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10 songs that feel like Riot

Matched to Riot by Herbie Hancock on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Riot
Herbie Hancock
moderate 41/100 intensity 140 BPM
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James — Pat Metheny moderate 147 BPM

A 99% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (41/100). Nearly the same tempo, too (147 BPM).

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Relaxin at Camarillo — Charlie Parker safe 120 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (39/100). Same layered texture.

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Ana Maria — Wayne Shorter moderate 120 BPM

Keeps the same contemplative pull — lands at almost exactly the same energy (39/100). Measured 96% alike.

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Measures 96% the same. It lands at almost exactly the same energy (39/100). Same layered texture.

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All the Things You Are — Keith Jarrett moderate 140 BPM

A 96% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (45/100). Nearly the same tempo, too (140 BPM).

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Bright Size Life — Pat Metheny moderate 140 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (41/100). Same layered texture.

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Monk's Dream — Thelonious Monk moderate 120 BPM

Keeps the same contemplative pull — lands at almost exactly the same energy (43/100). Measured 93% alike.

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Hammers — Nils Frahm moderate 120 BPM

Measures 93% the same. It lands at almost exactly the same energy (43/100). Same layered texture.

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Not Yet — Oscar Peterson safe 120 BPM

A 96% feel-match — carries the same introspective pull and lands at almost exactly the same energy (39/100).

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Gone with the Wind — Wes Montgomery safe 120 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (39/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Riot is more than you want right now.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 24/100, down from 41.

Two Thousand and Seventeen by Four Tet
Two Thousand and Seventeen — Four Tet safe 120 BPM

It stays in our safe band start to finish, so it lands at 35/100 — the pull without the edge.

Nocturne in E-flat major, Op. 9 No. 2 by Frédéric Chopin
Nocturne in E-flat major, Op. 9 No. 2 — Frédéric Chopin safe 60 BPM

If it's the same feel you're after, this delivers it while it stays in our safe band start to finish. Reads 25/100.

Blowin' in the Wind by Bob Dylan
Blowin' in the Wind — Bob Dylan safe 80 BPM

Holds the same feel while its dynamic range stays a gentler 3 where the original climbs to 6. 12/100, versus the original's 41.

If I Were a Boy by Beyoncé
If I Were a Boy — Beyoncé safe 92 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 28/100, down from 41.

I Contain Multitudes by Bob Dylan
I Contain Multitudes — Bob Dylan safe 85 BPM

Its dynamic range stays a gentler 4 where the original climbs to 6, so it lands at 16/100 — the pull without the edge.

Love Is Selfish by Jack White
Love Is Selfish — Jack White safe 72 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 3 where the original climbs to 6. Reads 11/100.

Tell Me Why by Neil Young
Tell Me Why — Neil Young safe 72 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 6. 15/100, versus the original's 41.

Frequently asked

What songs sound like “Riot” by Herbie Hancock?

The closest feel-matches we measure are “James” by Pat Metheny, “Relaxin at Camarillo” by Charlie Parker, “Ana Maria” by Wayne Shorter — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Riot” but calmer?

“It's Too Late” by Carole King, “Two Thousand and Seventeen” by Four Tet, “Nocturne in E-flat major, Op. 9 No. 2” by Frédéric Chopin keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Riot”?

It measures 41/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and instrumental. Tempo is 140 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 35% of songs, calmer than the other 65%. Its intensity reading of 41/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and instrumental. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a fast, driving tempo: more extreme on that axis than 90% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep6/10
Focus10/10
Workout5/10
Dinner8/10
Party / hype5/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1968 in context

The 182 songs we’ve measured from 1968 average a dynamic range of 6.1/10. At 6/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity41
Dynamics56
Tempo56
Surprise25
Density33
Predictability50
Vocal force0
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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