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10 songs that feel like I Don't Know What You Want But I Can't Give It Any More

Matched to I Don't Know What You Want But I Can't Give It Any More by Pet Shop Boys on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

I Don't Know What You Want But I Can't Give It Any More
The song you love
I Don't Know What You Want But I Can't Give It Any More
Pet Shop Boys
moderate 44/100 intensity 114 BPM
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Enjoy the Silence — Depeche Mode moderate 113 BPM

A 99% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (44/100). Nearly the same tempo, too (113 BPM).

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Feels Like We Only Go Backwards — Tame Impala moderate 110 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (44/100). Same layered texture.

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Tales of Brave Ulysses — Cream moderate 100 BPM

Keeps the same contemplative pull — lands at almost exactly the same energy (43/100). Measured 97% alike.

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No One to Depend On — Carlos Santana moderate 100 BPM

Measures 97% the same. It lands at almost exactly the same energy (43/100). Same layered texture.

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Everybody Wants to Rule the World — Tears for Fears moderate 116 BPM

A 99% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (44/100). Nearly the same tempo, too (116 BPM).

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Strange Mercy — St Vincent moderate 110 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (44/100). Same layered texture.

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Heaven or Las Vegas — Cocteau Twins moderate 118 BPM

Keeps the same contemplative pull — lands at almost exactly the same energy (45/100). Measured 99% alike. Nearly the same tempo, too (118 BPM).

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Little Lies — Fleetwood Mac moderate 120 BPM

Measures 96% the same. It lands at almost exactly the same energy (41/100). Same layered texture.

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Heretics — Andrew Bird moderate 110 BPM

A 96% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (44/100). Nearly the same tempo, too (110 BPM).

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Ripples — Genesis safe 118 BPM

95% match across our 8 measured dimensions; it lands at almost exactly the same energy (45/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when I Don't Know What You Want But I Can't Give It Any More is more than you want right now.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 5 where the original climbs to 7. Intensity 24/100, down from 44.

Every Breath You Take by The Police
Every Breath You Take — The Police safe 117 BPM

Nothing in it lurches or startles, so it lands at 27/100 — the pull without the edge. Nearly the same tempo, too.

What a Fool Believes by The Doobie Brothers
What a Fool Believes — The Doobie Brothers safe 100 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 5 where the original climbs to 7. Reads 22/100.

Circles by Post Malone
Circles — Post Malone safe 120 BPM

Holds the same feel while nothing in it lurches or startles. 27/100, versus the original's 44. Nearly the same tempo, too.

Fire and Rain by James Taylor
Fire and Rain — James Taylor safe 90 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 5 where the original climbs to 7. Intensity 21/100, down from 44.

Sittin' On The Dock of the Bay by Otis Redding
Sittin' On The Dock of the Bay — Otis Redding safe 88 BPM

Its dynamic range stays a gentler 5 where the original climbs to 7, so it lands at 20/100 — the pull without the edge.

Here's Where the Story Ends by The Sundays
Here's Where the Story Ends — The Sundays safe 90 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 5 where the original climbs to 7. Reads 21/100.

Chasing Pavements by Adele
Chasing Pavements — Adele safe 85 BPM

Holds the same feel while nothing in it lurches or startles. 24/100, versus the original's 44.

Frequently asked

What songs sound like “I Don't Know What You Want But I Can't Give It Any More” by Pet Shop Boys?

The closest feel-matches we measure are “Enjoy the Silence” by Depeche Mode, “Feels Like We Only Go Backwards” by Tame Impala, “Tales of Brave Ulysses” by Cream — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “I Don't Know What You Want But I Can't Give It Any More” but calmer?

“It's Too Late” by Carole King, “Every Breath You Take” by The Police, “What a Fool Believes” by The Doobie Brothers keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “I Don't Know What You Want But I Can't Give It Any More”?

It measures 44/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and soft vocals. Tempo is 114 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 41% of songs, calmer than the other 59%. Its intensity reading of 44/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and soft vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is deep calm: more extreme on that axis than 59% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep5/10
Focus10/10
Workout3/10
Dinner8/10
Party / hype5/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1999 in context

The 304 songs we’ve measured from 1999 average a dynamic range of 6.3/10. At 7/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity44
Dynamics67
Tempo41
Surprise25
Density33
Predictability50
Vocal force25
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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