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10 songs that feel like Obstacle 1

Matched to Obstacle 1 by Interpol on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Obstacle 1
The song you love
Obstacle 1
Interpol
intense 75/100 intensity 132 BPM
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Big Love — Fleetwood Mac intense 129 BPM

A 99% feel-match — carries the same cathartic pull and lands at almost exactly the same energy (74/100). Nearly the same tempo, too (129 BPM).

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Harder, Better, Faster, Stronger — Daft Punk intense 123 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (74/100). Same complex texture.

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Sign 'O' the Times — Prince intense 120 BPM

Keeps the same cathartic pull — lands at almost exactly the same energy (74/100). Measured 98% alike.

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Drain You — Nirvana intense 132 BPM

Measures 99% the same. It lands at almost exactly the same energy (75/100). Same complex texture.

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Rodeo — Lil Nas X intense 118 BPM

A 97% feel-match — carries the same cathartic pull and lands at almost exactly the same energy (73/100).

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You Oughta Know — Alanis Morissette intense 110 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (73/100). Same complex texture.

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Gett Off — Prince intense 108 BPM

Keeps the same cathartic pull — lands at almost exactly the same energy (73/100). Measured 95% alike.

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Weight of the World — Keiichi Okabe intense 120 BPM

Measures 98% the same. It lands at almost exactly the same energy (74/100). Same complex texture.

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Holy Shit — Father John Misty intense 120 BPM

A 95% feel-match — carries the same cathartic pull and lands at almost exactly the same energy (70/100).

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The Headmaster Ritual — The Smiths intense 118 BPM

97% match across our 8 measured dimensions; it lands at almost exactly the same energy (73/100). Same complex texture.

…and if you want it calmer

Same feeling, measured gentler — for when Obstacle 1 is more than you want right now.

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What We All Come to Need — Pelican moderate 120 BPM

Keeps the same feel of the original, but it measures markedly calmer overall. Intensity 43/100, down from 75.

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Angel Tears — Pelican moderate 120 BPM

It measures markedly calmer overall, so it lands at 43/100 — the pull without the edge.

Slide Tackle by Japanese Breakfast
Slide Tackle — Japanese Breakfast moderate 128 BPM

If it's the same feel you're after, this delivers it while it measures markedly calmer overall. Reads 54/100. Nearly the same tempo, too.

Joshua Fit the Battle of Jericho by Mahalia Jackson
Joshua Fit the Battle of Jericho — Mahalia Jackson moderate 120 BPM

Holds the same feel while it measures markedly calmer overall. 64/100, versus the original's 75.

Mean Woman Blues by Roy Orbison
Mean Woman Blues — Roy Orbison moderate 120 BPM

Keeps the same feel of the original, but it measures markedly calmer overall. Intensity 60/100, down from 75.

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Armistice — Phoenix moderate 120 BPM

It measures markedly calmer overall, so it lands at 60/100 — the pull without the edge.

No Future Shock by TV on the Radio
No Future Shock — TV on the Radio moderate 120 BPM

If it's the same feel you're after, this delivers it while it measures markedly calmer overall. Reads 64/100.

Jonathan Fisk by Spoon
Jonathan Fisk — Spoon moderate 120 BPM

Holds the same feel while its dynamic range stays a gentler 6 where the original climbs to 8. 46/100, versus the original's 75.

Frequently asked

What songs sound like “Obstacle 1” by Interpol?

The closest feel-matches we measure are “Big Love” by Fleetwood Mac, “Harder, Better, Faster, Stronger” by Daft Punk, “Sign 'O' the Times” by Prince — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Obstacle 1” but calmer?

“What We All Come to Need” by Pelican, “Angel Tears” by Pelican, “Slide Tackle” by Japanese Breakfast keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Obstacle 1”?

It measures 75/100 on our intensity scale, computed from a dynamic range of 8/10, complex texture, moderate sudden shifts, and dynamic vocals. Tempo is 132 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

This is one of the more intense things in our library — more energetic than 92% of the 19,209 songs we've measured. Its intensity reading of 75/100 comes from a dynamic range of 8/10, complex texture, moderate shifts, and dynamic vocals. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is blazing intensity: more extreme on that axis than 92% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep0/10
Focus2/10
Workout8/10
Dinner5/10
Party / hype8/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2002 in context

The 332 songs we’ve measured from 2002 average a dynamic range of 6.3/10. At 8/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity75
Dynamics78
Tempo51
Surprise50
Density60
Predictability100
Vocal force75
Trigger load0

The 8-dimension measurement behind every rating on this page.

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