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10 songs that feel like Since I Lost My Baby

Matched to Since I Lost My Baby by The Temptations on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Since I Lost My Baby
The Temptations
moderate 45/100 intensity 75 BPM
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The Great Pretender — The Platters moderate 75 BPM

A 99% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (45/100). Nearly the same tempo, too (75 BPM).

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Take It to the Limit — Eagles moderate 75 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (45/100). Same layered texture.

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It Makes No Difference — The Band moderate 75 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (45/100). Measured 99% alike. Nearly the same tempo, too (75 BPM).

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Lucille — Kenny Rogers moderate 75 BPM

Measures 99% the same. It lands at almost exactly the same energy (45/100). Same layered texture.

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Am I the Only One — Dierks Bentley moderate 75 BPM

A 99% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (45/100). Nearly the same tempo, too (75 BPM).

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The Whiskey Ain't Workin' — Travis Tritt moderate 75 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (45/100). Same layered texture.

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Sleepless In A Hotel Room — Luke Combs moderate 75 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (45/100). Measured 99% alike. Nearly the same tempo, too (75 BPM).

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My Red Little Fox — Sufjan Stevens moderate 72 BPM

Measures 99% the same. It lands at almost exactly the same energy (45/100). Same layered texture.

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No Choir — Florence and the Machine moderate 72 BPM

A 99% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (45/100). Nearly the same tempo, too (72 BPM).

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Back to Friends — Sombr moderate 72 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (45/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Since I Lost My Baby is more than you want right now.

Sittin' On The Dock of the Bay by Otis Redding
Sittin' On The Dock of the Bay — Otis Redding safe 88 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 20/100, down from 45.

Both Sides, Now by Joni Mitchell
Both Sides, Now — Joni Mitchell safe 82 BPM

Nothing in it lurches or startles, so it lands at 27/100 — the pull without the edge. Nearly the same tempo, too.

Blowin' in the Wind by Bob Dylan
Blowin' in the Wind — Bob Dylan safe 80 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 3 where the original climbs to 6. Reads 12/100. Nearly the same tempo, too.

Merry Go 'Round by Kacey Musgraves
Merry Go 'Round — Kacey Musgraves safe 85 BPM

Holds the same feel while nothing in it lurches or startles. 27/100, versus the original's 45. Nearly the same tempo, too.

Sky's the Limit by The Notorious B.I.G.
Sky's the Limit — The Notorious B.I.G. safe 88 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 36/100, down from 45.

Please, Please, Please Let Me Get What I Want by The Smiths

Nothing in it lurches or startles, so it lands at 23/100 — the pull without the edge. Nearly the same tempo, too.

It's Good to Be King by Tom Petty
It's Good to Be King — Tom Petty safe 80 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 24/100. Nearly the same tempo, too.

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Everybody Hurts — R.E.M. safe 75 BPM

Holds the same feel while nothing in it lurches or startles. 22/100, versus the original's 45. Nearly the same tempo, too.

Frequently asked

What songs sound like “Since I Lost My Baby” by The Temptations?

The closest feel-matches we measure are “The Great Pretender” by The Platters, “Take It to the Limit” by Eagles, “It Makes No Difference” by The Band — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Since I Lost My Baby” but calmer?

“Sittin' On The Dock of the Bay” by Otis Redding, “Both Sides, Now” by Joni Mitchell, “Blowin' in the Wind” by Bob Dylan keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Since I Lost My Baby”?

It measures 45/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 75 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 42% of songs, calmer than the other 58%. Its intensity reading of 45/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a slow, unhurried pace: more extreme on that axis than 88% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep4/10
Focus8/10
Workout3/10
Dinner8/10
Party / hype3/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1965 in context

The 133 songs we’ve measured from 1965 average a dynamic range of 5.9/10. At 6/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity45
Dynamics56
Tempo19
Surprise25
Density33
Predictability50
Vocal force75
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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