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10 songs that feel like Somebody That I Used to Know

Matched to Somebody That I Used to Know by Gotye on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Somebody That I Used to Know
The song you love
Somebody That I Used to Know
Gotye
moderate 46/100 intensity 129 BPM
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Gravity Rides Everything — Modest Mouse moderate 120 BPM

A 98% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (45/100).

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Wilson (Expensive Mistakes) — Fall Out Boy moderate 120 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (49/100). Same layered texture.

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Four Winds — Bright Eyes moderate 120 BPM

Keeps the same contemplative pull — lands at almost exactly the same energy (49/100). Measured 96% alike.

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YAH. — Kendrick Lamar moderate 134 BPM

Measures 95% the same. It lands at almost exactly the same energy (46/100). Same layered texture.

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Silent Hill — Kendrick Lamar (featuring Kodak Black) moderate 140 BPM

A 98% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (47/100).

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First Love / Late Spring — Mitski moderate 135 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (47/100). Same layered texture.

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Silver — Pixies moderate 120 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (45/100). Measured 98% alike.

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Under Ice — Kate Bush moderate 120 BPM

Measures 98% the same. It lands at almost exactly the same energy (45/100). Same layered texture.

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Coyote — Joni Mitchell moderate 110 BPM

A 95% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (48/100).

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Where Is Her Head — The National moderate 110 BPM

95% match across our 8 measured dimensions; it lands at almost exactly the same energy (48/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Somebody That I Used to Know is more than you want right now.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 24/100, down from 46. Nearly the same tempo, too.

Every Breath You Take by The Police
Every Breath You Take — The Police safe 117 BPM

Nothing in it lurches or startles, so it lands at 27/100 — the pull without the edge.

Circles by Post Malone
Circles — Post Malone safe 120 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 27/100. Nearly the same tempo, too.

The Scientist by Coldplay
The Scientist — Coldplay safe 144 BPM

Holds the same feel while nothing in it lurches or startles. 28/100, versus the original's 46.

What a Fool Believes by The Doobie Brothers
What a Fool Believes — The Doobie Brothers safe 100 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 22/100, down from 46.

Both Sides, Now by Joni Mitchell
Both Sides, Now — Joni Mitchell safe 82 BPM

Nothing in it lurches or startles, so it lands at 27/100 — the pull without the edge.

Wild World by Cat Stevens
Wild World — Cat Stevens safe 69 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 19/100.

Fire and Rain by James Taylor
Fire and Rain — James Taylor safe 90 BPM

Holds the same feel while nothing in it lurches or startles. 21/100, versus the original's 46.

Frequently asked

What songs sound like “Somebody That I Used to Know” by Gotye?

The closest feel-matches we measure are “Gravity Rides Everything” by Modest Mouse, “Wilson (Expensive Mistakes)” by Fall Out Boy, “Four Winds” by Bright Eyes — the top match scores 98% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Somebody That I Used to Know” but calmer?

“It's Too Late” by Carole King, “Every Breath You Take” by The Police, “Circles” by Post Malone keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Somebody That I Used to Know”?

It measures 46/100 on our intensity scale, computed from a dynamic range of 5/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 129 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 44% of songs, calmer than the other 56%. Its intensity reading of 46/100 comes from a dynamic range of 5/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 88% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep4/10
Focus8/10
Workout6/10
Dinner7/10
Party / hype5/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2011 in context

The 372 songs we’ve measured from 2011 average a dynamic range of 6.4/10. At 5/10, this track is gentler and steadier than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity46
Dynamics44
Tempo49
Surprise25
Density33
Predictability50
Vocal force75
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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