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10 songs that feel like No One to Depend On

Matched to No One to Depend On by Carlos Santana on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

No One to Depend On
The song you love
No One to Depend On
Carlos Santana
moderate 43/100 intensity 100 BPM
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Tales of Brave Ulysses — Cream moderate 100 BPM

A 99% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (43/100). Nearly the same tempo, too (100 BPM).

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Riders on the Storm — The Doors moderate 90 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (42/100). Same layered texture.

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Last Train Home — Fall Out Boy moderate 90 BPM

Keeps the same contemplative pull — lands at almost exactly the same energy (42/100). Measured 98% alike.

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The Way It Used to Be — Pet Shop Boys moderate 90 BPM

Measures 98% the same. It lands at almost exactly the same energy (42/100). Same layered texture.

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Feels Like We Only Go Backwards — Tame Impala moderate 110 BPM

A 98% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (44/100).

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Red Eyes — The War on Drugs moderate 100 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (43/100). Same layered texture.

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Enjoy the Silence — Depeche Mode moderate 113 BPM

Keeps the same contemplative pull — lands at almost exactly the same energy (44/100). Measured 97% alike.

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When The Sun Hits — Slowdive moderate 86 BPM

Measures 97% the same. It lands at almost exactly the same energy (42/100). Same layered texture.

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A 97% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (44/100).

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Firth of Fifth — Genesis moderate 80 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (41/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when No One to Depend On is more than you want right now.

Fire and Rain by James Taylor
Fire and Rain — James Taylor safe 90 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 5 where the original climbs to 7. Intensity 21/100, down from 43. Nearly the same tempo, too.

Sittin' On The Dock of the Bay by Otis Redding
Sittin' On The Dock of the Bay — Otis Redding safe 88 BPM

Its dynamic range stays a gentler 5 where the original climbs to 7, so it lands at 20/100 — the pull without the edge.

Here's Where the Story Ends by The Sundays
Here's Where the Story Ends — The Sundays safe 90 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 5 where the original climbs to 7. Reads 21/100. Nearly the same tempo, too.

What a Fool Believes by The Doobie Brothers
What a Fool Believes — The Doobie Brothers safe 100 BPM

Holds the same feel while its dynamic range stays a gentler 5 where the original climbs to 7. 22/100, versus the original's 43. Nearly the same tempo, too.

Chasing Pavements by Adele
Chasing Pavements — Adele safe 85 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 24/100, down from 43.

If I Were a Boy by Beyoncé
If I Were a Boy — Beyoncé safe 92 BPM

Nothing in it lurches or startles, so it lands at 28/100 — the pull without the edge. Nearly the same tempo, too.

When the Party's Over by Billie Eilish
When the Party's Over — Billie Eilish safe 90 BPM

If it's the same feel you're after, this delivers it while it stays in our safe band start to finish. Reads 44/100. Nearly the same tempo, too.

Mercy Mercy Me (The Ecology) by Marvin Gaye
Mercy Mercy Me (The Ecology) — Marvin Gaye safe 86 BPM

Holds the same feel while nothing in it lurches or startles. 35/100, versus the original's 43.

Frequently asked

What songs sound like “No One to Depend On” by Carlos Santana?

The closest feel-matches we measure are “Tales of Brave Ulysses” by Cream, “Riders on the Storm” by The Doors, “Last Train Home” by Fall Out Boy — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “No One to Depend On” but calmer?

“Fire and Rain” by James Taylor, “Sittin' On The Dock of the Bay” by Otis Redding, “Here's Where the Story Ends” by The Sundays keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “No One to Depend On”?

It measures 43/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and soft vocals. Tempo is 100 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 39% of songs, calmer than the other 61%. Its intensity reading of 43/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and soft vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is deep calm: more extreme on that axis than 61% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep5/10
Focus10/10
Workout3/10
Dinner8/10
Party / hype3/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1971 in context

The 257 songs we’ve measured from 1971 average a dynamic range of 6.2/10. At 7/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity43
Dynamics67
Tempo33
Surprise25
Density33
Predictability50
Vocal force25
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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