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10 songs that feel like Killing Yourself to Live

Matched to Killing Yourself to Live by Black Sabbath on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Killing Yourself to Live
The song you love
Killing Yourself to Live
Black Sabbath
intense 66/100 intensity 145 BPM
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Been a Son — Nirvana intense 145 BPM

A 99% feel-match — carries the same rebellious pull and lands at almost exactly the same energy (66/100). Nearly the same tempo, too (145 BPM).

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River Euphrates — Pixies intense 145 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (66/100). Same layered texture.

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Know Your Rights — The Clash intense 145 BPM

Keeps the same rebellious pull — lands at almost exactly the same energy (66/100). Measured 99% alike. Nearly the same tempo, too (145 BPM).

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Ziggy Stardust — Bauhaus intense 145 BPM

Measures 99% the same. It lands at almost exactly the same energy (66/100). Same layered texture.

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Low — Foo Fighters intense 144 BPM

A 99% feel-match — carries the same rebellious pull and lands at almost exactly the same energy (66/100). Nearly the same tempo, too (144 BPM).

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Off the Grid — Kanye West intense 148 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (66/100). Same layered texture.

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That Black Bat Licorice — Jack White intense 142 BPM

Keeps the same rebellious pull — lands at almost exactly the same energy (66/100). Measured 99% alike. Nearly the same tempo, too (142 BPM).

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25th Floor — Patti Smith Group intense 142 BPM

Measures 99% the same. It lands at almost exactly the same energy (66/100). Same layered texture.

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Tyrant — Beyoncé intense 140 BPM

A 99% feel-match — carries the same rebellious pull and lands at almost exactly the same energy (65/100). Nearly the same tempo, too (140 BPM).

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XXX. — Kendrick Lamar intense 140 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (65/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Killing Yourself to Live is more than you want right now.

Actor Out of Work by St. Vincent
Actor Out of Work — St. Vincent moderate 126 BPM

Keeps the same feel of the original, but it eases off just enough to take the edge off. Intensity 60/100, down from 66.

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Ohio — Crosby, Stills, Nash & Young moderate 128 BPM

Its dynamic range stays a gentler 6 where the original climbs to 8, so it lands at 50/100 — the pull without the edge.

Everything Counts by Depeche Mode
Everything Counts — Depeche Mode moderate 120 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 6 where the original climbs to 8. Reads 49/100.

Ready to Start by Arcade Fire
Ready to Start — Arcade Fire moderate 120 BPM

Holds the same feel while it eases off just enough to take the edge off. 60/100, versus the original's 66.

When the Sun Goes Down by Arctic Monkeys
When the Sun Goes Down — Arctic Monkeys moderate 168 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 6 where the original climbs to 8. Intensity 53/100, down from 66.

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Revolutionary Generation — Public Enemy moderate 95 BPM

It measures markedly calmer overall, so it lands at 51/100 — the pull without the edge.

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Black Thighs — The Last Poets moderate 85 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 6 where the original climbs to 8. Reads 40/100.

Mean Machine by The Last Poets
Mean Machine — The Last Poets moderate 95 BPM

Holds the same feel while its dynamic range stays a gentler 6 where the original climbs to 8. 41/100, versus the original's 66.

Frequently asked

What songs sound like “Killing Yourself to Live” by Black Sabbath?

The closest feel-matches we measure are “Been a Son” by Nirvana, “River Euphrates” by Pixies, “Know Your Rights” by The Clash — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Killing Yourself to Live” but calmer?

“Actor Out of Work” by St. Vincent, “Ohio” by Crosby, Stills, Nash & Young, “Everything Counts” by Depeche Mode keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Killing Yourself to Live”?

It measures 66/100 on our intensity scale, computed from a dynamic range of 8/10, layered texture, moderate sudden shifts, and dynamic vocals. Tempo is 145 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

This is one of the more intense things in our library — more energetic than 87% of the 19,209 songs we've measured. Its intensity reading of 66/100 comes from a dynamic range of 8/10, layered texture, moderate shifts, and dynamic vocals. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is a fast, driving tempo: more extreme on that axis than 94% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep0/10
Focus3/10
Workout8/10
Dinner5/10
Party / hype7/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1973 in context

The 297 songs we’ve measured from 1973 average a dynamic range of 6.4/10. At 8/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity66
Dynamics78
Tempo58
Surprise50
Density33
Predictability50
Vocal force75
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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