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10 songs that feel like The Coral Sea

Matched to The Coral Sea by Dirty Three on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
The Coral Sea
Dirty Three
moderate 38/100 intensity 70 BPM
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Remember Me as a Time of Day — Explosions in the Sky safe 70 BPM

A 99% feel-match — carries the same serene pull and lands at almost exactly the same energy (38/100). Nearly the same tempo, too (70 BPM).

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All Armed — Nils Frahm moderate 70 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (38/100). Same layered texture.

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Crescent — John Coltrane moderate 60 BPM

Keeps the same serene pull — lands at almost exactly the same energy (38/100). Measured 98% alike.

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Anoyo — Tim Hecker moderate 60 BPM

Measures 98% the same. It lands at almost exactly the same energy (38/100). Same layered texture.

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Arrival — Johann Johannsson moderate 60 BPM

A 98% feel-match — carries the same serene pull and lands at almost exactly the same energy (38/100).

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Ntsikana's Bell — Abdullah Ibrahim moderate 80 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (39/100). Same layered texture.

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Ishmael — Abdullah Ibrahim moderate 80 BPM

Keeps the same serene pull — lands at almost exactly the same energy (39/100). Measured 98% alike.

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Are We There — Mono moderate 90 BPM

Measures 94% the same. It lands at almost exactly the same energy (40/100). Same layered texture.

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Beset by the Wires — Labradford moderate 70 BPM

A 96% feel-match — carries the same serene pull and lands at almost exactly the same energy (35/100). Nearly the same tempo, too (70 BPM).

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Phantom Channel Crossing — Labradford moderate 70 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (35/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when The Coral Sea is more than you want right now.

An Ending (Ascent) by Brian Eno
An Ending (Ascent) — Brian Eno safe 60 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 7. Intensity 12/100, down from 38. Nearly the same tempo, too.

Blowin' in the Wind by Bob Dylan
Blowin' in the Wind — Bob Dylan safe 80 BPM

Its dynamic range stays a gentler 3 where the original climbs to 7, so it lands at 12/100 — the pull without the edge. Nearly the same tempo, too.

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If It Be Your Will — Leonard Cohen safe 65 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 3 where the original climbs to 7. Reads 11/100. Nearly the same tempo, too.

New Year's Day by U2
New Year's Day — U2 safe 76 BPM

Holds the same feel while it stays in our safe band start to finish. 41/100, versus the original's 38. Nearly the same tempo, too.

Pilgrim by Enya
Pilgrim — Enya safe 85 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 7. Intensity 16/100, down from 38.

Arabesque No. 1 by Claude Debussy
Arabesque No. 1 — Claude Debussy safe 66 BPM

Its dynamic range stays a gentler 4 where the original climbs to 7, so it lands at 13/100 — the pull without the edge. Nearly the same tempo, too.

Deeper Well by Kacey Musgraves
Deeper Well — Kacey Musgraves safe 80 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 7. Reads 16/100. Nearly the same tempo, too.

Sway by Kacey Musgraves
Sway — Kacey Musgraves safe 85 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 7. 16/100, versus the original's 38.

Frequently asked

What songs sound like “The Coral Sea” by Dirty Three?

The closest feel-matches we measure are “Remember Me as a Time of Day” by Explosions in the Sky, “All Armed” by Nils Frahm, “Crescent” by John Coltrane — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “The Coral Sea” but calmer?

“An Ending (Ascent)” by Brian Eno, “Blowin' in the Wind” by Bob Dylan, “If It Be Your Will” by Leonard Cohen keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “The Coral Sea”?

It measures 38/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and instrumental. Tempo is 70 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 27% of songs, calmer than the other 73%. Its intensity reading of 38/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and instrumental. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a slow, unhurried pace: more extreme on that axis than 96% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep6/10
Focus10/10
Workout2/10
Dinner8/10
Party / hype2/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1998 in context

The 339 songs we’ve measured from 1998 average a dynamic range of 6.3/10. At 7/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity38
Dynamics67
Tempo17
Surprise25
Density33
Predictability50
Vocal force0
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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