← Back to Symphony No. 25 in G minor, K. 183/173dB

10 songs that feel like Symphony No. 25 in G minor, K. 183/173dB

Matched to Symphony No. 25 in G minor, K. 183/173dB by Wolfgang Amadeus Mozart on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Symphony No. 25 in G minor, K. 183/173dB
Wolfgang Amadeus Mozart
moderate 45/100 intensity 140 BPM
♪
Don Giovanni Overture — Mozart moderate 132 BPM

A 90% feel-match — carries the same dramatic pull and runs a little hotter at 55/100. Nearly the same tempo, too (132 BPM).

♪
Peer Gynt Suite — Edvard Grieg moderate 120 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (43/100). Same layered texture.

♪
Pohjolas Daughter — Jean Sibelius moderate 80 BPM

Keeps the same dramatic pull — sits a little calmer at 39/100. Measured 88% alike.

♪
Egmont Overture — Ludwig van Beethoven intense 88 BPM

Measures 83% the same. It runs a little hotter at 60/100. Same layered texture.

♪
Coriolan Overture, Op. 62 — Ludwig van Beethoven intense 88 BPM

A 83% feel-match — carries the same dramatic pull and runs a little hotter at 60/100.

♪
Ecstasy of Gold — Ennio Morricone intense 120 BPM

83% match across our 8 measured dimensions; it runs a little hotter at 63/100.

♪
All the Things You Are — Keith Jarrett moderate 140 BPM

Keeps the same feel — lands at almost exactly the same energy (45/100). Measured 99% alike. Nearly the same tempo, too (140 BPM).

♪
Joy Spring — Clifford Brown moderate 140 BPM

Measures 99% the same. It lands at almost exactly the same energy (45/100). Same layered texture.

♪
Marche Slave — Tchaikovsky intense 80 BPM

A 82% feel-match — carries the same dramatic pull and runs a little hotter at 60/100.

♪
Symphony No. 1 in C minor, Op. 68 — Johannes Brahms intense 80 BPM

80% match across our 8 measured dimensions; it runs a little hotter at 60/100.

…and if you want it calmer

Same feeling, measured gentler — for when Symphony No. 25 in G minor, K. 183/173dB is more than you want right now.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 5 where the original climbs to 7. Intensity 24/100, down from 45.

Merry Christmas Mr. Lawrence by Ryuichi Sakamoto
Merry Christmas Mr. Lawrence — Ryuichi Sakamoto safe 70 BPM

It stays in our safe band start to finish, so it lands at 38/100 — the pull without the edge.

Nocturne in E-flat major, Op. 9 No. 2 by Frédéric Chopin
Nocturne in E-flat major, Op. 9 No. 2 — Frédéric Chopin safe 60 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 5 where the original climbs to 7. Reads 25/100.

The Times They Are a-Changin' by Bob Dylan
The Times They Are a-Changin' — Bob Dylan safe 120 BPM

Holds the same feel while nothing in it lurches or startles. 27/100, versus the original's 45.

Clean by Taylor Swift
Clean — Taylor Swift safe 120 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 5 where the original climbs to 7. Intensity 26/100, down from 45.

Arabesque No. 2 by Claude Debussy
Arabesque No. 2 — Claude Debussy safe 120 BPM

Its dynamic range stays a gentler 5 where the original climbs to 7, so it lands at 35/100 — the pull without the edge.

Hedwig's Theme by John Williams
Hedwig's Theme — John Williams safe 120 BPM

If it's the same feel you're after, this delivers it while it stays in our safe band start to finish. Reads 45/100.

Superman Theme by John Williams
Superman Theme — John Williams safe 120 BPM

Holds the same feel while it stays in our safe band start to finish. 44/100, versus the original's 45.

Frequently asked

What songs sound like “Symphony No. 25 in G minor, K. 183/173dB” by Wolfgang Amadeus Mozart?

The closest feel-matches we measure are “Don Giovanni Overture” by Mozart, “Peer Gynt Suite” by Edvard Grieg, “Pohjolas Daughter” by Jean Sibelius — the top match scores 90% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Symphony No. 25 in G minor, K. 183/173dB” but calmer?

“It's Too Late” by Carole King, “Merry Christmas Mr. Lawrence” by Ryuichi Sakamoto, “Nocturne in E-flat major, Op. 9 No. 2” by Frédéric Chopin keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Symphony No. 25 in G minor, K. 183/173dB”?

It measures 45/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and instrumental. Tempo is 140 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 42% of songs, calmer than the other 58%. Its intensity reading of 45/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and instrumental. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a fast, driving tempo: more extreme on that axis than 90% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep5/10
Focus9/10
Workout6/10
Dinner8/10
Party / hype5/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity45
Dynamics67
Tempo56
Surprise25
Density33
Predictability50
Vocal force0
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

Find its sonic twin →
Share on X
Check another song →