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10 songs that feel like It's the End of the World as We Know It (And I Feel Fine)
Matched to It's the End of the World as We Know It (And I Feel Fine) by R.E.M. on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.
A 91% feel-match — carries the same rebellious pull and runs a little hotter at 75/100. Nearly the same tempo, too (202 BPM).
90% match across our 8 measured dimensions; it runs a little hotter at 74/100. Same layered texture.
Keeps the same rebellious pull — lands at almost exactly the same energy (72/100). Measured 89% alike.
Measures 89% the same. It lands at almost exactly the same energy (72/100). Same layered texture.
A 89% feel-match — carries the same rebellious pull and lands at almost exactly the same energy (72/100).
89% match across our 8 measured dimensions; it lands at almost exactly the same energy (72/100). Same layered texture.
Keeps the same rebellious pull — lands at almost exactly the same energy (72/100). Measured 89% alike.
Measures 89% the same. It lands at almost exactly the same energy (72/100). Same layered texture.
A 88% feel-match — carries the same rebellious pull and lands at almost exactly the same energy (72/100).
88% match across our 8 measured dimensions; it lands at almost exactly the same energy (72/100). Same layered texture.
…and if you want it calmer
Same feeling, measured gentler — for when It's the End of the World as We Know It (And I Feel Fine) is more than you want right now.
Keeps the same feel of the original, but it measures markedly calmer overall. Intensity 50/100, down from 68.
Its dynamic range stays a gentler 6 where the original climbs to 8, so it lands at 50/100 — the pull without the edge.
If it's the same feel you're after, this delivers it while it measures markedly calmer overall. Reads 53/100.
Holds the same feel while it measures markedly calmer overall. 60/100, versus the original's 68.
Keeps the same feel of the original, but it measures markedly calmer overall. Intensity 46/100, down from 68.
It measures markedly calmer overall, so it lands at 60/100 — the pull without the edge.
If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 6 where the original climbs to 8. Reads 49/100.
Holds the same feel while its dynamic range stays a gentler 6 where the original climbs to 8. 49/100, versus the original's 68.
Frequently asked
What songs sound like “It's the End of the World as We Know It (And I Feel Fine)” by R.E.M.?
The closest feel-matches we measure are “The Great Deceiver” by King Crimson, “Coptic Times” by Bad Brains, “Dark Entries” by Bauhaus — the top match scores 91% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.
What songs are like “It's the End of the World as We Know It (And I Feel Fine)” but calmer?
“We the People....” by A Tribe Called Quest, “Ohio” by Crosby, Stills, Nash & Young, “Panic” by The Smiths keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.
How intense is “It's the End of the World as We Know It (And I Feel Fine)”?
It measures 68/100 on our intensity scale, computed from a dynamic range of 8/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 206 BPM.
How do you decide which songs are similar?
Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.
By the numbers: how this song compares
Computed from this song’s place among the 19,209 songs we’ve measured.
Where it sits in 19,000 songs
This is one of the more intense things in our library — more energetic than 88% of the 19,209 songs we've measured. Its intensity reading of 68/100 comes from a dynamic range of 8/10, layered texture, mild shifts, and dynamic vocals. Relatively few songs occupy this exact corner of the spectrum.
What makes it unusual
What stands out most about this song is a fast, driving tempo: more extreme on that axis than 100% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.
Feels almost identical to
Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.
Dial the feeling up or down
What it’s good for
Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.
1987 in context
The 205 songs we’ve measured from 1987 average a dynamic range of 6.5/10. At 8/10, this track is louder and more dynamic than its year.
Mixes smoothly with
Within a few BPM and close in feel — they flow without a jarring transition.
The fingerprint
The 8-dimension measurement behind every rating on this page.
Want the single closest match, with every dimension compared?
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