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10 songs that feel like Symphony No. 1 in C minor, Op. 68

Matched to Symphony No. 1 in C minor, Op. 68 by Johannes Brahms on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Symphony No. 1 in C minor, Op. 68
The song you love
Symphony No. 1 in C minor, Op. 68
Johannes Brahms
intense 60/100 intensity 80 BPM
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Ecstasy of Gold — Ennio Morricone intense 120 BPM

A 92% feel-match — carries the same dramatic pull and lands at almost exactly the same energy (63/100).

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Marche Slave — Tchaikovsky intense 80 BPM

90% match across our 8 measured dimensions; it lands at almost exactly the same energy (60/100).

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Egmont Overture — Ludwig van Beethoven intense 88 BPM

Keeps the same dramatic pull — lands at almost exactly the same energy (60/100). Measured 90% alike. Nearly the same tempo, too (88 BPM).

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Coriolan Overture, Op. 62 — Ludwig van Beethoven intense 88 BPM

Measures 90% the same. It lands at almost exactly the same energy (60/100).

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Polonaise in A-flat Major, Op. 53 — Frédéric Chopin moderate 120 BPM

A 84% feel-match — carries the same heroic pull and sits a little calmer at 47/100.

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Rienzi Overture — Richard Wagner intense 120 BPM

85% match across our 8 measured dimensions; it runs a little hotter at 66/100.

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Violin Concerto in D Major — Pyotr Ilyich Tchaikovsky intense 120 BPM

Keeps the same heroic pull — runs a little hotter at 66/100. Measured 82% alike.

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Romeo and Juliet Fantasy Overture — Pyotr Ilyich Tchaikovsky intense 72 BPM

Measures 84% the same. It lands at almost exactly the same energy (62/100).

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Symphony No. 25 in G minor, K. 183/173dB — Wolfgang Amadeus Mozart moderate 140 BPM

A 80% feel-match — carries the same dramatic pull and sits a little calmer at 45/100.

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Piano Sonata No. 2 in B-flat minor, Op. 36 — Sergei Rachmaninoff intense 120 BPM

92% match across our 8 measured dimensions; it lands at almost exactly the same energy (63/100). Same complex texture.

…and if you want it calmer

Same feeling, measured gentler — for when Symphony No. 1 in C minor, Op. 68 is more than you want right now.

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Thunder Rolls — Garth Brooks moderate 72 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 7 where the original climbs to 9. Intensity 49/100, down from 60. Nearly the same tempo, too.

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Represent — Nas moderate 90 BPM

Its dynamic range stays a gentler 7 where the original climbs to 9, so it lands at 50/100 — the pull without the edge. Nearly the same tempo, too.

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NY State of Mind — Nas moderate 85 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 7 where the original climbs to 9. Reads 50/100. Nearly the same tempo, too.

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Words as Weapons — Seether moderate 90 BPM

Holds the same feel while its dynamic range stays a gentler 6 where the original climbs to 9. 46/100, versus the original's 60. Nearly the same tempo, too.

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Remedy — Seether moderate 90 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 7 where the original climbs to 9. Intensity 50/100, down from 60. Nearly the same tempo, too.

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Angels Fall — Breaking Benjamin moderate 90 BPM

Its dynamic range stays a gentler 7 where the original climbs to 9, so it lands at 50/100 — the pull without the edge. Nearly the same tempo, too.

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Inglourious Basterds — Ennio Morricone moderate 80 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 7 where the original climbs to 9. Reads 39/100. Nearly the same tempo, too.

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How's It Goin Down — DMX moderate 90 BPM

Holds the same feel while its dynamic range stays a gentler 7 where the original climbs to 9. 50/100, versus the original's 60. Nearly the same tempo, too.

Frequently asked

What songs sound like “Symphony No. 1 in C minor, Op. 68” by Johannes Brahms?

The closest feel-matches we measure are “Ecstasy of Gold” by Ennio Morricone, “Marche Slave” by Tchaikovsky, “Egmont Overture” by Ludwig van Beethoven — the top match scores 92% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Symphony No. 1 in C minor, Op. 68” but calmer?

“Thunder Rolls” by Garth Brooks, “Represent” by Nas, “NY State of Mind” by Nas keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Symphony No. 1 in C minor, Op. 68”?

It measures 60/100 on our intensity scale, computed from a dynamic range of 9/10, complex texture, moderate sudden shifts, and instrumental. Tempo is 80 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 77% of songs, calmer than the other 23%. Its intensity reading of 60/100 comes from a dynamic range of 9/10, complex texture, moderate shifts, and instrumental. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is a huge quiet-to-loud swing: more extreme on that axis than 96% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

Dial the feeling up or down

What it’s good for

Sleep0/10
Focus5/10
Workout4/10
Dinner6/10
Party / hype4/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity60
Dynamics89
Tempo22
Surprise50
Density60
Predictability50
Vocal force0
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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