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10 songs that feel like Take It as It Comes

Matched to Take It as It Comes by The Doors on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Take It as It Comes
The song you love
Take It as It Comes
The Doors
moderate 49/100 intensity 118 BPM
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Yet Another Movie — Pink Floyd moderate 112 BPM

A 99% feel-match — carries the same dreamy pull and lands at almost exactly the same energy (48/100). Nearly the same tempo, too (112 BPM).

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Kite — Kate Bush moderate 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (49/100). Same layered texture.

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Big Dipper — Built to Spill moderate 120 BPM

Keeps the same dreamy pull — lands at almost exactly the same energy (49/100). Measured 99% alike. Nearly the same tempo, too (120 BPM).

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All in the Mind — The Verve moderate 120 BPM

Measures 99% the same. It lands at almost exactly the same energy (49/100). Same layered texture.

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Sim Sala Bim — Fleet Foxes moderate 110 BPM

A 98% feel-match — carries the same dreamy pull and lands at almost exactly the same energy (48/100). Nearly the same tempo, too (110 BPM).

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See Emily Play — Pink Floyd moderate 118 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (49/100). Same layered texture.

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Skeletons — Yeah Yeah Yeahs moderate 118 BPM

Keeps the same dreamy pull — lands at almost exactly the same energy (49/100). Measured 99% alike. Nearly the same tempo, too (118 BPM).

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Four Winds — Bright Eyes moderate 120 BPM

Measures 99% the same. It lands at almost exactly the same energy (49/100). Same layered texture.

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Bled White — Elliott Smith moderate 120 BPM

A 99% feel-match — carries the same dreamy pull and lands at almost exactly the same energy (49/100). Nearly the same tempo, too (120 BPM).

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Strange News from Another Star — Blur moderate 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (49/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Take It as It Comes is more than you want right now.

Déjà Vu by Crosby, Stills, Nash & Young
Déjà Vu — Crosby, Stills, Nash & Young safe 132 BPM

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 30/100, down from 49.

Metamorphosis Two by Philip Glass
Metamorphosis Two — Philip Glass safe 100 BPM

Its dynamic range stays a gentler 4 where the original climbs to 6, so it lands at 22/100 — the pull without the edge.

Goldtone by Kurt Vile
Goldtone — Kurt Vile safe 85 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 6. Reads 21/100.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

Holds the same feel while nothing in it lurches or startles. 24/100, versus the original's 49. Nearly the same tempo, too.

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Hometown Glory — Adele safe 124 BPM

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 33/100, down from 49. Nearly the same tempo, too.

Not All Who Wander Are Lost by Lana Del Rey
Not All Who Wander Are Lost — Lana Del Rey safe 115 BPM

Its dynamic range stays a gentler 4 where the original climbs to 6, so it lands at 19/100 — the pull without the edge. Nearly the same tempo, too.

Arabesque No. 1 by Claude Debussy
Arabesque No. 1 — Claude Debussy safe 66 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 6. Reads 13/100.

Sittin' On The Dock of the Bay by Otis Redding
Sittin' On The Dock of the Bay — Otis Redding safe 88 BPM

Holds the same feel while nothing in it lurches or startles. 20/100, versus the original's 49.

Frequently asked

What songs sound like “Take It as It Comes” by The Doors?

The closest feel-matches we measure are “Yet Another Movie” by Pink Floyd, “Kite” by Kate Bush, “Big Dipper” by Built to Spill — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Take It as It Comes” but calmer?

“Déjà Vu” by Crosby, Stills, Nash & Young, “Metamorphosis Two” by Philip Glass, “Goldtone” by Kurt Vile keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Take It as It Comes”?

It measures 49/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 118 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 55% of songs, calmer than the other 45%. Its intensity reading of 49/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 79% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep4/10
Focus7/10
Workout3/10
Dinner7/10
Party / hype5/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1967 in context

The 289 songs we’ve measured from 1967 average a dynamic range of 6.2/10. At 6/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity49
Dynamics56
Tempo43
Surprise25
Density33
Predictability50
Vocal force75
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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