← Back to Headphones

10 songs that feel like Headphones

Matched to Headphones by Björk on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Headphones
The song you love
Headphones
Björk
moderate 38/100 intensity 90 BPM
♪
Auntie's Lock/Infinitum — Flying Lotus moderate 85 BPM

A 99% feel-match — carries the same dreamy pull and lands at almost exactly the same energy (38/100). Nearly the same tempo, too (85 BPM).

♪
Wild — Beach House moderate 95 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (39/100). Same layered texture.

♪
Gold Soundz — Pavement moderate 95 BPM

Keeps the same dreamy pull — lands at almost exactly the same energy (39/100). Measured 99% alike. Nearly the same tempo, too (95 BPM).

♪
Almendra — Buena Vista Social Club moderate 90 BPM

Measures 99% the same. It lands at almost exactly the same energy (38/100). Same layered texture.

♪
Hello Like Before — Bill Withers moderate 90 BPM

A 99% feel-match — carries the same nostalgic pull and lands at almost exactly the same energy (38/100). Nearly the same tempo, too (90 BPM).

♪
Lilac — IU moderate 90 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (38/100). Same layered texture.

♪
Bella Luna — Jason Mraz moderate 80 BPM

Keeps the same dreamy pull — lands at almost exactly the same energy (38/100). Measured 98% alike.

♪
Tis the Damn Season — Taylor Swift moderate 80 BPM

Measures 98% the same. It lands at almost exactly the same energy (38/100). Same layered texture.

♪
San Antonio Girl — Lyle Lovett moderate 80 BPM

A 98% feel-match — carries the same nostalgic pull and lands at almost exactly the same energy (38/100).

♪
Heaven at Once — Kool and the Gang moderate 100 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (39/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Headphones is more than you want right now.

♪

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 6. Intensity 16/100, down from 38. Nearly the same tempo, too.

Deja Vu by Post Malone feat. Justin Bieber
Deja Vu — Post Malone feat. Justin Bieber safe 75 BPM

Its dynamic range stays a gentler 4 where the original climbs to 6, so it lands at 16/100 — the pull without the edge.

Crushed by Cocteau Twins
Crushed — Cocteau Twins safe 92 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 6. Reads 17/100. Nearly the same tempo, too.

Way to the Show by Solange
Way to the Show — Solange safe 80 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 6. 16/100, versus the original's 38. Nearly the same tempo, too.

11:21 by Wet Leg
11:21 — Wet Leg safe 90 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 3 where the original climbs to 6. Intensity 13/100, down from 38. Nearly the same tempo, too.

Venus as a Boy by Björk
Venus as a Boy — Björk safe 84 BPM

Nothing in it lurches or startles, so it lands at 20/100 — the pull without the edge. Nearly the same tempo, too.

Someday We'll Be Together by The Supremes
Someday We'll Be Together — The Supremes safe 100 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 33/100. Nearly the same tempo, too.

Fifteen by Taylor Swift
Fifteen — Taylor Swift safe 96 BPM

Holds the same feel while nothing in it lurches or startles. 29/100, versus the original's 38. Nearly the same tempo, too.

Frequently asked

What songs sound like “Headphones” by Björk?

The closest feel-matches we measure are “Auntie's Lock/Infinitum” by Flying Lotus, “Wild” by Beach House, “Gold Soundz” by Pavement — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Headphones” but calmer?

“All Night Parking (With Erroll Garner Interlude)” by Adele, “Deja Vu” by Post Malone feat. Justin Bieber, “Crushed” by Cocteau Twins keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Headphones”?

It measures 38/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and soft vocals. Tempo is 90 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 27% of songs, calmer than the other 73%. Its intensity reading of 38/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and soft vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 79% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep6/10
Focus10/10
Workout2/10
Dinner8/10
Party / hype2/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1995 in context

The 329 songs we’ve measured from 1995 average a dynamic range of 6.5/10. At 6/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity38
Dynamics56
Tempo28
Surprise25
Density33
Predictability50
Vocal force25
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

Find its sonic twin →
Share on X
Check another song →