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10 songs that feel like Give Out

Matched to Give Out by Sharon Van Etten on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Give Out
Sharon Van Etten
moderate 49/100 intensity 120 BPM
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Up the Wolves — The Mountain Goats moderate 125 BPM

A 99% feel-match — carries the same hopeful pull and lands at almost exactly the same energy (49/100). Nearly the same tempo, too (125 BPM).

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You Are a Tourist — Death Cab for Cutie moderate 118 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (49/100). Same layered texture.

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Sprawl II (Mountains Beyond Mountains) — Arcade Fire moderate 120 BPM

Keeps the same hopeful pull — lands at almost exactly the same energy (53/100). Measured 96% alike. Nearly the same tempo, too (120 BPM).

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Hairpin Turns — The National moderate 92 BPM

Measures 93% the same. It lands at almost exactly the same energy (47/100). Same layered texture.

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Bowl of Oranges — Bright Eyes moderate 110 BPM

A 95% feel-match — carries the same hopeful pull and lands at almost exactly the same energy (48/100).

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Cloudbusting — Kate Bush moderate 102 BPM

95% match across our 8 measured dimensions; it lands at almost exactly the same energy (51/100). Same layered texture.

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Love Is a Game — Adele moderate 108 BPM

Keeps the same hopeful pull — lands at almost exactly the same energy (52/100). Measured 94% alike.

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One Day — Björk moderate 95 BPM

Measures 95% the same. It lands at almost exactly the same energy (47/100). Same layered texture.

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I Don't Wanna Fight — Tina Turner moderate 108 BPM

A 95% feel-match — carries the same hopeful pull and lands at almost exactly the same energy (48/100).

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A Better Tomorrow — Wu-Tang Clan moderate 90 BPM

93% match across our 8 measured dimensions; it lands at almost exactly the same energy (46/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Give Out is more than you want right now.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 24/100, down from 49. Nearly the same tempo, too.

Cinder and Smoke by Iron & Wine
Cinder and Smoke — Iron & Wine safe 72 BPM

Its dynamic range stays a gentler 4 where the original climbs to 6, so it lands at 15/100 — the pull without the edge.

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For Today I Am a Boy — Antony and the Johnsons safe 70 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 3 where the original climbs to 6. Reads 11/100.

If I Were a Boy by Beyoncé
If I Were a Boy — Beyoncé safe 92 BPM

Holds the same feel while nothing in it lurches or startles. 28/100, versus the original's 49.

Please, Please, Please Let Me Get What I Want by The Smiths

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 23/100, down from 49.

William, It Was Really Nothing by The Smiths
William, It Was Really Nothing — The Smiths safe 92 BPM

Nothing in it lurches or startles, so it lands at 25/100 — the pull without the edge.

August by Taylor Swift
August — Taylor Swift safe 90 BPM

If it's the same feel you're after, this delivers it while it stays in our safe band start to finish. Reads 35/100.

Male Fantasy by Billie Eilish
Male Fantasy — Billie Eilish safe 90 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 6. 26/100, versus the original's 49.

Frequently asked

What songs sound like “Give Out” by Sharon Van Etten?

The closest feel-matches we measure are “Up the Wolves” by The Mountain Goats, “You Are a Tourist” by Death Cab for Cutie, “Sprawl II (Mountains Beyond Mountains)” by Arcade Fire — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Give Out” but calmer?

“It's Too Late” by Carole King, “Cinder and Smoke” by Iron & Wine, “For Today I Am a Boy” by Antony and the Johnsons keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Give Out”?

It measures 49/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 120 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 55% of songs, calmer than the other 45%. Its intensity reading of 49/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 79% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep4/10
Focus7/10
Workout6/10
Dinner7/10
Party / hype5/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2012 in context

The 262 songs we’ve measured from 2012 average a dynamic range of 6.5/10. At 6/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity49
Dynamics56
Tempo44
Surprise25
Density33
Predictability50
Vocal force75
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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