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10 songs that feel like Autumn (L'autunno), Violin Concerto in F major, Op. 8, No. 3, RV 293

Matched to Autumn (L'autunno), Violin Concerto in F major, Op. 8, No. 3, RV 293 by Antonio Vivaldi on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Autumn (L'autunno), Violin Concerto in F major, Op. 8, No. 3, RV 293
Antonio Vivaldi
moderate 50/100 intensity 120 BPM
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Symphony No. 6 in F major, Op. 68 "Pastoral" — Ludwig van Beethoven moderate 126 BPM

A 99% feel-match — carries the same joyful pull and lands at almost exactly the same energy (50/100). Nearly the same tempo, too (126 BPM).

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Capriccio Italien — Pyotr Ilyich Tchaikovsky moderate 120 BPM

94% match across our 8 measured dimensions; it lands at almost exactly the same energy (54/100). Same layered texture.

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Potato Head Blues — Louis Armstrong moderate 160 BPM

Keeps the same playful pull — lands at almost exactly the same energy (53/100). Measured 92% alike.

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Golliwogs Cakewalk — Claude Debussy moderate 120 BPM

Measures 94% the same. It lands at almost exactly the same energy (46/100). Same layered texture.

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Academic Festival Overture — Johannes Brahms intense 120 BPM

A 91% feel-match — carries the same playful pull and runs a little hotter at 60/100. Nearly the same tempo, too (120 BPM).

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Piano Quintet in A major, D. 667 'Trout' — Franz Schubert safe 120 BPM

94% match across our 8 measured dimensions; it lands at almost exactly the same energy (45/100). Same layered texture.

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Golliwog's Cakewalk — Claude Debussy moderate 120 BPM

Keeps the same playful pull — lands at almost exactly the same energy (50/100). Measured 96% alike. Nearly the same tempo, too (120 BPM).

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Fêtes (Nocturnes No. 2) — Claude Debussy moderate 120 BPM

Measures 96% the same. It lands at almost exactly the same energy (50/100). Same layered texture.

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The Black Rider — Howard Shore moderate 120 BPM

A 96% feel-match — carries the same playful pull and lands at almost exactly the same energy (50/100). Nearly the same tempo, too (120 BPM).

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Symphony in C — Igor Stravinsky moderate 120 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (50/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Autumn (L'autunno), Violin Concerto in F major, Op. 8, No. 3, RV 293 is more than you want right now.

22 by Taylor Swift
22 — Taylor Swift safe 120 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 5 where the original climbs to 7. Intensity 39/100, down from 50. Nearly the same tempo, too.

Friday I'm In Love by The Cure
Friday I'm In Love — The Cure safe 135 BPM

It stays in our safe band start to finish, so it lands at 34/100 — the pull without the edge.

Shiny Happy People by R.E.M.
Shiny Happy People — R.E.M. safe 135 BPM

If it's the same feel you're after, this delivers it while it stays in our safe band start to finish. Reads 42/100.

Skateaway by Dire Straits
Skateaway — Dire Straits safe 110 BPM

Holds the same feel while it stays in our safe band start to finish. 40/100, versus the original's 50. Nearly the same tempo, too.

Holiday by Vampire Weekend
Holiday — Vampire Weekend safe 120 BPM

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 45/100, down from 50. Nearly the same tempo, too.

The Kids Don't Stand a Chance by Vampire Weekend
The Kids Don't Stand a Chance — Vampire Weekend safe 120 BPM

It stays in our safe band start to finish, so it lands at 45/100 — the pull without the edge. Nearly the same tempo, too.

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Twistin' the Night Away — Sam Cooke safe 128 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 36/100. Nearly the same tempo, too.

Jambalaya (On the Bayou) by Hank Williams
Jambalaya (On the Bayou) — Hank Williams safe 120 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 7. 19/100, versus the original's 50. Nearly the same tempo, too.

Frequently asked

What songs sound like “Autumn (L'autunno), Violin Concerto in F major, Op. 8, No. 3, RV 293” by Antonio Vivaldi?

The closest feel-matches we measure are “Symphony No. 6 in F major, Op. 68 "Pastoral"” by Ludwig van Beethoven, “Capriccio Italien” by Pyotr Ilyich Tchaikovsky, “Potato Head Blues” by Louis Armstrong — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Autumn (L'autunno), Violin Concerto in F major, Op. 8, No. 3, RV 293” but calmer?

“22” by Taylor Swift, “Friday I'm In Love” by The Cure, “Shiny Happy People” by R.E.M. keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Autumn (L'autunno), Violin Concerto in F major, Op. 8, No. 3, RV 293”?

It measures 50/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, moderate sudden shifts, and instrumental. Tempo is 120 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 62% of songs, calmer than the other 38%. Its intensity reading of 50/100 comes from a dynamic range of 7/10, layered texture, moderate shifts, and instrumental. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is blazing intensity: more extreme on that axis than 62% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep2/10
Focus6/10
Workout6/10
Dinner7/10
Party / hype6/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity50
Dynamics67
Tempo44
Surprise50
Density33
Predictability50
Vocal force0
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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