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10 songs that feel like Sex Kills

Matched to Sex Kills by Joni Mitchell on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Sex Kills
The song you love
Sex Kills
Joni Mitchell
moderate 26/100 intensity 72 BPM
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The Ultracheese — Arctic Monkeys moderate 72 BPM

A 99% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (26/100). Nearly the same tempo, too (72 BPM).

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Mourning Air — Portishead moderate 70 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (26/100). Same layered texture.

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Show Me the Place — Leonard Cohen moderate 60 BPM

Keeps the same contemplative pull — lands at almost exactly the same energy (25/100). Measured 98% alike.

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Carmen — Lana Del Rey moderate 72 BPM

Measures 96% the same. It lands at almost exactly the same energy (30/100). Same layered texture.

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Small Time Shot Away — Massive Attack moderate 80 BPM

A 95% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (27/100). Nearly the same tempo, too (80 BPM).

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13 Beaches — Lana Del Rey moderate 85 BPM

95% match across our 8 measured dimensions; it lands at almost exactly the same energy (31/100). Same layered texture.

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Cherry — Lana Del Rey moderate 85 BPM

Keeps the same contemplative pull — lands at almost exactly the same energy (31/100). Measured 95% alike.

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In My Feelings — Lana Del Rey moderate 85 BPM

Measures 95% the same. It lands at almost exactly the same energy (31/100). Same layered texture.

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Only You — Portishead moderate 60 BPM

A 95% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (25/100).

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Another World — Antony and the Johnsons moderate 60 BPM

95% match across our 8 measured dimensions; it lands at almost exactly the same energy (25/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Sex Kills is more than you want right now.

Both Sides, Now by Joni Mitchell
Both Sides, Now — Joni Mitchell safe 82 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 27/100, down from 26. Nearly the same tempo, too.

Blowin' in the Wind by Bob Dylan
Blowin' in the Wind — Bob Dylan safe 80 BPM

Nothing in it lurches or startles, so it lands at 12/100 — the pull without the edge. Nearly the same tempo, too.

Love Is Selfish by Jack White
Love Is Selfish — Jack White safe 72 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 11/100. Nearly the same tempo, too.

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Hey Mister, That's Me up on the Jukebox — James Taylor safe 72 BPM

Holds the same feel while nothing in it lurches or startles. 15/100, versus the original's 26. Nearly the same tempo, too.

Speed of the Sound of Loneliness by John Prine
Speed of the Sound of Loneliness — John Prine safe 85 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 16/100, down from 26.

I Remember Everything by John Prine
I Remember Everything — John Prine safe 75 BPM

Its dynamic range stays a gentler 2 where the original climbs to 4, so it lands at 8/100 — the pull without the edge. Nearly the same tempo, too.

No Place to Fall by Townes Van Zandt
No Place to Fall — Townes Van Zandt safe 85 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 13/100.

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Yesterday's Wine — Willie Nelson safe 70 BPM

Holds the same feel while nothing in it lurches or startles. 11/100, versus the original's 26. Nearly the same tempo, too.

Frequently asked

What songs sound like “Sex Kills” by Joni Mitchell?

The closest feel-matches we measure are “The Ultracheese” by Arctic Monkeys, “Mourning Air” by Portishead, “Show Me the Place” by Leonard Cohen — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Sex Kills” but calmer?

“Both Sides, Now” by Joni Mitchell, “Blowin' in the Wind” by Bob Dylan, “Love Is Selfish” by Jack White keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Sex Kills”?

It measures 26/100 on our intensity scale, computed from a dynamic range of 4/10, layered texture, mild sudden shifts, and soft vocals. Tempo is 72 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

This sits near the calm end of everything we've measured — gentler than 83% of the 19,209 songs in the library. Its intensity reading of 26/100 comes from a dynamic range of 4/10, layered texture, mild shifts, and soft vocals. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 97% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep8/10
Focus10/10
Workout1/10
Dinner7/10
Party / hype1/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1994 in context

The 365 songs we’ve measured from 1994 average a dynamic range of 6.7/10. At 4/10, this track is gentler and steadier than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity26
Dynamics33
Tempo18
Surprise25
Density33
Predictability0
Vocal force25
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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