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10 songs that feel like Every Angel Is Terrifying

Matched to Every Angel Is Terrifying by The Weeknd on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Every Angel Is Terrifying
The song you love
Every Angel Is Terrifying
The Weeknd
moderate 41/100 intensity
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Drive-In Saturday — David Bowie moderate 120 BPM

A 78% feel-match — carries the same surreal pull and runs a little hotter at 53/100.

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Discoverer — R.E.M. moderate 125 BPM

90% match across our 8 measured dimensions; it runs a little hotter at 50/100. Same layered texture.

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Histoire du Soldat — Igor Stravinsky moderate 120 BPM

Keeps the same contemplative pull — runs a little hotter at 50/100. Measured 90% alike.

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Sæglópur — Sigur Rós safe 90 BPM

Measures 89% the same. It sits a little calmer at 31/100. Same layered texture.

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Aquarius — Boards of Canada moderate 85 BPM

A 89% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (36/100).

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Seigfried — Frank Ocean safe 120 BPM

89% match across our 8 measured dimensions; it sits a little calmer at 33/100. Same layered texture.

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Elvis Presley Blues — Gillian Welch moderate 90 BPM

Keeps the same contemplative pull — sits a little calmer at 35/100. Measured 89% alike.

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Ritual Spirit — Massive Attack moderate 85 BPM

Measures 88% the same. It sits a little calmer at 34/100. Same layered texture.

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Radio Cure — Wilco moderate 85 BPM

A 88% feel-match — carries the same contemplative pull and sits a little calmer at 34/100.

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Where Do We Go — Solange moderate 85 BPM

88% match across our 8 measured dimensions; it sits a little calmer at 34/100. Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Every Angel Is Terrifying is more than you want right now.

Says by Nils Frahm
Says — Nils Frahm safe 68 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 9/100, down from 41.

Sæglópur by Sigur Rós
Sæglópur — Sigur Rós safe 90 BPM

It stays in our safe band start to finish, so it lands at 31/100 — the pull without the edge.

An Ending (Ascent) by Brian Eno
An Ending (Ascent) — Brian Eno safe 60 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 12/100.

Both Sides, Now by Joni Mitchell
Both Sides, Now — Joni Mitchell safe 82 BPM

Holds the same feel while nothing in it lurches or startles. 27/100, versus the original's 41.

Don't Know Why by Norah Jones
Don't Know Why — Norah Jones safe 84 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 20/100, down from 41.

Wild World by Cat Stevens
Wild World — Cat Stevens safe 69 BPM

Nothing in it lurches or startles, so it lands at 19/100 — the pull without the edge.

Fire and Rain by James Taylor
Fire and Rain — James Taylor safe 90 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 21/100.

The Revolution Will Not Be Televised by Gil Scott-Heron
The Revolution Will Not Be Televised — Gil Scott-Heron safe 90 BPM

Holds the same feel while it stays in our safe band start to finish. 32/100, versus the original's 41.

Frequently asked

What songs sound like “Every Angel Is Terrifying” by The Weeknd?

The closest feel-matches we measure are “Drive-In Saturday” by David Bowie, “Discoverer” by R.E.M., “Histoire du Soldat” by Igor Stravinsky — the top match scores 78% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Every Angel Is Terrifying” but calmer?

“Says” by Nils Frahm, “Sæglópur” by Sigur Rós, “An Ending (Ascent)” by Brian Eno keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Every Angel Is Terrifying”?

It measures 41/100 on our intensity scale, computed from a dynamic range of 4/10, layered texture, moderate sudden shifts, and spoken word.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 35% of songs, calmer than the other 65%. Its intensity reading of 41/100 comes from a dynamic range of 4/10, layered texture, moderate shifts, and spoken word. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a slow, unhurried pace: more extreme on that axis than 100% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

Dial the feeling up or down

What it’s good for

Sleep2/10
Focus5/10
Workout2/10
Dinner8/10
Party / hype3/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2022 in context

The 362 songs we’ve measured from 2022 average a dynamic range of 6.3/10. At 4/10, this track is gentler and steadier than its year.

The fingerprint

Intensity41
Dynamics33
Tempo33
Surprise50
Density33
Predictability50
Vocal force40
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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