10 songs that feel like Manha de Carnaval
Matched to Manha de Carnaval by Stan Getz on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.
A 99% feel-match — carries the same calm pull and lands at almost exactly the same energy (21/100). Nearly the same tempo, too (120 BPM).
99% match across our 8 measured dimensions; it lands at almost exactly the same energy (21/100). Same smooth texture.
Keeps the same calm pull — lands at almost exactly the same energy (21/100). Measured 99% alike. Nearly the same tempo, too (120 BPM).
Measures 94% the same. It lands at almost exactly the same energy (19/100). Same smooth texture.
A 94% feel-match — carries the same calm pull and lands at almost exactly the same energy (19/100).
99% match across our 8 measured dimensions; it lands at almost exactly the same energy (21/100). Same smooth texture.
Keeps the same calm pull — lands at almost exactly the same energy (21/100). Measured 99% alike. Nearly the same tempo, too (120 BPM).
Measures 99% the same. It lands at almost exactly the same energy (21/100). Same smooth texture.
A 99% feel-match — carries the same calm pull and lands at almost exactly the same energy (21/100). Nearly the same tempo, too (120 BPM).
99% match across our 8 measured dimensions; it lands at almost exactly the same energy (21/100). Same smooth texture.
Frequently asked
What songs sound like “Manha de Carnaval” by Stan Getz?
The closest feel-matches we measure are “Small Fry” by Wes Montgomery, “All Across the City” by Jim Hall, “Interplay” by Jim Hall — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.
How intense is “Manha de Carnaval”?
It measures 21/100 on our intensity scale, computed from a dynamic range of 5/10, smooth texture, no sudden shifts, and instrumental. Tempo is 120 BPM.
How do you decide which songs are similar?
Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.
By the numbers: how this song compares
Computed from this song’s place among the 19,209 songs we’ve measured.
Where it sits in 19,000 songs
This sits near the calm end of everything we've measured — gentler than 87% of the 19,209 songs in the library. Its intensity reading of 21/100 comes from a dynamic range of 5/10, smooth texture, no sudden shifts, and instrumental. Relatively few songs occupy this exact corner of the spectrum.
What makes it unusual
What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 88% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.
Feels almost identical to
Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.
What it’s good for
Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.
1962 in context
The 107 songs we’ve measured from 1962 average a dynamic range of 5.9/10. At 5/10, this track is gentler and steadier than its year.
Mixes smoothly with
Within a few BPM and close in feel — they flow without a jarring transition.
The fingerprint
The 8-dimension measurement behind every rating on this page.
Want the single closest match, with every dimension compared?
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