← Back to Memphis Dues

10 songs that feel like Memphis Dues

Matched to Memphis Dues by Charles Lloyd on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Memphis Dues
Charles Lloyd
moderate 39/100 intensity 75 BPM
♪
Etude pour les arpeges composes — Claude Debussy moderate 80 BPM

A 99% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (39/100). Nearly the same tempo, too (80 BPM).

♪
Asie — Maurice Ravel moderate 80 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (39/100). Same layered texture.

♪
Little Boy Lost — Abdullah Ibrahim moderate 80 BPM

Keeps the same contemplative pull — lands at almost exactly the same energy (39/100). Measured 99% alike. Nearly the same tempo, too (80 BPM).

♪
Six Days at the Bottom of the Ocean — Explosions in the Sky moderate 70 BPM

Measures 99% the same. It lands at almost exactly the same energy (38/100). Same layered texture.

♪
Glittering Blackness — Explosions in the Sky moderate 85 BPM

A 98% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (40/100).

♪
Lush Life — Ahmad Jamal moderate 75 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (39/100). Same layered texture.

♪
Estampes — Claude Debussy moderate 60 BPM

Keeps the same contemplative pull — lands at almost exactly the same energy (38/100). Measured 97% alike.

♪
Images — Claude Debussy safe 60 BPM

Measures 97% the same. It lands at almost exactly the same energy (38/100). Same layered texture.

♪
Windows — Chick Corea moderate 90 BPM

A 97% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (40/100).

♪
Raga Yaman — Ravi Shankar moderate 80 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (39/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Memphis Dues is more than you want right now.

Kind of Blue by Miles Davis
Kind of Blue — Miles Davis safe 90 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 5 where the original climbs to 7. Intensity 22/100, down from 39.

Nocturne in E-flat major, Op. 9 No. 2 by Frédéric Chopin
Nocturne in E-flat major, Op. 9 No. 2 — Frédéric Chopin safe 60 BPM

Its dynamic range stays a gentler 5 where the original climbs to 7, so it lands at 25/100 — the pull without the edge.

Blowin' in the Wind by Bob Dylan
Blowin' in the Wind — Bob Dylan safe 80 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 3 where the original climbs to 7. Reads 12/100. Nearly the same tempo, too.

Kiss the Rain by Yiruma
Kiss the Rain — Yiruma safe 60 BPM

Holds the same feel while its dynamic range stays a gentler 5 where the original climbs to 7. 16/100, versus the original's 39.

What Was I Made For by Billie Eilish
What Was I Made For — Billie Eilish safe 60 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 7. Intensity 14/100, down from 39.

Across the Universe by The Beatles
Across the Universe — The Beatles safe 69 BPM

Its dynamic range stays a gentler 5 where the original climbs to 7, so it lands at 27/100 — the pull without the edge. Nearly the same tempo, too.

Thumbing My Way by Pearl Jam
Thumbing My Way — Pearl Jam safe 80 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 5 where the original climbs to 7. Reads 23/100. Nearly the same tempo, too.

That's the Way by Led Zeppelin
That's the Way — Led Zeppelin safe 72 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 7. 21/100, versus the original's 39. Nearly the same tempo, too.

Frequently asked

What songs sound like “Memphis Dues” by Charles Lloyd?

The closest feel-matches we measure are “Etude pour les arpeges composes” by Claude Debussy, “Asie” by Maurice Ravel, “Little Boy Lost” by Abdullah Ibrahim — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Memphis Dues” but calmer?

“Kind of Blue” by Miles Davis, “Nocturne in E-flat major, Op. 9 No. 2” by Frédéric Chopin, “Blowin' in the Wind” by Bob Dylan keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Memphis Dues”?

It measures 39/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and instrumental. Tempo is 75 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 32% of songs, calmer than the other 68%. Its intensity reading of 39/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and instrumental. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a slow, unhurried pace: more extreme on that axis than 88% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep5/10
Focus10/10
Workout2/10
Dinner8/10
Party / hype3/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2007 in context

The 311 songs we’ve measured from 2007 average a dynamic range of 6.3/10. At 7/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity39
Dynamics67
Tempo19
Surprise25
Density33
Predictability50
Vocal force0
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

Find its sonic twin →
Share on X
Check another song →