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10 songs that feel like Evil

Matched to Evil by Interpol on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Evil
Interpol
moderate 53/100 intensity 125 BPM
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Mermaids — Florence + the Machine moderate 120 BPM

A 99% feel-match — carries the same eerie pull and lands at almost exactly the same energy (53/100). Nearly the same tempo, too (120 BPM).

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Fake Palindromes — Andrew Bird moderate 120 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (49/100). Same layered texture.

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Night of the Lotus Eaters — Nick Cave & The Bad Seeds intense 110 BPM

Keeps the same eerie pull — runs a little hotter at 60/100. Measured 94% alike.

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Morning Bell — Radiohead moderate 93 BPM

Measures 88% the same. It sits a little calmer at 47/100. Same layered texture.

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God's Country — Travis Scott moderate 140 BPM

A 90% feel-match — carries the same eerie pull and lands at almost exactly the same energy (51/100).

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the grudge — Olivia Rodrigo moderate 125 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (53/100). Same layered texture.

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City with No Children — Arcade Fire moderate 125 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (53/100). Measured 99% alike. Nearly the same tempo, too (125 BPM).

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Conversation 16 — The National moderate 125 BPM

Measures 99% the same. It lands at almost exactly the same energy (53/100). Same layered texture.

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Salt in the Wound — boygenius moderate 124 BPM

A 99% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (53/100). Nearly the same tempo, too (124 BPM).

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Don't Swallow the Cap — The National moderate 126 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (53/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Evil is more than you want right now.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 5 where the original climbs to 7. Intensity 24/100, down from 53. Nearly the same tempo, too.

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Dumb — Nirvana safe 110 BPM

Its dynamic range stays a gentler 4 where the original climbs to 7, so it lands at 19/100 — the pull without the edge.

Please, Please, Please Let Me Get What I Want by The Smiths

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 23/100.

The Prophecy by Taylor Swift
The Prophecy — Taylor Swift safe 96 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 7. 17/100, versus the original's 53.

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Cornerstone — Arctic Monkeys safe 128 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 7. Intensity 20/100, down from 53. Nearly the same tempo, too.

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Pictures of Me — Elliott Smith safe 120 BPM

Its dynamic range stays a gentler 4 where the original climbs to 7, so it lands at 24/100 — the pull without the edge. Nearly the same tempo, too.

Me in Honey by R.E.M.
Me in Honey — R.E.M. safe 110 BPM

If it's the same feel you're after, this delivers it while it stays in our safe band start to finish. Reads 45/100.

Salad Days by Mac DeMarco
Salad Days — Mac DeMarco safe 110 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 7. 19/100, versus the original's 53.

Frequently asked

What songs sound like “Evil” by Interpol?

The closest feel-matches we measure are “Mermaids” by Florence + the Machine, “Fake Palindromes” by Andrew Bird, “Night of the Lotus Eaters” by Nick Cave & The Bad Seeds — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Evil” but calmer?

“It's Too Late” by Carole King, “Dumb” by Nirvana, “Please, Please, Please Let Me Get What I Want” by The Smiths keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Evil”?

It measures 53/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 125 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 69% of songs, calmer than the other 31%. Its intensity reading of 53/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a fast, driving tempo: more extreme on that axis than 82% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep3/10
Focus7/10
Workout6/10
Dinner7/10
Party / hype6/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2004 in context

The 334 songs we’ve measured from 2004 average a dynamic range of 6.4/10. At 7/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity53
Dynamics67
Tempo47
Surprise25
Density33
Predictability50
Vocal force75
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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