← Back to Standing Around Crying

10 songs that feel like Standing Around Crying

Matched to Standing Around Crying by Muddy Waters on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Standing Around Crying
Muddy Waters
moderate 41/100 intensity 105 BPM
♪
Mother Stands for Comfort — Kate Bush moderate 110 BPM

A 99% feel-match — carries the same emotional pull and lands at almost exactly the same energy (41/100). Nearly the same tempo, too (110 BPM).

♪
Tears of a Clown — Iron Maiden moderate 112 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (45/100). Same layered texture.

♪
Still Doin' Time — George Jones moderate 92 BPM

Keeps the same emotional pull — lands at almost exactly the same energy (44/100). Measured 95% alike.

♪
The One That Got Away — Katy Perry moderate 95 BPM

Measures 95% the same. It lands at almost exactly the same energy (40/100). Same layered texture.

♪
Suffer the Children — Tears for Fears moderate 115 BPM

A 95% feel-match — carries the same emotional pull and lands at almost exactly the same energy (42/100).

♪
Sacrifice — Björk moderate 100 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (41/100). Same layered texture.

♪
Tryin' to Get to Heaven — Bob Dylan moderate 110 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (41/100). Measured 99% alike. Nearly the same tempo, too (110 BPM).

♪
Rock Salt and Nails — Tyler Childers moderate 85 BPM

Measures 94% the same. It lands at almost exactly the same energy (43/100). Same layered texture.

♪
Crying in the Rain — a-ha moderate 105 BPM

A 94% feel-match — carries the same emotional pull and lands at almost exactly the same energy (45/100). Nearly the same tempo, too (105 BPM).

♪
Joy — Lucinda Williams moderate 112 BPM

94% match across our 8 measured dimensions; it lands at almost exactly the same energy (45/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Standing Around Crying is more than you want right now.

If I Were a Boy by Beyoncé
If I Were a Boy — Beyoncé safe 92 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 28/100, down from 41.

♪
When All Is Said and Done — ABBA safe 102 BPM

It stays in our safe band start to finish, so it lands at 39/100 — the pull without the edge. Nearly the same tempo, too.

♪
The Tree of Forgiveness — John Prine safe 90 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 21/100.

That's All by Genesis
That's All — Genesis safe 104 BPM

Holds the same feel while it stays in our safe band start to finish. 40/100, versus the original's 41. Nearly the same tempo, too.

Honky Tonk Blues by Hank Williams
Honky Tonk Blues — Hank Williams safe 90 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 25/100, down from 41.

Almost Is Never Enough by Ariana Grande feat. Nathan Sykes
Almost Is Never Enough — Ariana Grande feat. Nathan Sykes safe 80 BPM

Nothing in it lurches or startles, so it lands at 24/100 — the pull without the edge.

Speed of the Sound of Loneliness by John Prine
Speed of the Sound of Loneliness — John Prine safe 85 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 16/100.

I Remember Everything by John Prine
I Remember Everything — John Prine safe 75 BPM

Holds the same feel while its dynamic range stays a gentler 2 where the original climbs to 5. 8/100, versus the original's 41.

Frequently asked

What songs sound like “Standing Around Crying” by Muddy Waters?

The closest feel-matches we measure are “Mother Stands for Comfort” by Kate Bush, “Tears of a Clown” by Iron Maiden, “Still Doin' Time” by George Jones — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Standing Around Crying” but calmer?

“If I Were a Boy” by Beyoncé, “When All Is Said and Done” by ABBA, “The Tree of Forgiveness” by John Prine keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Standing Around Crying”?

It measures 41/100 on our intensity scale, computed from a dynamic range of 5/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 105 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 35% of songs, calmer than the other 65%. Its intensity reading of 41/100 comes from a dynamic range of 5/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 88% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep5/10
Focus8/10
Workout2/10
Dinner8/10
Party / hype3/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1952 in context

The 11 songs we’ve measured from 1952 average a dynamic range of 4.3/10. At 5/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity41
Dynamics44
Tempo36
Surprise25
Density33
Predictability0
Vocal force75
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

Find its sonic twin →
Share on X
Check another song →