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10 songs that feel like F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E.

Matched to F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E. by Pulp on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E.
Pulp
moderate 46/100 intensity 88 BPM
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The First Taste — Fiona Apple moderate 95 BPM

A 95% feel-match — carries the same sensual pull and lands at almost exactly the same energy (47/100). Nearly the same tempo, too (95 BPM).

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Angel of Mercy — Dire Straits moderate 95 BPM

94% match across our 8 measured dimensions; it lands at almost exactly the same energy (51/100). Same layered texture.

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Slowdive — Siouxsie and the Banshees moderate 120 BPM

Keeps the same sensual pull — lands at almost exactly the same energy (49/100). Measured 94% alike.

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Sanctified Lady — Marvin Gaye moderate 112 BPM

Measures 93% the same. It lands at almost exactly the same energy (48/100). Same layered texture.

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Stripped — Depeche Mode moderate 95 BPM

A 90% feel-match — carries the same sensual pull and lands at almost exactly the same energy (51/100). Nearly the same tempo, too (95 BPM).

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Lovers (Live a Little Longer) — ABBA moderate 110 BPM

90% match across our 8 measured dimensions; it runs a little hotter at 55/100. Same layered texture.

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Steamy Windows — Tina Turner moderate 112 BPM

Keeps the same sensual pull — runs a little hotter at 52/100. Measured 94% alike.

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How Do U Want It — 2Pac moderate 106 BPM

Measures 93% the same. It runs a little hotter at 52/100. Same layered texture.

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Off to the Races — Lana Del Rey moderate 125 BPM

A 93% feel-match — carries the same sensual pull and lands at almost exactly the same energy (49/100).

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No Te Contaron Mal — Natti Natasha & Ozuna moderate 88 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (46/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E. is more than you want right now.

Please, Please, Please by James Brown
Please, Please, Please — James Brown safe 80 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 32/100, down from 46. Nearly the same tempo, too.

Please, Please, Please Let Me Get What I Want by The Smiths

Nothing in it lurches or startles, so it lands at 23/100 — the pull without the edge.

William, It Was Really Nothing by The Smiths
William, It Was Really Nothing — The Smiths safe 92 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 25/100. Nearly the same tempo, too.

Quiet Now by Bill Evans
Quiet Now — Bill Evans safe 90 BPM

Holds the same feel while it stays in our safe band start to finish. 28/100, versus the original's 46. Nearly the same tempo, too.

I Remember Everything by John Prine
I Remember Everything — John Prine safe 75 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 2 where the original climbs to 6. Intensity 8/100, down from 46.

No Place to Fall by Townes Van Zandt
No Place to Fall — Townes Van Zandt safe 85 BPM

Its dynamic range stays a gentler 3 where the original climbs to 6, so it lands at 13/100 — the pull without the edge. Nearly the same tempo, too.

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I'm in the Mood — John Lee Hooker safe 80 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 3 where the original climbs to 6. Reads 12/100. Nearly the same tempo, too.

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If You're Feeling Sinister — Belle and Sebastian safe 85 BPM

Holds the same feel while it stays in our safe band start to finish. 35/100, versus the original's 46. Nearly the same tempo, too.

Frequently asked

What songs sound like “F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E.” by Pulp?

The closest feel-matches we measure are “The First Taste” by Fiona Apple, “Angel of Mercy” by Dire Straits, “Slowdive” by Siouxsie and the Banshees — the top match scores 95% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E.” but calmer?

“Please, Please, Please” by James Brown, “Please, Please, Please Let Me Get What I Want” by The Smiths, “William, It Was Really Nothing” by The Smiths keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E.”?

It measures 46/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 88 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 44% of songs, calmer than the other 56%. Its intensity reading of 46/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 79% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep4/10
Focus8/10
Workout3/10
Dinner7/10
Party / hype3/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1995 in context

The 329 songs we’ve measured from 1995 average a dynamic range of 6.5/10. At 6/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity46
Dynamics56
Tempo27
Surprise25
Density33
Predictability50
Vocal force75
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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