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10 songs that feel like Happy House

Matched to Happy House by Siouxsie and the Banshees on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Happy House
The song you love
Happy House
Siouxsie and the Banshees
moderate 50/100 intensity 131 BPM
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Club America — The Cure moderate 110 BPM

A 96% feel-match — carries the same sardonic pull and lands at almost exactly the same energy (48/100).

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The Night Josh Tillman Came to Our Apartment — Father John Misty moderate 95 BPM

92% match across our 8 measured dimensions; it lands at almost exactly the same energy (47/100). Same layered texture.

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Keeps the same sardonic pull — lands at almost exactly the same energy (50/100). Measured 89% alike.

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Why'd You Only Call Me When You're High? — Arctic Monkeys moderate 128 BPM

Measures 99% the same. It lands at almost exactly the same energy (50/100). Same layered texture.

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Blank Frank — Brian Eno moderate 128 BPM

A 99% feel-match — carries the same rebellious pull and lands at almost exactly the same energy (50/100). Nearly the same tempo, too (128 BPM).

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Who Killed Mr. Moonlight — Bauhaus moderate 128 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (50/100). Same layered texture.

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Swingin' Party — The Replacements moderate 128 BPM

Keeps the same rebellious pull — lands at almost exactly the same energy (50/100). Measured 99% alike. Nearly the same tempo, too (128 BPM).

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Needles in the Camel's Eye — Brian Eno moderate 135 BPM

Measures 99% the same. It lands at almost exactly the same energy (50/100). Same layered texture.

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It's Alright, Ma (I'm Only Bleeding) — Bob Dylan moderate 135 BPM

A 99% feel-match — carries the same rebellious pull and lands at almost exactly the same energy (50/100). Nearly the same tempo, too (135 BPM).

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Narc — Interpol moderate 135 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (50/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Happy House is more than you want right now.

De Do Do Do, De Da Da Da by The Police
De Do Do Do, De Da Da Da — The Police safe 120 BPM

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 41/100, down from 50.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

Nothing in it lurches or startles, so it lands at 24/100 — the pull without the edge. Nearly the same tempo, too.

The Times They Are a-Changin' by Bob Dylan
The Times They Are a-Changin' — Bob Dylan safe 120 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 27/100.

Lovesong by The Cure
Lovesong — The Cure safe 92 BPM

Holds the same feel while it stays in our safe band start to finish. 35/100, versus the original's 50.

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Midnight — Tycho safe 120 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 26/100, down from 50.

Clean by Taylor Swift
Clean — Taylor Swift safe 120 BPM

Nothing in it lurches or startles, so it lands at 26/100 — the pull without the edge.

10:15 Saturday Night by The Cure
10:15 Saturday Night — The Cure safe 128 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 6. Reads 20/100. Nearly the same tempo, too.

Friday I'm In Love by The Cure
Friday I'm In Love — The Cure safe 135 BPM

Holds the same feel while it stays in our safe band start to finish. 34/100, versus the original's 50. Nearly the same tempo, too.

Frequently asked

What songs sound like “Happy House” by Siouxsie and the Banshees?

The closest feel-matches we measure are “Club America” by The Cure, “The Night Josh Tillman Came to Our Apartment” by Father John Misty, “Things It Would Have Been Helpful to Know Before the Revolution” by Father John Misty — the top match scores 96% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Happy House” but calmer?

“De Do Do Do, De Da Da Da” by The Police, “It's Too Late” by Carole King, “The Times They Are a-Changin'” by Bob Dylan keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Happy House”?

It measures 50/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 131 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 62% of songs, calmer than the other 38%. Its intensity reading of 50/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a fast, driving tempo: more extreme on that axis than 88% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep3/10
Focus7/10
Workout6/10
Dinner7/10
Party / hype6/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1980 in context

The 257 songs we’ve measured from 1980 average a dynamic range of 6.3/10. At 6/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity50
Dynamics56
Tempo51
Surprise25
Density33
Predictability50
Vocal force75
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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