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10 songs that feel like Queen Jane Approximately

Matched to Queen Jane Approximately by Bob Dylan on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Queen Jane Approximately
The song you love
Queen Jane Approximately
Bob Dylan
moderate 43/100 intensity 124 BPM
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Be My Wife — David Bowie moderate 125 BPM

A 99% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (43/100). Nearly the same tempo, too (125 BPM).

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We Don't Deserve Love — Arcade Fire moderate 110 BPM

97% match across our 8 measured dimensions; it lands at almost exactly the same energy (41/100). Same layered texture.

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Tallahassee — The Mountain Goats moderate 120 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (42/100). Measured 99% alike. Nearly the same tempo, too (120 BPM).

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Wall of Death — Richard & Linda Thompson moderate 120 BPM

Measures 99% the same. It lands at almost exactly the same energy (42/100). Same layered texture.

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Happy When It Rains — The Jesus and Mary Chain moderate 132 BPM

A 98% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (43/100). Nearly the same tempo, too (132 BPM).

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Eyes Closed — Ed Sheeran moderate 124 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (46/100). Same layered texture.

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End of a Century — Blur moderate 124 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (46/100). Measured 96% alike. Nearly the same tempo, too (124 BPM).

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Racing in the Street — Bruce Springsteen safe 118 BPM

Measures 96% the same. It lands at almost exactly the same energy (45/100). Same layered texture.

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Ain't That Peculiar — Marvin Gaye moderate 128 BPM

A 96% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (47/100). Nearly the same tempo, too (128 BPM).

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A Thousand Bad Times — Post Malone moderate 130 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (47/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Queen Jane Approximately is more than you want right now.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 24/100, down from 43. Nearly the same tempo, too.

Oh Daddy by Fleetwood Mac
Oh Daddy — Fleetwood Mac safe 120 BPM

Nothing in it lurches or startles, so it lands at 23/100 — the pull without the edge. Nearly the same tempo, too.

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Dumb — Nirvana safe 110 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 19/100.

Tangerine by Led Zeppelin
Tangerine — Led Zeppelin safe 78 BPM

Holds the same feel while nothing in it lurches or startles. 16/100, versus the original's 43.

Court and Spark by Joni Mitchell
Court and Spark — Joni Mitchell safe 110 BPM

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 35/100, down from 43.

Ever Since New York by Harry Styles
Ever Since New York — Harry Styles safe 111 BPM

Nothing in it lurches or startles, so it lands at 19/100 — the pull without the edge.

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You Are the Everything — R.E.M. safe 110 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 3 where the original climbs to 5. Reads 15/100.

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Tonight I'll Be Staying Here with You — Bob Dylan safe 110 BPM

Holds the same feel while it stays in our safe band start to finish. 28/100, versus the original's 43.

Frequently asked

What songs sound like “Queen Jane Approximately” by Bob Dylan?

The closest feel-matches we measure are “Be My Wife” by David Bowie, “We Don't Deserve Love” by Arcade Fire, “Tallahassee” by The Mountain Goats — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Queen Jane Approximately” but calmer?

“It's Too Late” by Carole King, “Oh Daddy” by Fleetwood Mac, “Dumb” by Nirvana keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Queen Jane Approximately”?

It measures 43/100 on our intensity scale, computed from a dynamic range of 5/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 124 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 39% of songs, calmer than the other 61%. Its intensity reading of 43/100 comes from a dynamic range of 5/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 88% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep4/10
Focus8/10
Workout6/10
Dinner8/10
Party / hype5/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1965 in context

The 133 songs we’ve measured from 1965 average a dynamic range of 5.9/10. At 5/10, this track is gentler and steadier than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity43
Dynamics44
Tempo47
Surprise25
Density33
Predictability0
Vocal force75
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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