10 songs that feel like On/Off
Matched to On/Off by Daft Punk on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.
A 87% feel-match — carries the same introspective pull and runs a little hotter at 41/100.
85% match across our 8 measured dimensions; it lands at almost exactly the same energy (33/100). Same layered texture.
Keeps the same nostalgic pull — runs a little hotter at 36/100. Measured 79% alike.
Measures 84% the same. It runs a little hotter at 60/100. Same layered texture.
A 78% feel-match — carries the same nostalgic pull and runs a little hotter at 39/100. Nearly the same tempo, too (120 BPM).
78% match across our 8 measured dimensions; it lands at almost exactly the same energy (28/100). Same layered texture.
Keeps the same feel — runs a little hotter at 36/100. Measured 85% alike.
Measures 83% the same. It sits a little calmer at 18/100.
A 82% feel-match — carries the same introspective pull and sits a little calmer at 23/100.
82% match across our 8 measured dimensions; it runs a little hotter at 60/100.
Frequently asked
What songs sound like “On/Off” by Daft Punk?
The closest feel-matches we measure are “Get in the Mind Shaft” by Jack White, “Moonchild” by King Crimson, “In McDonalds” by Burial — the top match scores 87% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.
How intense is “On/Off”?
It measures 30/100 on our intensity scale, computed from a dynamic range of 3/10, layered texture, no sudden shifts, and spoken word. Tempo is 120 BPM.
How do you decide which songs are similar?
Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.
By the numbers: how this song compares
Computed from this song’s place among the 19,209 songs we’ve measured.
Where it sits in 19,000 songs
This sits near the calm end of everything we've measured — gentler than 80% of the 19,209 songs in the library. Its intensity reading of 30/100 comes from a dynamic range of 3/10, layered texture, no sudden shifts, and spoken word. Relatively few songs occupy this exact corner of the spectrum.
What makes it unusual
What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 100% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.
Feels almost identical to
Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.
Dial the feeling up or down
Same feeling, bigger: I Before E Except After C — Yazoo
What it’s good for
Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.
2005 in context
The 363 songs we’ve measured from 2005 average a dynamic range of 6.2/10. At 3/10, this track is gentler and steadier than its year.
Mixes smoothly with
Within a few BPM and close in feel — they flow without a jarring transition.
The fingerprint
The 8-dimension measurement behind every rating on this page.
Want the single closest match, with every dimension compared?
Find its sonic twin →