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10 songs that feel like Long Time Gone

Matched to Long Time Gone by Crosby, Stills & Nash on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Long Time Gone
The song you love
Long Time Gone
Crosby, Stills & Nash
moderate 50/100 intensity 92 BPM
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Soundtrack 2 My Life — Kid Cudi moderate 92 BPM

A 99% feel-match — carries the same cathartic pull and lands at almost exactly the same energy (50/100). Nearly the same tempo, too (92 BPM).

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Watch You Burn — Chris Stapleton intense 85 BPM

96% match across our 8 measured dimensions; it runs a little hotter at 60/100. Same layered texture.

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Chained and Bound — Otis Redding moderate 85 BPM

Keeps the same cathartic pull — lands at almost exactly the same energy (50/100). Measured 99% alike. Nearly the same tempo, too (85 BPM).

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Once — Pearl Jam moderate 90 BPM

Measures 99% the same. It lands at almost exactly the same energy (50/100). Same layered texture.

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Parting Gift — Fiona Apple moderate 92 BPM

A 96% feel-match — carries the same cathartic pull and lands at almost exactly the same energy (47/100). Nearly the same tempo, too (92 BPM).

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Red Rain — Peter Gabriel moderate 83 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (50/100). Same layered texture.

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Hunger — Florence and the Machine moderate 110 BPM

Keeps the same cathartic pull — lands at almost exactly the same energy (52/100). Measured 96% alike.

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Take What You Want — Post Malone moderate 81 BPM

Measures 98% the same. It lands at almost exactly the same energy (49/100). Same layered texture.

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Back and Forth — Kehlani moderate 92 BPM

A 99% feel-match — carries the same cathartic pull and lands at almost exactly the same energy (50/100). Nearly the same tempo, too (92 BPM).

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Come On — Lucinda Williams moderate 85 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (46/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Long Time Gone is more than you want right now.

If I Were a Boy by Beyoncé
If I Were a Boy — Beyoncé safe 92 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 28/100, down from 50. Nearly the same tempo, too.

Happy For You by Dua Lipa
Happy For You — Dua Lipa safe 95 BPM

Its dynamic range stays a gentler 5 where the original climbs to 7, so it lands at 29/100 — the pull without the edge. Nearly the same tempo, too.

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Your Mind Is Not Your Friend — The National safe 80 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 7. Reads 16/100.

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When All Is Said and Done — ABBA safe 102 BPM

Holds the same feel while it stays in our safe band start to finish. 39/100, versus the original's 50. Nearly the same tempo, too.

Almost Is Never Enough by Ariana Grande feat. Nathan Sykes
Almost Is Never Enough — Ariana Grande feat. Nathan Sykes safe 80 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 24/100, down from 50.

Speed Trap Town by Jason Isbell
Speed Trap Town — Jason Isbell safe 80 BPM

Its dynamic range stays a gentler 4 where the original climbs to 7, so it lands at 16/100 — the pull without the edge.

Speed of the Sound of Loneliness by John Prine
Speed of the Sound of Loneliness — John Prine safe 85 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 7. Reads 16/100. Nearly the same tempo, too.

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The Tree of Forgiveness — John Prine safe 90 BPM

Holds the same feel while its dynamic range stays a gentler 5 where the original climbs to 7. 21/100, versus the original's 50. Nearly the same tempo, too.

Frequently asked

What songs sound like “Long Time Gone” by Crosby, Stills & Nash?

The closest feel-matches we measure are “Soundtrack 2 My Life” by Kid Cudi, “Watch You Burn” by Chris Stapleton, “Chained and Bound” by Otis Redding — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Long Time Gone” but calmer?

“If I Were a Boy” by Beyoncé, “Happy For You” by Dua Lipa, “Your Mind Is Not Your Friend” by The National keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Long Time Gone”?

It measures 50/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 92 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 62% of songs, calmer than the other 38%. Its intensity reading of 50/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is blazing intensity: more extreme on that axis than 62% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep3/10
Focus7/10
Workout3/10
Dinner7/10
Party / hype4/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1969 in context

The 222 songs we’ve measured from 1969 average a dynamic range of 6.3/10. At 7/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity50
Dynamics67
Tempo29
Surprise25
Density33
Predictability50
Vocal force75
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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