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10 songs that feel like I Slept with Someone in Fall Out Boy and All I Got Was This Stupid Song Written About Me
Matched to I Slept with Someone in Fall Out Boy and All I Got Was This Stupid Song Written About Me by Fall Out Boy on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.
A 99% feel-match — carries the same joyful pull and lands at almost exactly the same energy (45/100). Nearly the same tempo, too (140 BPM).
97% match across our 8 measured dimensions; it lands at almost exactly the same energy (43/100). Same layered texture.
Keeps the same joyful pull — lands at almost exactly the same energy (43/100). Measured 97% alike.
Measures 97% the same. It lands at almost exactly the same energy (43/100). Same layered texture.
A 97% feel-match — carries the same joyful pull and lands at almost exactly the same energy (43/100).
97% match across our 8 measured dimensions; it lands at almost exactly the same energy (43/100). Same layered texture.
Keeps the same joyful pull — lands at almost exactly the same energy (43/100). Measured 97% alike.
Measures 96% the same. It lands at almost exactly the same energy (43/100). Same layered texture.
A 96% feel-match — carries the same joyful pull and lands at almost exactly the same energy (43/100).
96% match across our 8 measured dimensions; it lands at almost exactly the same energy (45/100). Same layered texture.
…and if you want it calmer
Same feeling, measured gentler — for when I Slept with Someone in Fall Out Boy and All I Got Was This Stupid Song Written About Me is more than you want right now.
Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 6. Intensity 19/100, down from 44.
Its dynamic range stays a gentler 4 where the original climbs to 6, so it lands at 19/100 — the pull without the edge.
If it's the same feel you're after, this delivers it while it stays in our safe band start to finish. Reads 24/100.
Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 6. 14/100, versus the original's 44.
Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 36/100, down from 44.
It stays in our safe band start to finish, so it lands at 33/100 — the pull without the edge.
If it's the same feel you're after, this delivers it while it stays in our safe band start to finish. Reads 22/100.
Holds the same feel while it stays in our safe band start to finish. 27/100, versus the original's 44.
Frequently asked
What songs sound like “I Slept with Someone in Fall Out Boy and All I Got Was This Stupid Song Written About Me” by Fall Out Boy?
The closest feel-matches we measure are “Hungry Heart” by Bruce Springsteen, “On the Sunny Side of the Street” by Louis Armstrong, “Just Another Girl” by The Killers — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.
What songs are like “I Slept with Someone in Fall Out Boy and All I Got Was This Stupid Song Written About Me” but calmer?
“Who Loves the Sun” by The Velvet Underground, “Brown Eyed Girl” by Van Morrison, “Let's Stay Together” by Al Green keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.
How intense is “I Slept with Someone in Fall Out Boy and All I Got Was This Stupid Song Written About Me”?
It measures 44/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, no sudden shifts, and dynamic vocals. Tempo is 134 BPM.
How do you decide which songs are similar?
Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.
By the numbers: how this song compares
Computed from this song’s place among the 19,209 songs we’ve measured.
Where it sits in 19,000 songs
On our 19k-song scale this lands in the middle band — more energetic than 41% of songs, calmer than the other 59%. Its intensity reading of 44/100 comes from a dynamic range of 6/10, layered texture, no sudden shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.
What makes it unusual
What stands out most about this song is a fast, driving tempo: more extreme on that axis than 89% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.
Feels almost identical to
Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.
What it’s good for
Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.
2005 in context
The 363 songs we’ve measured from 2005 average a dynamic range of 6.2/10. At 6/10, this track is right in line with its year.
Mixes smoothly with
Within a few BPM and close in feel — they flow without a jarring transition.
The fingerprint
The 8-dimension measurement behind every rating on this page.
Want the single closest match, with every dimension compared?
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