← Back to Symphony No. 4 in E minor, Op. 98
10 songs that feel like Symphony No. 4 in E minor, Op. 98
Matched to Symphony No. 4 in E minor, Op. 98 by Johannes Brahms on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.
A 95% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (48/100).
94% match across our 8 measured dimensions; it lands at almost exactly the same energy (46/100). Same layered texture.
Keeps the same energetic pull — lands at almost exactly the same energy (45/100). Measured 95% alike.
Measures 95% the same. It lands at almost exactly the same energy (47/100). Same layered texture.
A 95% feel-match — carries the same introspective pull and lands at almost exactly the same energy (47/100).
94% match across our 8 measured dimensions; it lands at almost exactly the same energy (48/100). Same layered texture.
Keeps the same feel — lands at almost exactly the same energy (51/100). Measured 96% alike.
Measures 94% the same. It lands at almost exactly the same energy (46/100). Same layered texture.
A 91% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (50/100). Nearly the same tempo, too (80 BPM).
91% match across our 8 measured dimensions; it lands at almost exactly the same energy (51/100). Same layered texture.
…and if you want it calmer
Same feeling, measured gentler — for when Symphony No. 4 in E minor, Op. 98 is more than you want right now.
Keeps the same feel of the original, but its dynamic range stays a gentler 3 where the original climbs to 8. Intensity 12/100, down from 49. Nearly the same tempo, too.
Its dynamic range stays a gentler 4 where the original climbs to 8, so it lands at 16/100 — the pull without the edge.
If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 6 where the original climbs to 8. Reads 32/100. Nearly the same tempo, too.
Holds the same feel while its dynamic range stays a gentler 6 where the original climbs to 8. 23/100, versus the original's 49. Nearly the same tempo, too.
Keeps the same feel of the original, but its dynamic range stays a gentler 5 where the original climbs to 8. Intensity 27/100, down from 49. Nearly the same tempo, too.
Its dynamic range stays a gentler 5 where the original climbs to 8, so it lands at 22/100 — the pull without the edge. Nearly the same tempo, too.
If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 5 where the original climbs to 8. Reads 23/100. Nearly the same tempo, too.
Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 8. 18/100, versus the original's 49. Nearly the same tempo, too.
Frequently asked
What songs sound like “Symphony No. 4 in E minor, Op. 98” by Johannes Brahms?
The closest feel-matches we measure are “Detach” by Hans Zimmer, “Symphony No 4” by Jean Sibelius, “Piano Sonata No. 11 in A major, K. 331” by Wolfgang Amadeus Mozart — the top match scores 95% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.
What songs are like “Symphony No. 4 in E minor, Op. 98” but calmer?
“Blowin' in the Wind” by Bob Dylan, “If You Could Read My Mind” by Gordon Lightfoot, “Please, Please, Please” by James Brown keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.
How intense is “Symphony No. 4 in E minor, Op. 98”?
It measures 49/100 on our intensity scale, computed from a dynamic range of 8/10, layered texture, moderate sudden shifts, and instrumental. Tempo is 72 BPM.
How do you decide which songs are similar?
Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.
By the numbers: how this song compares
Computed from this song’s place among the 19,209 songs we’ve measured.
Where it sits in 19,000 songs
On our 19k-song scale this lands in the middle band — more energetic than 55% of songs, calmer than the other 45%. Its intensity reading of 49/100 comes from a dynamic range of 8/10, layered texture, moderate shifts, and instrumental. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.
What makes it unusual
What stands out most about this song is a slow, unhurried pace: more extreme on that axis than 90% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.
Feels almost identical to
Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.
What it’s good for
Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.
Mixes smoothly with
Within a few BPM and close in feel — they flow without a jarring transition.
The fingerprint
The 8-dimension measurement behind every rating on this page.
Want the single closest match, with every dimension compared?
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