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10 songs that feel like Snow and Lights

Matched to Snow and Lights by Explosions in the Sky on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Snow and Lights
The song you love
Snow and Lights
Explosions in the Sky
intense 60/100 intensity 120 BPM
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Études-Tableaux — Sergei Rachmaninoff intense 120 BPM

A 99% feel-match — carries the same emotional pull and lands at almost exactly the same energy (60/100). Nearly the same tempo, too (120 BPM).

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Death and the Maiden — Franz Schubert intense 120 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (60/100). Same layered texture.

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Keeps the same cathartic pull — lands at almost exactly the same energy (60/100). Measured 94% alike.

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I Know You Are But What Am I — Mogwai intense 90 BPM

Measures 93% the same. It lands at almost exactly the same energy (60/100). Same layered texture.

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Killing All the Flies — Mogwai intense 85 BPM

A 92% feel-match — carries the same cathartic pull and lands at almost exactly the same energy (60/100).

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The Rest Is Noise — Jamie xx intense 128 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (60/100). Same layered texture.

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Coriolan Overture, Op. 62 — Ludwig van Beethoven intense 88 BPM

Keeps the same emotional pull — lands at almost exactly the same energy (60/100). Measured 92% alike.

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No Time for Caution — Hans Zimmer intense 80 BPM

Measures 92% the same. It lands at almost exactly the same energy (60/100). Same layered texture.

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Symphony No. 7 in A Major — Ludwig van Beethoven intense 120 BPM

A 91% feel-match — carries the same cathartic pull and lands at almost exactly the same energy (60/100). Nearly the same tempo, too (120 BPM).

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Don't Believe the Fife — Mogwai moderate 90 BPM

91% match across our 8 measured dimensions; it sits a little calmer at 51/100. Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Snow and Lights is more than you want right now.

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CPR — Wet Leg moderate 130 BPM

Keeps the same feel of the original, but it eases off just enough to take the edge off. Intensity 86/100, down from 60. Nearly the same tempo, too.

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I've Gotta Get a Message to You — Bee Gees moderate 120 BPM

Its dynamic range stays a gentler 7 where the original climbs to 9, so it lands at 60/100 — the pull without the edge. Nearly the same tempo, too.

Stuck in a Moment You Can't Get Out Of by U2

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 7 where the original climbs to 9. Reads 50/100. Nearly the same tempo, too.

Bring the Boys Back Home by Pink Floyd
Bring the Boys Back Home — Pink Floyd moderate 120 BPM

Holds the same feel while its dynamic range stays a gentler 7 where the original climbs to 9. 60/100, versus the original's 60. Nearly the same tempo, too.

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Hunger — Florence and the Machine moderate 110 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 7 where the original climbs to 9. Intensity 52/100, down from 60. Nearly the same tempo, too.

Make Up Your Mind by Florence + The Machine
Make Up Your Mind — Florence + The Machine moderate 120 BPM

Its dynamic range stays a gentler 7 where the original climbs to 9, so it lands at 53/100 — the pull without the edge. Nearly the same tempo, too.

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Do Me a Favour — Arctic Monkeys moderate 120 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 7 where the original climbs to 9. Reads 60/100. Nearly the same tempo, too.

I Don't Want to Know by Fleetwood Mac
I Don't Want to Know — Fleetwood Mac moderate 120 BPM

Holds the same feel while its dynamic range stays a gentler 7 where the original climbs to 9. 60/100, versus the original's 60. Nearly the same tempo, too.

Frequently asked

What songs sound like “Snow and Lights” by Explosions in the Sky?

The closest feel-matches we measure are “Études-Tableaux” by Sergei Rachmaninoff, “Death and the Maiden” by Franz Schubert, “Winter (L’inverno), Violin Concerto in F minor, Op. 8, No. 4, RV 297” by Antonio Vivaldi — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Snow and Lights” but calmer?

“CPR” by Wet Leg, “I've Gotta Get a Message to You” by Bee Gees, “Stuck in a Moment You Can't Get Out Of” by U2 keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Snow and Lights”?

It measures 60/100 on our intensity scale, computed from a dynamic range of 9/10, layered texture, moderate sudden shifts, and instrumental. Tempo is 120 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 77% of songs, calmer than the other 23%. Its intensity reading of 60/100 comes from a dynamic range of 9/10, layered texture, moderate shifts, and instrumental. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is a huge quiet-to-loud swing: more extreme on that axis than 96% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep0/10
Focus5/10
Workout7/10
Dinner6/10
Party / hype6/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2000 in context

The 306 songs we’ve measured from 2000 average a dynamic range of 6.7/10. At 9/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity60
Dynamics89
Tempo44
Surprise50
Density33
Predictability50
Vocal force0
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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