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10 songs that feel like Substitute

Matched to Substitute by The Who on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Substitute
The song you love
Substitute
The Who
moderate 48/100 intensity 112 BPM
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Radio Ga Ga — Queen moderate 109 BPM

A 99% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (48/100). Nearly the same tempo, too (109 BPM).

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Yet Another Movie — Pink Floyd moderate 112 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (48/100). Same layered texture.

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Fakin' It — Simon & Garfunkel moderate 110 BPM

Keeps the same contemplative pull — lands at almost exactly the same energy (48/100). Measured 99% alike. Nearly the same tempo, too (110 BPM).

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Coyote — Joni Mitchell moderate 110 BPM

Measures 99% the same. It lands at almost exactly the same energy (48/100). Same layered texture.

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Tabula Rasa — Björk moderate 110 BPM

A 99% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (48/100). Nearly the same tempo, too (110 BPM).

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Where Is Her Head — The National moderate 110 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (48/100). Same layered texture.

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Tempus Vernum — Enya moderate 110 BPM

Keeps the same contemplative pull — lands at almost exactly the same energy (48/100). Measured 99% alike. Nearly the same tempo, too (110 BPM).

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Sim Sala Bim — Fleet Foxes moderate 110 BPM

Measures 99% the same. It lands at almost exactly the same energy (48/100). Same layered texture.

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Effigy — Andrew Bird moderate 110 BPM

A 99% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (48/100). Nearly the same tempo, too (110 BPM).

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Fake Happy — Paramore moderate 108 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (48/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Substitute is more than you want right now.

Concerto for 4 Violins in B Minor, Op. 3 No. 10, RV 580 by Antonio Vivaldi

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 39/100, down from 48. Nearly the same tempo, too.

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Pulcinella Suite — Igor Stravinsky safe 120 BPM

It stays in our safe band start to finish, so it lands at 30/100 — the pull without the edge. Nearly the same tempo, too.

Mas Que Nada by Jorge Ben
Mas Que Nada — Jorge Ben safe 100 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 35/100.

Riptide by Vance Joy
Riptide — Vance Joy safe 100 BPM

Holds the same feel while nothing in it lurches or startles. 22/100, versus the original's 48.

The Girl from Ipanema by Antonio Carlos Jobim
The Girl from Ipanema — Antonio Carlos Jobim safe 120 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 6. Intensity 19/100, down from 48. Nearly the same tempo, too.

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Jamming — Bob Marley and the Wailers safe 76 BPM

Nothing in it lurches or startles, so it lands at 31/100 — the pull without the edge.

Bemsha Swing by Thelonious Monk
Bemsha Swing — Thelonious Monk safe 180 BPM

If it's the same feel you're after, this delivers it while it stays in our safe band start to finish. Reads 44/100.

Sæglópur by Sigur Rós
Sæglópur — Sigur Rós safe 90 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 6. 31/100, versus the original's 48.

Frequently asked

What songs sound like “Substitute” by The Who?

The closest feel-matches we measure are “Radio Ga Ga” by Queen, “Yet Another Movie” by Pink Floyd, “Fakin' It” by Simon & Garfunkel — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Substitute” but calmer?

“Concerto for 4 Violins in B Minor, Op. 3 No. 10, RV 580” by Antonio Vivaldi, “Pulcinella Suite” by Igor Stravinsky, “Mas Que Nada” by Jorge Ben keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Substitute”?

It measures 48/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 112 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 52% of songs, calmer than the other 48%. Its intensity reading of 48/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 79% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep4/10
Focus8/10
Workout3/10
Dinner7/10
Party / hype5/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1966 in context

The 166 songs we’ve measured from 1966 average a dynamic range of 6.4/10. At 6/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity48
Dynamics56
Tempo40
Surprise25
Density33
Predictability50
Vocal force75
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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