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10 songs that feel like Red Right Hand

Matched to Red Right Hand by Nick Cave and the Bad Seeds on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Red Right Hand
Nick Cave and the Bad Seeds
moderate 49/100 intensity 114 BPM
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Stella Was a Diver and She Was Always Down — Interpol moderate 110 BPM

A 94% feel-match — carries the same dark pull and lands at almost exactly the same energy (52/100). Nearly the same tempo, too (110 BPM).

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Crocodiles — Echo and the Bunnymen moderate 110 BPM

94% match across our 8 measured dimensions; it lands at almost exactly the same energy (52/100). Same layered texture.

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Mammoth — Interpol moderate 110 BPM

Keeps the same unsettling pull — lands at almost exactly the same energy (48/100). Measured 99% alike. Nearly the same tempo, too (110 BPM).

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The Apologist — R.E.M. moderate 95 BPM

Measures 94% the same. It lands at almost exactly the same energy (47/100). Same layered texture.

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Voodoo — Black Sabbath intense 92 BPM

A 84% feel-match — carries the same menacing pull and runs a little hotter at 61/100.

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L'America — The Doors moderate 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (49/100). Same layered texture.

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Cowboys — Portishead intense 85 BPM

Keeps the same menacing pull — runs a little hotter at 63/100. Measured 84% alike.

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97 Bonnie & Clyde — Eminem intense 95 BPM

Measures 83% the same. It runs a little hotter at 60/100. Same layered texture.

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My Favourite Stranger — Depeche Mode moderate 110 BPM

A 89% feel-match — carries the same unsettling pull and runs a little hotter at 59/100. Nearly the same tempo, too (110 BPM).

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The Killing Jar — Siouxsie and the Banshees moderate 120 BPM

94% match across our 8 measured dimensions; it lands at almost exactly the same energy (53/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Red Right Hand is more than you want right now.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 24/100, down from 49.

Two Thousand and Seventeen by Four Tet
Two Thousand and Seventeen — Four Tet safe 120 BPM

It stays in our safe band start to finish, so it lands at 35/100 — the pull without the edge. Nearly the same tempo, too.

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America — Simon and Garfunkel safe 100 BPM

If it's the same feel you're after, this delivers it while it stays in our safe band start to finish. Reads 31/100.

If I Were a Boy by Beyoncé
If I Were a Boy — Beyoncé safe 92 BPM

Holds the same feel while nothing in it lurches or startles. 28/100, versus the original's 49.

I Contain Multitudes by Bob Dylan
I Contain Multitudes — Bob Dylan safe 85 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 6. Intensity 16/100, down from 49.

Goodbye Weekend by Mac DeMarco
Goodbye Weekend — Mac DeMarco safe 85 BPM

Its dynamic range stays a gentler 4 where the original climbs to 6, so it lands at 16/100 — the pull without the edge.

Someone You'd Admire by Fleet Foxes
Someone You'd Admire — Fleet Foxes safe 85 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 6. Reads 16/100.

Speed of the Sound of Loneliness by John Prine
Speed of the Sound of Loneliness — John Prine safe 85 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 6. 16/100, versus the original's 49.

Frequently asked

What songs sound like “Red Right Hand” by Nick Cave and the Bad Seeds?

The closest feel-matches we measure are “Stella Was a Diver and She Was Always Down” by Interpol, “Crocodiles” by Echo and the Bunnymen, “Mammoth” by Interpol — the top match scores 94% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Red Right Hand” but calmer?

“It's Too Late” by Carole King, “Two Thousand and Seventeen” by Four Tet, “America” by Simon and Garfunkel keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Red Right Hand”?

It measures 49/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 114 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 55% of songs, calmer than the other 45%. Its intensity reading of 49/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 79% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep4/10
Focus7/10
Workout3/10
Dinner7/10
Party / hype5/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1994 in context

The 365 songs we’ve measured from 1994 average a dynamic range of 6.7/10. At 6/10, this track is gentler and steadier than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity49
Dynamics56
Tempo41
Surprise25
Density33
Predictability50
Vocal force75
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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