swift
The Smallest Man Who Ever Lived — Taylor Swift safe 80 BPM

Holds the same feel while its dynamic range stays a gentler 5 where the original climbs to 7. 23/100, versus the original's 41. Nearly the same tempo, too.

Frequently asked

What songs sound like “Turn Out the Lights” by Julien Baker?

The closest feel-matches we measure are “Nada Sera Como Antes” by Milton Nascimento, “Grapevine” by Weyes Blood, “Vincent” by James Blake — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Turn Out the Lights” but calmer?

“Please, Please, Please Let Me Get What I Want” by The Smiths, “Everything Means Nothing to Me” by Elliott Smith, “Blowin' in the Wind” by Bob Dylan keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Turn Out the Lights”?

It measures 41/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and soft vocals. Tempo is 80 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 35% of songs, calmer than the other 65%. Its intensity reading of 41/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and soft vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a slow, unhurried pace: more extreme on that axis than 85% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep5/10
Focus10/10
Workout2/10
Dinner8/10
Party / hype3/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2017 in context

The 461 songs we’ve measured from 2017 average a dynamic range of 6.0/10. At 7/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity41
Dynamics67
Tempo22
Surprise25
Density33
Predictability50
Vocal force25
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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