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10 songs that feel like The Race Is On

Matched to The Race Is On by George Jones on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The Race Is On
The song you love
The Race Is On
George Jones
moderate 48/100 intensity 145 BPM
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The Good Life — Weezer moderate 142 BPM

A 99% feel-match — carries the same energetic pull and lands at almost exactly the same energy (48/100). Nearly the same tempo, too (142 BPM).

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Pink Triangle — Weezer moderate 154 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (49/100). Same layered texture.

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When You Were Mine — Prince moderate 136 BPM

Keeps the same energetic pull — lands at almost exactly the same energy (47/100). Measured 98% alike.

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Brown Eyed Handsome Man — Chuck Berry moderate 145 BPM

Measures 99% the same. It lands at almost exactly the same energy (48/100). Same layered texture.

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Mona (I Need You Baby) — Bo Diddley moderate 144 BPM

A 99% feel-match — carries the same energetic pull and lands at almost exactly the same energy (48/100). Nearly the same tempo, too (144 BPM).

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Me and My Uncle — Grateful Dead moderate 142 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (48/100). Same layered texture.

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Canary in a Coalmine — The Police moderate 142 BPM

Keeps the same energetic pull — lands at almost exactly the same energy (48/100). Measured 99% alike. Nearly the same tempo, too (142 BPM).

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Shake for Me — Howlin' Wolf moderate 148 BPM

Measures 99% the same. It lands at almost exactly the same energy (49/100). Same layered texture.

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Thirty Days (To Come Back Home) — Chuck Berry moderate 148 BPM

A 99% feel-match — carries the same energetic pull and lands at almost exactly the same energy (49/100). Nearly the same tempo, too (148 BPM).

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Congratulations — Post Malone moderate 140 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (48/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when The Race Is On is more than you want right now.

Lloyd, I'm Ready to Be Heartbroken by Camera Obscura
Lloyd, I'm Ready to Be Heartbroken — Camera Obscura safe 120 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 23/100, down from 48.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

Nothing in it lurches or startles, so it lands at 24/100 — the pull without the edge.

Our Song by Taylor Swift
Our Song — Taylor Swift safe 120 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 31/100.

Stay Stay Stay by Taylor Swift
Stay Stay Stay — Taylor Swift safe 120 BPM

Holds the same feel while nothing in it lurches or startles. 26/100, versus the original's 48.

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Nashville Skyline Rag — Bob Dylan safe 120 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 6. Intensity 17/100, down from 48.

If Not for You by Bob Dylan
If Not for You — Bob Dylan safe 120 BPM

Its dynamic range stays a gentler 4 where the original climbs to 6, so it lands at 19/100 — the pull without the edge.

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Creepin' In — Norah Jones featuring Dolly Parton safe 120 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 6. Reads 19/100.

Both Sides, Now by Joni Mitchell
Both Sides, Now — Joni Mitchell safe 82 BPM

Holds the same feel while nothing in it lurches or startles. 27/100, versus the original's 48.

Frequently asked

What songs sound like “The Race Is On” by George Jones?

The closest feel-matches we measure are “The Good Life” by Weezer, “Pink Triangle” by Weezer, “When You Were Mine” by Prince — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “The Race Is On” but calmer?

“Lloyd, I'm Ready to Be Heartbroken” by Camera Obscura, “It's Too Late” by Carole King, “Our Song” by Taylor Swift keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “The Race Is On”?

It measures 48/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 145 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 52% of songs, calmer than the other 48%. Its intensity reading of 48/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a fast, driving tempo: more extreme on that axis than 94% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep4/10
Focus8/10
Workout6/10
Dinner7/10
Party / hype5/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1965 in context

The 133 songs we’ve measured from 1965 average a dynamic range of 5.9/10. At 6/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity48
Dynamics56
Tempo58
Surprise25
Density33
Predictability0
Vocal force75
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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