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10 songs that feel like So In Love

Matched to So In Love by Orchestral Manoeuvres in the Dark on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
So In Love
Orchestral Manoeuvres in the Dark
moderate 46/100 intensity 118 BPM
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Ain't That Peculiar — Marvin Gaye moderate 128 BPM

A 98% feel-match — carries the same energetic pull and lands at almost exactly the same energy (47/100).

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Chain Reaction — Diana Ross moderate 118 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (46/100). Same layered texture.

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You Are the One — a-ha moderate 118 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (46/100). Measured 99% alike. Nearly the same tempo, too (118 BPM).

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Head Over Heels — ABBA safe 118 BPM

Measures 99% the same. It lands at almost exactly the same energy (45/100). Same layered texture.

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Racing in the Street — Bruce Springsteen safe 118 BPM

A 99% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (45/100). Nearly the same tempo, too (118 BPM).

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Girls in Their Summer Clothes — Bruce Springsteen safe 118 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (45/100). Same layered texture.

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When Tomorrow Comes — Eurythmics safe 117 BPM

Keeps the same energetic pull — lands at almost exactly the same energy (45/100). Measured 99% alike. Nearly the same tempo, too (117 BPM).

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Downtown Train — Tom Waits moderate 120 BPM

Measures 99% the same. It lands at almost exactly the same energy (46/100). Same layered texture.

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Best Friends — The Weeknd moderate 120 BPM

A 99% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (46/100). Nearly the same tempo, too (120 BPM).

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I Can't Be Satisfied — Muddy Waters moderate 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (46/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when So In Love is more than you want right now.

Lloyd, I'm Ready to Be Heartbroken by Camera Obscura
Lloyd, I'm Ready to Be Heartbroken — Camera Obscura safe 120 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 23/100, down from 46. Nearly the same tempo, too.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

Nothing in it lurches or startles, so it lands at 24/100 — the pull without the edge. Nearly the same tempo, too.

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The Model — Kraftwerk safe 124 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 6. Reads 20/100. Nearly the same tempo, too.

Fire and Rain by James Taylor
Fire and Rain — James Taylor safe 90 BPM

Holds the same feel while nothing in it lurches or startles. 21/100, versus the original's 46.

Mas Que Nada by Jorge Ben
Mas Que Nada — Jorge Ben safe 100 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 35/100, down from 46.

Sittin' On The Dock of the Bay by Otis Redding
Sittin' On The Dock of the Bay — Otis Redding safe 88 BPM

Nothing in it lurches or startles, so it lands at 20/100 — the pull without the edge.

Riptide by Vance Joy
Riptide — Vance Joy safe 100 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 22/100.

Chega de Saudade by Joao Gilberto
Chega de Saudade — Joao Gilberto safe 100 BPM

Holds the same feel while its dynamic range stays a gentler 3 where the original climbs to 6. 14/100, versus the original's 46.

Frequently asked

What songs sound like “So In Love” by Orchestral Manoeuvres in the Dark?

The closest feel-matches we measure are “Ain't That Peculiar” by Marvin Gaye, “Chain Reaction” by Diana Ross, “You Are the One” by a-ha — the top match scores 98% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “So In Love” but calmer?

“Lloyd, I'm Ready to Be Heartbroken” by Camera Obscura, “It's Too Late” by Carole King, “The Model” by Kraftwerk keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “So In Love”?

It measures 46/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 118 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 44% of songs, calmer than the other 56%. Its intensity reading of 46/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 79% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep4/10
Focus8/10
Workout3/10
Dinner7/10
Party / hype5/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1985 in context

The 186 songs we’ve measured from 1985 average a dynamic range of 6.4/10. At 6/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity46
Dynamics56
Tempo43
Surprise25
Density33
Predictability0
Vocal force75
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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