← Back to The Good, the Bad and the Ugly
10 songs that feel like The Good, the Bad and the Ugly
Matched to The Good, the Bad and the Ugly by Ennio Morricone on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.
A 96% feel-match — carries the same transcendent pull and lands at almost exactly the same energy (59/100).
96% match across our 8 measured dimensions; it lands at almost exactly the same energy (63/100). Same layered texture.
Keeps the same intense pull — lands at almost exactly the same energy (63/100). Measured 96% alike.
Measures 93% the same. It lands at almost exactly the same energy (66/100). Same layered texture.
A 89% feel-match — carries the same transcendent pull and lands at almost exactly the same energy (62/100).
89% match across our 8 measured dimensions; it lands at almost exactly the same energy (60/100). Same layered texture.
Keeps the same energetic pull — lands at almost exactly the same energy (63/100). Measured 94% alike.
Measures 96% the same. It lands at almost exactly the same energy (63/100). Same layered texture.
A 94% feel-match — carries the same intense pull and lands at almost exactly the same energy (66/100).
93% match across our 8 measured dimensions; it lands at almost exactly the same energy (59/100). Same layered texture.
…and if you want it calmer
Same feeling, measured gentler — for when The Good, the Bad and the Ugly is more than you want right now.
Keeps the same feel of the original, but it measures markedly calmer overall. Intensity 52/100, down from 61. Nearly the same tempo, too.
Its dynamic range stays a gentler 6 where the original climbs to 8, so it lands at 46/100 — the pull without the edge.
If it's the same feel you're after, this delivers it while it measures markedly calmer overall. Reads 50/100.
Holds the same feel while it measures markedly calmer overall. 50/100, versus the original's 61.
Keeps the same feel of the original, but it measures markedly calmer overall. Intensity 53/100, down from 61.
Its dynamic range stays a gentler 6 where the original climbs to 8, so it lands at 49/100 — the pull without the edge.
If it's the same feel you're after, this delivers it while it measures markedly calmer overall. Reads 50/100.
Holds the same feel while it eases off just enough to take the edge off. 64/100, versus the original's 61.
Frequently asked
What songs sound like “The Good, the Bad and the Ugly” by Ennio Morricone?
The closest feel-matches we measure are “In the Hall of the Mountain King” by Edvard Grieg, “Die Meistersinger Overture” by Richard Wagner, “Violin Concerto in D Minor” by Jean Sibelius — the top match scores 96% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.
What songs are like “The Good, the Bad and the Ugly” but calmer?
“Skeletons” by Stevie Wonder, “Bad Blood” by Taylor Swift, “Empire State of Mind” by Jay-Z keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.
How intense is “The Good, the Bad and the Ugly”?
It measures 61/100 on our intensity scale, computed from a dynamic range of 8/10, layered texture, frequent sudden shifts, and instrumental. Tempo is 100 BPM.
How do you decide which songs are similar?
Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.
By the numbers: how this song compares
Computed from this song’s place among the 19,209 songs we’ve measured.
Where it sits in 19,000 songs
This is one of the more intense things in our library — more energetic than 81% of the 19,209 songs we've measured. Its intensity reading of 61/100 comes from a dynamic range of 8/10, layered texture, frequent shifts, and instrumental. Relatively few songs occupy this exact corner of the spectrum.
What makes it unusual
What stands out most about this song is blazing intensity: more extreme on that axis than 81% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.
Feels almost identical to
Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.
Dial the feeling up or down
What it’s good for
Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.
1966 in context
The 166 songs we’ve measured from 1966 average a dynamic range of 6.4/10. At 8/10, this track is louder and more dynamic than its year.
Mixes smoothly with
Within a few BPM and close in feel — they flow without a jarring transition.
The fingerprint
The 8-dimension measurement behind every rating on this page.
Want the single closest match, with every dimension compared?
Find its sonic twin →