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10 songs that feel like On the Radio

Matched to On the Radio by Donna Summer on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
On the Radio
Donna Summer
moderate 64/100 intensity 120 BPM
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Die schöne Müllerin — Franz Schubert moderate 90 BPM

A 92% feel-match — carries the same romantic pull and sits a little calmer at 57/100.

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Books About UFOs — Hüsker Dü intense 140 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (65/100). Same layered texture.

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Romance in Durango — Bob Dylan moderate 120 BPM

Keeps the same romantic pull — lands at almost exactly the same energy (60/100). Measured 96% alike. Nearly the same tempo, too (120 BPM).

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White Horse — Chris Stapleton intense 95 BPM

Measures 95% the same. It lands at almost exactly the same energy (61/100). Same layered texture.

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Leah — Roy Orbison moderate 92 BPM

A 94% feel-match — carries the same romantic pull and lands at almost exactly the same energy (61/100).

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Don't Shut Me Down — ABBA moderate 110 BPM

95% match across our 8 measured dimensions; it lands at almost exactly the same energy (59/100). Same layered texture.

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Left of the Dial — The Replacements moderate 145 BPM

Keeps the same nostalgic pull — lands at almost exactly the same energy (66/100). Measured 95% alike.

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Free — Florence and the Machine moderate 120 BPM

Measures 99% the same. It lands at almost exactly the same energy (64/100). Same layered texture.

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Rebellion (Lies) — Arcade Fire intense 120 BPM

A 99% feel-match — carries the same emotional pull and lands at almost exactly the same energy (64/100). Nearly the same tempo, too (120 BPM).

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Walk — Foo Fighters moderate 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (64/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when On the Radio is more than you want right now.

Brown Eyed Girl by Van Morrison
Brown Eyed Girl — Van Morrison safe 120 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 8. Intensity 19/100, down from 64. Nearly the same tempo, too.

Can't You Hear Me Calling by Bill Monroe
Can't You Hear Me Calling — Bill Monroe safe 120 BPM

Its dynamic range stays a gentler 6 where the original climbs to 8, so it lands at 45/100 — the pull without the edge. Nearly the same tempo, too.

Tender Years by George Jones
Tender Years — George Jones safe 72 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 8. Reads 15/100.

Homesick by Dua Lipa
Homesick — Dua Lipa safe 98 BPM

Holds the same feel while its dynamic range stays a gentler 5 where the original climbs to 8. 27/100, versus the original's 64.

All of Me by Frank Sinatra
All of Me — Frank Sinatra safe 90 BPM

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 42/100, down from 64.

Bring It On Home to Me by Sam Cooke
Bring It On Home to Me — Sam Cooke safe 92 BPM

Its dynamic range stays a gentler 6 where the original climbs to 8, so it lands at 39/100 — the pull without the edge.

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The Tree of Forgiveness — John Prine safe 90 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 5 where the original climbs to 8. Reads 21/100.

Honky Tonk Blues by Hank Williams
Honky Tonk Blues — Hank Williams safe 90 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 8. 25/100, versus the original's 64.

Frequently asked

What songs sound like “On the Radio” by Donna Summer?

The closest feel-matches we measure are “Die schöne Müllerin” by Franz Schubert, “Books About UFOs” by Hüsker Dü, “Romance in Durango” by Bob Dylan — the top match scores 92% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “On the Radio” but calmer?

“Brown Eyed Girl” by Van Morrison, “Can't You Hear Me Calling” by Bill Monroe, “Tender Years” by George Jones keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “On the Radio”?

It measures 64/100 on our intensity scale, computed from a dynamic range of 8/10, layered texture, moderate sudden shifts, and dynamic vocals. Tempo is 120 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

This is one of the more intense things in our library — more energetic than 84% of the 19,209 songs we've measured. Its intensity reading of 64/100 comes from a dynamic range of 8/10, layered texture, moderate shifts, and dynamic vocals. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is blazing intensity: more extreme on that axis than 84% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep0/10
Focus3/10
Workout7/10
Dinner6/10
Party / hype7/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1979 in context

The 245 songs we’ve measured from 1979 average a dynamic range of 6.4/10. At 8/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity64
Dynamics78
Tempo44
Surprise50
Density33
Predictability50
Vocal force75
Trigger load25

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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