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10 songs that feel like Fêtes (Nocturnes No. 2)

Matched to Fêtes (Nocturnes No. 2) by Claude Debussy on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Fêtes (Nocturnes No. 2)
Claude Debussy
moderate 50/100 intensity 120 BPM
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The Black Rider — Howard Shore moderate 120 BPM

A 99% feel-match — carries the same playful pull and lands at almost exactly the same energy (50/100). Nearly the same tempo, too (120 BPM).

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Octet for Wind Instruments — Igor Stravinsky moderate 116 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (49/100). Same layered texture.

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March into the Sea — Pelican moderate 120 BPM

Keeps the same dreamy pull — lands at almost exactly the same energy (50/100). Measured 99% alike. Nearly the same tempo, too (120 BPM).

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Bloodstone — Amon Tobin moderate 120 BPM

Measures 99% the same. It lands at almost exactly the same energy (50/100). Same layered texture.

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Anasickmodular — Floating Points moderate 120 BPM

A 99% feel-match — carries the same dreamy pull and lands at almost exactly the same energy (50/100). Nearly the same tempo, too (120 BPM).

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Hedwig's Theme — John Williams safe 120 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (45/100). Same layered texture.

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Capriccio Italien — Pyotr Ilyich Tchaikovsky moderate 120 BPM

Keeps the same playful pull — lands at almost exactly the same energy (54/100). Measured 96% alike. Nearly the same tempo, too (120 BPM).

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Measures 96% the same. It lands at almost exactly the same energy (50/100). Same layered texture.

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Buss Dem Bones — Amon Tobin moderate 120 BPM

A 99% feel-match — carries the same energetic pull and lands at almost exactly the same energy (50/100). Nearly the same tempo, too (120 BPM).

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Earth Beat — Herbie Hancock intense 120 BPM

95% match across our 8 measured dimensions; it runs a little hotter at 60/100. Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Fêtes (Nocturnes No. 2) is more than you want right now.

Arabesque No. 2 by Claude Debussy
Arabesque No. 2 — Claude Debussy safe 120 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 5 where the original climbs to 7. Intensity 35/100, down from 50. Nearly the same tempo, too.

22 by Taylor Swift
22 — Taylor Swift safe 120 BPM

Its dynamic range stays a gentler 5 where the original climbs to 7, so it lands at 39/100 — the pull without the edge. Nearly the same tempo, too.

Monday Morning by Fleetwood Mac
Monday Morning — Fleetwood Mac safe 120 BPM

If it's the same feel you're after, this delivers it while it stays in our safe band start to finish. Reads 41/100. Nearly the same tempo, too.

Friday I'm In Love by The Cure
Friday I'm In Love — The Cure safe 135 BPM

Holds the same feel while it stays in our safe band start to finish. 34/100, versus the original's 50.

BMF by SZA
BMF — SZA safe 130 BPM

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 42/100, down from 50. Nearly the same tempo, too.

Starfish and Coffee by Prince
Starfish and Coffee — Prince safe 120 BPM

Its dynamic range stays a gentler 4 where the original climbs to 7, so it lands at 19/100 — the pull without the edge. Nearly the same tempo, too.

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Stand — R.E.M. safe 106 BPM

If it's the same feel you're after, this delivers it while it stays in our safe band start to finish. Reads 40/100.

Shiny Happy People by R.E.M.
Shiny Happy People — R.E.M. safe 135 BPM

Holds the same feel while it stays in our safe band start to finish. 42/100, versus the original's 50.

Frequently asked

What songs sound like “Fêtes (Nocturnes No. 2)” by Claude Debussy?

The closest feel-matches we measure are “The Black Rider” by Howard Shore, “Octet for Wind Instruments” by Igor Stravinsky, “March into the Sea” by Pelican — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Fêtes (Nocturnes No. 2)” but calmer?

“Arabesque No. 2” by Claude Debussy, “22” by Taylor Swift, “Monday Morning” by Fleetwood Mac keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Fêtes (Nocturnes No. 2)”?

It measures 50/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, moderate sudden shifts, and instrumental. Tempo is 120 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 62% of songs, calmer than the other 38%. Its intensity reading of 50/100 comes from a dynamic range of 7/10, layered texture, moderate shifts, and instrumental. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is blazing intensity: more extreme on that axis than 62% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep2/10
Focus6/10
Workout6/10
Dinner7/10
Party / hype6/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity50
Dynamics67
Tempo44
Surprise50
Density33
Predictability50
Vocal force0
Trigger load25

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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