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10 songs that feel like To Live Is to Die

Matched to To Live Is to Die by Metallica on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

To Live Is to Die
The song you love
To Live Is to Die
Metallica
moderate 42/100 intensity 56 BPM
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Tonya Harding — Sufjan Stevens moderate 72 BPM

A 92% feel-match — carries the same emotional pull and lands at almost exactly the same energy (37/100).

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Viðrar vel til loftárása — Sigur Rós moderate 80 BPM

93% match across our 8 measured dimensions; it lands at almost exactly the same energy (41/100). Same layered texture.

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Cannonball — Damien Rice moderate 80 BPM

Keeps the same emotional pull — lands at almost exactly the same energy (41/100). Measured 93% alike.

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Cold Water — Damien Rice moderate 80 BPM

Measures 93% the same. It lands at almost exactly the same energy (41/100). Same layered texture.

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My Favourite Faded Fantasy — Damien Rice moderate 80 BPM

A 93% feel-match — carries the same emotional pull and lands at almost exactly the same energy (41/100).

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Love Me in Whatever Way — James Blake moderate 80 BPM

93% match across our 8 measured dimensions; it lands at almost exactly the same energy (41/100). Same layered texture.

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Di Provenza il mar — Giuseppe Verdi moderate 60 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (40/100). Measured 95% alike. Nearly the same tempo, too (60 BPM).

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Limit to Your Love — James Blake moderate 70 BPM

Measures 93% the same. It lands at almost exactly the same energy (40/100). Same layered texture.

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Friends That Break Your Heart — James Blake moderate 70 BPM

A 93% feel-match — carries the same emotional pull and lands at almost exactly the same energy (40/100).

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It Matters to Me — Faith Hill moderate 70 BPM

93% match across our 8 measured dimensions; it lands at almost exactly the same energy (37/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when To Live Is to Die is more than you want right now.

Quiet Eyes by Sharon Van Etten
Quiet Eyes — Sharon Van Etten safe 60 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 7. Intensity 14/100, down from 42. Nearly the same tempo, too.

He Stopped Loving Her Today by George Jones
He Stopped Loving Her Today — George Jones safe 65 BPM

Its dynamic range stays a gentler 4 where the original climbs to 7, so it lands at 15/100 — the pull without the edge. Nearly the same tempo, too.

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A Lack of Color — Death Cab for Cutie safe 60 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 2 where the original climbs to 7. Reads 7/100. Nearly the same tempo, too.

Almost Is Never Enough by Ariana Grande feat. Nathan Sykes
Almost Is Never Enough — Ariana Grande feat. Nathan Sykes safe 80 BPM

Holds the same feel while nothing in it lurches or startles. 24/100, versus the original's 42.

Halah by Mazzy Star
Halah — Mazzy Star safe 72 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 3 where the original climbs to 7. Intensity 11/100, down from 42.

Speed of the Sound of Loneliness by John Prine
Speed of the Sound of Loneliness — John Prine safe 85 BPM

Its dynamic range stays a gentler 4 where the original climbs to 7, so it lands at 16/100 — the pull without the edge.

I Remember Everything by John Prine
I Remember Everything — John Prine safe 75 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 2 where the original climbs to 7. Reads 8/100.

How Can You Mend a Broken Heart by Al Green
How Can You Mend a Broken Heart — Al Green safe 76 BPM

Holds the same feel while it stays in our safe band start to finish. 37/100, versus the original's 42.

Frequently asked

What songs sound like “To Live Is to Die” by Metallica?

The closest feel-matches we measure are “Tonya Harding” by Sufjan Stevens, “Viðrar vel til loftárása” by Sigur Rós, “Cannonball” by Damien Rice — the top match scores 92% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “To Live Is to Die” but calmer?

“Quiet Eyes” by Sharon Van Etten, “He Stopped Loving Her Today” by George Jones, “A Lack of Color” by Death Cab for Cutie keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “To Live Is to Die”?

It measures 42/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and spoken word. Tempo is 56 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 38% of songs, calmer than the other 62%. Its intensity reading of 42/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and spoken word. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a slow, unhurried pace: more extreme on that axis than 100% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep4/10
Focus8/10
Workout3/10
Dinner8/10
Party / hype3/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1988 in context

The 212 songs we’ve measured from 1988 average a dynamic range of 6.4/10. At 7/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity42
Dynamics67
Tempo9
Surprise25
Density33
Predictability50
Vocal force40
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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